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MTK The Writist

~ my blog and journal

MTK The Writist

Tag Archives: Yorker

Wiki Truthiness

03 Wednesday Oct 2012

Posted by mtk in social media

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Karthik, letter, m.t., messer-kruse, mtk, new, open, philip, roth, Timothy, truth, undue, weight, wikipedia, Yorker

There were two stories this year that caught my eye for exposing the problems involved in building a collective encyclopedia the way Wikipedia is being built.

Philip Roth’s Open Letter to Wikipedia via the New Yorker

and

Timothy Messer-Kruse discussing the ‘Undue Weight’ of Truth on Wikipedia in The Chronicle of Higher Education

I don’t have analysis right now, but wanted to post this comparison because I think looking at these two stories says something about Wikipedia that isn’t being discussed.

more to come …

 

We, short story, 1997

08 Wednesday Oct 1997

Posted by mtk in fiction, S.F.

≈ 1 Comment

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1997, Karthik, mtk, new, short, story, we, Yorker

We’re drunk again and soon we’ll fuck.  That’s the order of things these days.  We meet in the evenings after work, make a dinner of inconsequential size and of indiscernible tastes, then go out for drinks at one of the locals until we’re so lit we can finally be honest with each other.  We fight like Burton and Taylor as we crawl home. She shoves me into bed and we fuck until we pass out. It’s an o.k. life but I keep thinking there must be something more.

She wants a baby but I want a dog.

Neither of us reads very much but we watch a lot of TV.  She watches crap.  Me, I watch nature shows.  The kind that show the lives of animals all over the world. And under the sea.  The ones on sharks are my favorite.

Everything I ever learned in school turns out to be bullshit.  My job is a joke.  I spot-test circuits on an electronic motherboard with two cables and a detector.  The hardest part is showing up.

I file reports and go to meetings.  People talk slowly about insipid things which mean as little as possible to anyone in the room.  The more meaningful the conversation becomes the faster it goes until the most important thing, the reason why the meeting was held in the first place, is blurted out and discussed at a barking, rocketous clip so there’s no time to blame anybody for any fuckups and no time for anybody to complain when they’re given an assignment.

My work is not meaningful to me in any way except that I receive a check for exactly $1843 every two weeks.   After taxes.

I have health insurance. My girlfriend is covered, too.  She makes as much as me at her job and has a full health plan also (mental to dental).

All of our friends are incredibly boring. But they use us and our resources to have a good time.  So we all get drunk together and laugh at things which only we can possibly think are funny because the language we speak is incomprehensible to anyone who hasn’t spent at least a year in our circle of friends.  We have developed this language as a method by which we can keep undesirables out.  Our friends’ girlfriends and boyfriends who do not check out don’t last long because it is especially hard for people we don’t like to keep up with our language.

We quote obscure lines from movies and television shows as a method of relating.  We see mostly mainstream films, not because we like them, but because they are easiest to make fun of.  We do not discriminate on the basis of sex, color, creed or race, only on the ability of others to keep up with our language and contribute to it.

We have no culture and no history because we are mostly made up of mutts. Part European, part whatever but none of us has a cultural background of any measurable depth because we are Americans.

I play a lot of computer games because they are easily accessible to me at work.  I also use my computer to send e-mail to all my other friends who also have jobs with e-mail.  We are never out of touch because most of us have cell-phones and beepers as well. Sometimes we fuck each other.  But mostly we get along because it would be boring otherwise.

We own a lot of things.  Most of these things are things we have read about in magazines or seen in movies.  Rarely do we buy things we have seen on television because the ads on television are stupid and we make fun of them.  We buy what we are sold but rarely do we buy what we want.

Sometimes we travel to other places.  Usually we only travel for a reason – such as family or friends’ weddings or funerals.  However sometimes we travel so we can say we have been places.

We can say we have been many places and our recollection of them is manufactured in such a way that we can relate stories to one another about the places to which we have been.  This allows us to all go to the same places at different times and always have the same experience of them.

We rarely leave the continent.  But Mexico and Canada accept our money so we go there from time to time to get away from it all.  Mexico is barbaric and uncivilized.  We avoid its nontourist destinations.  We use it to get things we want cheap and to be treated better than we deserve for very little money.  This is fun.

Canada is intellectual.  We go so we can say we have been there and have conversed with Canadians on a wide variety of topics.  We quote Canadian facts and figures about our own country.  Then we make fun of Canadian mannerisms, accents and figures of speech.

We’ve each been to Europe once.  Mostly after graduation.

We are Americans and as such we vote regularly but rarely in elections; only in surveys and opinion polls.  Still we follow the polls and watch CNN and other news programs. We quote soundbites which are filtered to us through the media. There is no time to learn anything about any of it and even if there were we are cynical and know that it is all a crock of shit anyway so we would never bother.  We believe that surely people who do bother are already working on it and so we have the information presented to us.  Our own lives are not affected adversely by most changes in policy and so we are willing to wait for injustices to be reconciled by the efforts of those they affect.

We trust apathetically that people who are unhappy will eventually be made happy by the system in which we have been raised.

Today, I left work and went to meet a friend at a coffeeshop.  He was a friend of a friend, or maybe three friends away, who was supposed to bring me a resume because my friend said he might be a good employee for my company and I knew if I helped this guy out it would score points for me with my friend.

I ordered a coffee and waited for the guy to show up.  I was sitting outside and several people came and asked me for money.  I gave some money to a few of them because I always feel bad for people in a bad way.

One guy got really aggressive with me because I wouldn’t give him any money.  I refused to give him money because he was rude to me.  I gave money to someone else nearby and pointedly told the guy to leave me alone.  It reminded me of feeding pigeons at the park.

My friend’s friend never came.  I had time to kill so I went to a bookstore.  They had comic books and I bought one and decided to read it in the park.  The comic was an illustrated remake of a short story written in the 1800s by Anton Chekov called “The Bet.”

I read the comic and went home.  We ate.  Then we went to get drunk.  I came home early.  Now I am sitting at my computer writing this entry.  I will e-mail it to all my friends and leave it saved here on this computer screen just before I pick up the .45 I bought last spring with Ernie and Ellen at the flea market in Marin and scatter my brains across the keyboard, the monitor, my desk, and the window here, which looks out onto our backyard and several rows of calla lilies, California poppies and jasmine.

Tonight the jasmine will bloom and our yard will be graced with a delicious tangy scent.  My girlfriend will have to fuck herself.

Letter to the Editor of the New Yorker, 1997

10 Sunday Aug 1997

Posted by mtk in essay, NYC, public letters

≈ 1 Comment

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1997, City, editor, Karthik, letter, m.t. karthik, mtk, new, york, Yorker

The idea called India today affects the lives of hundreds of millions of people.  This idea is embodied by a geographic area which has ever-changing borders in the minds of those who name(d) it.  We who were born on Indian soil know it.  Those who were not but who are related to India in some way feel a very powerful relationship between themselves and India.

Those born at this moment, in these hours, weeks and months fall into a different category.  They are the contemporaries of nations and countries named.

They will come to call places India, Israel, Ecuador, Panama, America, Europe & etc. There is lessening influence from the time when they were not named as such.  As the years pass those who called other names, or fought for other names or fought naming, grow older and eventually die.

When a person who thinks carefully about names has a child, it is a moment of great importance.  For many, naming a child is an important act, but for many others naming does not stop there.  The act of teaching names to a child is equally important.  Because the names one teaches may live for at least another  generation through this act.

Early in his essay, “Damme, This is the Oriental Scene for You!” (New Yorker, June 23 & 30, 1997, p.52) Salman Rushdie makes use of a newborn name: Indo-Anglian literature.  And in so doing teaches the many children of his revolution a new name.  Whether this name lives for another literary generation depends upon its use and its use, as with all language, is a function of its necessity. Indo-Anglian literature is, by the parameters of its creation, a contemporary art.  Contemporary arts throughout history are marked with factors that distinguish them from previous movements. Among these factors perhaps the most impressive is risk.  In contemporary arts risk may become more valuable than endurance.

History is dying.

The era of the written word as a valuable and trustworthy guide to understanding is yielding itself to other processes by which we come to estimate the world around us.  The diversity of the tools and media we have available to estimate and distribute estimations of events and acts around the world are affecting literature in unprecedented ways.  The historical word, first spoken, then written and now reduced to an accompaniment to images in both written and oral forms, is dying.

In its place a concert of word and image and sound and space and portrayal and metaphor are being utilized to represent truth.  The modern citizen of the physical world must deal with this as the ideological world shrinks to the size of a p-nut in the palm of an Indian boy running the aisle of a plane travelling a tres grande vitesse on 16mm film, 24 frames per second.

The greatest contemporary artists in the written history of the arts have been brave.  In the face of change and alteration of beliefs, they have sought methods by which they can represent truths.  These artists exist today.  They seek trust.  They try to represent hope.  They are as Gandhiji, conducting “My Experiments with the Truth.”  In this way we are living in a very complex time for an artist or writer who wishes to participate at the most important, the most global, the most contemporary level.

Indo-Anglian writing and arts share, with the arts of other ancient cultures (Afro-Anglian?  Chino-Anglian?  Sino-Anglian?) the new joy of working in the Post-Colonial Era.  Indeed, the joy of supporting the end of the colonial era in an effort to support the whole one-ness of the human species.  At his wonderfully unifying musical concerts, the great Fela Anikulapo Kuti used to say, “You can say many things with English, but in order to say many other things which are true you must break it, which is why we speak broken English.  This next song is in broken English. You must break your English to understand it.”

In this country, we are faced with a unique set of problems as artists and writers trying to represent truth with the tools available to us.  We are subject to the philosophies of the dominant culture in the United States of America, which paradoxically represent the Colonial Attitude in a different aspect.

To be an Indo-Anglian writer in the United States is to choose to be a contemporary artist working in a contemporary arena to represent truths which affect millions of people using the tools available in the most powerful country in the world, an awesome task.

The writers who represent post-colonial Indian thought in literature in English are dedicated to many similar topics, but writers who are Indo-Anglian face the same difficulties with naming as anyone who wishes to express: we do not want to be grouped.  And yet we are all tied to this land mass which, as an island something like 45 million years ago smashed its way into the continental spread of Asia forcing up the formation of the tallest mountain in the world and the twisted masses of mountainous geography in the North of India.  Such a violent, willful act of inclusion seems so contradictory to this desire for independence.

Choosing to be here in the US, I struggle to represent the truths I experience despite this. In the United States the way in which the cultures relate has been poisoned by the specter of racism.  The complex way in which racism was born, named and now has insidiously changed itself into a thing which can exist despite the stated collective desires for freedom, peace and equality is a direct function of the way this country has been created.  It is something for which everyone who lives here is responsible.

In conclusion, I care about where you are from … but how we behave now that we are all here is what concerns me most.

M.T. Karthik, Harlem, August 10, 1997
[did not appear in the New Yorker magazine]

M.T. Karthik

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This blog archives early work of M.T. Karthik, who took every photograph and shot all the video here unless otherwise credited.

Performances and installations are posted by date of execution.

Writing appears in whatever form it was originally or, as in the case of poems or journal entries, retyped faithfully from print.

all of it is © M.T. Karthik

a minute of rain

https://www.youtube.com/watch?v=QYLHNRS8ik4

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