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MTK The Writist

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MTK The Writist

Author Archives: mtk

Dhanam For the Punditah

15 Saturday Nov 1997

Posted by mtk in essay

≈ 3 Comments

Tags

12th, 1997, brahmin, ceremony, community, day, death, description, dhanam, doctor, funeral, immigrant, indian, jersey, new, puja, punditah, slokas, story, tamil, telegu, uncle, usa

This is the story of people who act with the purpose of the ages though they may not at any given moment have any idea what they are doing. It is also a story of change and transition because we are changing, and our minds and souls with us. Soon enough we’ll all be dead, or American beyond distinction. It takes place in the Garden State in autumn of 1997, the time of year when the stems of chlorophyll- leaking leaves snap free and send showers of technicolor shard drifting crunchily to the New Jersey earth. The Internet as we know it wasn’t five years old.

I had found refuge from the coming cold in Morris Plains with an aging couple who were family friends. Among family and friends, we call elders “Uncle” or “Auntie,” whether they’re related or not. This Uncle was a physical chemist at Picatinny Arsenal and Auntie worked in the psychiatric hospital, Greystone. They never had children of their own, but had hosted hundreds of people from India in their home, young and old. They were stewards of a generation of Indian immigrants.

I arrived from Manhattan unaware I was just in time for the last two weeks of Uncle’s life.

There is a story among our thousand-thousand-year old people about the man who comes for a funeral at the house of the deceased and annoys everyone by staying past his welcome for the free food and shelter at the hand of the widow. I had arrived before my hosts’ death. We haven’t yet developed such a response to the type of visitor I was. Maybe this one will do.

The soon-to-be departed was a 70-year old colleague and friend of my father’s for four decades and in that time my father had sent him a quantity of business from which he had benefited. Through hard work and dedication to the science of his profession he had earned well and had treated himself and his wife to the surroundings in which they had been planted for the last twenty-five years; a beautiful suburban six-bedroom, three-bath home. Childless, their resources went not to progeny, but instead to the building of a community of their people in northern New Jersey.

While I had neither spoken nor written to my father in more than a year (he had taken a despise for my general lack of interest in work or study), I wasn’t above taking advantage of his alliances to protect myself from the ravages of nature in the long months of winter.

Upon arrival, I dazzled my hosts with such conversation and jocularity as to earn my invitation to stay – independent of my host’s obligation to my father – for at least a week or two. I was marshalling resources to return to my own war in nearby New York City. I convinced them I was a writer who kept copious notes of circumstances such as these and that I might one day immortalize their own lives. They believed I was an artist between exhibits seeking inspiration from the autumnal hues.

I knew that despite their immigration to these United States, my hosts had clung tightly to the traditions of South Indian culture. Women kept their own carefully-ordained place in the company of men, as men did in the company of women. So I intended a comfortable time behind heavy doors closed to the bitter cold, my soul warmed by the fireside of my hosts, sipping their brandy and discussing the bodies politic and geographic, attended with snacks and refreshed drinks from time to time. I thought I’d make myself available occasionally to wash a dish or two in exchange, perhaps a trip to market to lend a hand. This is how our time had begun before my host’s untimely demise.

We are a proud lot whose culture allows for the manipulation of the universe toward our own ends at any cost under the auspice of our belief in dharma. It is our complete acceptance of the universe’s larger workings which allows this state of mind. It shall sort, indeed, has already sorted it out.

This might be a confusing position for the western mind to understand, as many believe in the knowability of answers and of the mind of God in some personage, a God who rewards truth and justice and balances acts pure and impure. But then again, the westerner often takes the so-called “big bang” as a zero-point, supposes it the dawn of time, while we find this to be a very shallow view. We know an infinite number of times, dawning and dusking eternal.

Such matters my host and I had already taken to discussing upon the first day of my arrival when I met one woman around whom this tale would later revolve. He had just finished saying to me, “The Iliad and the Odyssey taken together are but one-eighth the length of the Mahabarata,” when she walked into the room and delivered a snack tray for our consideration. How she moved.

Her name was Priya and to my eyes never had a more beautiful creature walked this earth. Beauty like only the daughter of Death herself as a vision walked. The only sufficient words are in the vernacular and so from here I continue in such timbre so I may better illustrate the point:

Chocolate. Sweet, dark chocolate skin and ink-black eyes which reflect the soul of anyone who peered within them. Thick, jet-black hair surrounded her oval face and fell to her shoulders. Her hips were well-rounded and her breasts were gloriously full. She had that beauty only young Indian women have when they are capable of driving a man to the wild impulse of marriage because they think they can possess them thus.

My host’s wife introduced us. She was married to a doctor and the couple were staying in the basement rental apartment which he had installed ten years before when his father had lived here and required a live-in nurse. So they were living in the basement of my hosts’ house amidst the colorful autumn leaves of New Jersey when I turned up, broke, unemployed and seeking shelter under a harvest moon.

She was the only daughter of a family friend in the area and had been sentenced to her Indian doctor in an arranged marriage in Vijayawada three years before. Her mother had taken the view that a daughter once married no longer belonged in her parent’s home and so had nudged the young couple out a month ago. But the young doctor had yet to receive his American medical residency, was in fact without occupation and so when Priya’s mother pushed them out, the young couple were strapped for money and a place to live. They turned to the woman who had brought Priya to this country – not her own mother but my host’s wife.

This is where our story takes its first ugly turn. Long before her marriage, Priya had been brought to this country by my hosts because her mother had rejected her at birth and left her with a villager’s family in their hometown in India.

It went like this: a mother and father with three children – two boys and a girl – gain an opportunity to emigrate from India to the United States and elect to take only the sons, leaving the daughter behind until she is seven years old. At last she is brought by a woman to whom she is unrelated – a neighbor – to be reunited with her (now) American family who only guardedly welcome her.

Then, after fifteen years and an American upbringing, the family requires she marry an Indian doctor and so she moves back to India to do so, only when she returns to the United States, she is told she cannot live with her new husband in the family home like her brother and his wife and child.

So for the second time in her life they reject her. She sought refuge in the only place she could, in the folds of her neighbor’s wife’s sari, sleeping in the basement of their house – a house which has served as shelter for dozens of other refugees over the years, refugees from nations and loves, hatreds and political legalese; a shelter for me.

I wish I could say Priya’s story was uncommon, but I cannot. India is overpopulated and resources are thin. It has made our people strict, ancient and realistic about the material world. Sensitivity to the struggle of others is often measured against what it will cost or what one can gain. Altruism is in short supply.

I arrived on a Monday afternoon, the 29th of September. The weather was much warmer here than in New York City; blue skies with cottony clouds floating by. When I left the city, it was muggy, cool and humid. It felt so ominous and dirty. By contrast, at night, there were crickets here. It’s a really lovely place.

Dover is something like an hour and twenty minutes from the city. After I’d gotten down from the bus on the streets in downtown, I’d rung Auntie. She came to pick me up in her red Oldsmobile station wagon with wood-paneled sideboards. She, too would be 70, the following month. She was wearing a colorful red and gold sari and looked tiny and sweet behind the steering wheel of her big American wagon when she pulled up to the curb to pick me up.

She brought me a turkey sandwich to eat and took me back to the hospital where she worked – a campus of grassy lawns and trees. This is a nut house. It is also where Auntie works as an administrator and counselor. She had to wrap up a few things and left me to sit eating lunch on a beautiful old wooden swing in the grassy lawn. I sat in the lovely rockaway swing: the type which has two seats facing one another connected to a floor board and hooked on either end to a carriage structure. It’s made of all wood slats so the whole unit swings between the frame. I spent the half hour drawing the swing in detail.

We went to their home in Morris Plains where Uncle was waiting, presumably aging and infirm after his consecutive heart failures over the years. But I found him alert and eager for my arrival. It was me who was exhausted. Upon arrival I slept for hours and hours and hours at the behest of my hosts.

Arising late the morning after I arrived, I went with Uncle to his office at Picatinny Arsenal – a Vietnam Era military facility which produced and then worked to deactivate mines and other explosive devices for use in South East Asia and elsewhere.

He was seventy years old and drove a silver, late-model Mercedes with ease. Though weakened by his recent illness, he had the energy to go to work at least briefly. Auntie told me he had been going two or three times a week since he got out of the hospital in August.

“You can check your e-mail from my office,” he said. He moved slowly but not ungracefully. It was becoming apparent that he had some weakness to contend with. But Uncle never let on how much and he escorted and drove me to his office and back without me feeling an inkling for his true pain. He was mentally strong and had tremendous character.

In reality he was quite frail and in recuperation from six months of congestive heart failure. A 30-year diabetic, he labored over the care of his body with insulin injections and capsules and pills of all sorts. He complained that a heart failure treatment called Coreg, a tiny pill with a powerful kick, was wiping him out.

The pill is a beta-blocker. The spiking interchange of adrenaline (briefly) and “crashes” from Insulin reactions and hypoglycemia fatigued him completely and the side effects of heart meds made up the end of his life. Though the doctors asked for his activity to be limited, the desire to move, to act, to go to the office, to be productive was stronger. His will to continue his chemistry, his work, moved him.

But that day when Uncle and I went to his lab and office at the Arsenal, I had no real understanding of his condition, self-absorbed as I was, immersed in my thoughts and writings and thoughts about writings. I was worried about my first novel, copies of which I had left in Manhattan with several agents and publishers in the hopes one would read and choose to publish it.

I was worried about my process, my life and my anxieties, and so my writings reflected my selfish need for appeasement in the face of my fears. I didn’t realize the journals I kept then would carry a heavy burden. I talked to myself about a meaningful life because of my fears that I was not living one, even though my hosts were in the middle of a health crisis which loomed far larger than such philosophical ramblings.

Here was my entry during my visit to Picatinny:

9/30/97, The Arsenal

Uncle was a senior research scientist who specialized in physical chemistry dealing in nitromides. For 37 years he had one job, at Picatinny Arsenal. My father was a sulfur chemist and an organic chemistry professor. These two men were the same age and for a very long time focused the powerful capacities of their mental faculties on a variety of projects, often in support of the US Military. It is because of this relationship that they are here at all. It is definitely why they are the owners of houses and cars and luxury items in the U.S. of A.

Picatinny is located on a beautiful, rolling, hilly campus of small roads nestled among lovely groves of trees which also had begun their autumnal parade of color. The arsenal is an explosives and weapons munitions campus and Uncle took me deep into the windowless laboratory buildings where he worked. The walls were made of thick, white cement bricks. The lighting was institutional, tube lights under flat plastic sconces.

Uncle told me the peak of activity here at Picatinny was during the Vietnam War. He was working then on methodologies for disarming mines. There was hardly any activity to be seen when we arrived. Uncle said that in the previous ten years, employment had dropped 300%, downsizing from 6,000 to around 2,000 employees.

We were sitting in the George C. Hale Laboratory. It is a white-cement, very plain building planted like an ugly gray brick in the beauty of these surroundings. Uncle’s office is also windowless. Going to work for forty years he couldn’t even look outside. Old chemists and scientists are a strange and beautiful lot, to me. Old school Indian chemists worked hard, damn near blind to the specifics around them, so absorbed.

We spent a couple of hours at his office and he let me use his internet to check my e-mail. Uncle was, even at this stage of his own problems with life, concerned about my need for e-mail in order to pursue my work. He and Auntie seemed supportive of my efforts to become a writer, though I’m unemployed, broke and unmarried at 30 which is uncommon for an Indian at best and looked upon as pathetic at worst.

For many years I had known Auntie and Uncle were here but I had not been in touch with them. I had grown away from my own family and so I did not retain the contacts which my father and mother kept. I knew they were here but knew nothing really about their lives. I was taken aback by their refreshingly open approach to my process, my lifestyle.  I was wary however of the underlying nature of my people which crawls into every interaction. We are deceptive, cautious, manipulative. Were they humoring me only to quietly reorganize my thinking?

The town of Dover was, by its own estimation, 275 years old, announced on a wooden sign when you enter the town square, that read:

1722   Dover   1997

Lots of US flags. Lots of big houses on beautiful occupied territories that keep some native names.

Northern New Jersey was also home to the first and largest immigrant community from India in the United States. I had never grown up around a lot of Indians. There were a few families who trickled in slowly to where I grew up and we knew and supported them of course, but I never had close Indian friends. I was surrounded by white kids and a handful of Latinos, among whom I was the weirdo with the funny name.

I was fascinated by the Indian community surrounding Auntie and Uncle. Here were Indian kids with Jersey accents who switched back to Indian ones when they were with their parents or other family members, but they had other Indian kids to do it with!

Concerning the Author

Let me take a moment now to describe who I am: a Brahmin man, born in India and raised in the United States. There are now many like me.

Our parents brought us here because they were seduced by the American century at one time or another and now they expect us to know things about our culture which they take to be natural. When we do not maintain our culture, often they are angered by our inability to feel what they believe are normal ties to family and food.

They told us to assimilate and then left us to be raised by ignorant, bigoted, limited white people who watch too much television. They expected us to be Indian-Americans with an emphasis on the Indian. But we were disenfranchised, disunited and dissed in these states. I am disillusioned.

In our schools we were raised as outsiders and foreigners because no one could pronounce our names, we dressed funny and carried smelly lunches. At home, the relationships we witnessed between husband and wife were in direct contradiction to every major feminist movement spawned by the American century. We were shown the patriarchy at an early age and pitched its opposite by our teachers and friends.

When we failed invariably to live up to the previous generation’s hopes and desires for us, we were chastised privately and lied about publicly to avoid familial embarrassment. I am among the few of us to manage to get this far in expressing ourselves.

Our culture sometimes makes me sick. But as I’ve said, I am not above taking advantage of it in my time of need. My host and I talked about many things and bullshat one another about the importance and validity of our knowledge. It is our way never to point out when someone is clearly lying and so our discussions bounce around the room like rubber checks. We invented the half-nod/half-no head shake for this very purpose. It says neither that you agree or disagree, but allows the conversation to continue.

Thus, completely irresponsible half-truths are spoken aloud and allowed to resonate. Whole worlds of argument are built on the foundation of a faulty logic supported by sycophancy. But we are Brahmin men, and so we do this with impunity in the living room energized by the food and drink brought to us from the kitchen by our women.

Priya was beautiful. Her carriage, despite being weighted with an immeasurable sadness, was graceful and contrite. She was neither prideful nor temperamental. She served her husband and her host family with a quiet orderliness.

When we got back home from the Arsenal, we watched the Mahabharata – a then newly produced operatic version from England being widely praised. We listened to Ravi Shankar records. Uncle was fading.

One Week Passes

one week passed like this: I met some of Uncle’s friends and neighbors. I met his nurse.

Uncle had a private nurse named Ruth who came to see him in his home. She was a middle-aged, white woman with nice features, a good smile, and a short brown, businessy hairstyle.

She came every other day or once a week. She sat with Uncle and Auntie for a few minutes, took readings. did a very limited in-home check of diagnostics. She was present for maybe 20 minutes and began by saying, “Rest. Rethink how you work.”

Auntie says, “Until 40 we think about the mind and not the body. But from 40 on we have to forget about the mind and think about the body.”

Ruth, an American, responds loudly in a tone of voice she obviously uses often daily as though Auntie and Uncle are hard of hearing, “Wee-eeeell, we should think about the body all our lives and then when we get to 70 it won’t be like …. Aaaaaaaaaaaaah!” She shakes her wrists and hands.

She continues, “If we think about how we eat, how we exercise, how we live and how we pray,” she says, pausing significantly, “ long before 40. We’ll be a lot better off at 70.”

Her tone of voice is reprimanding as if she knows better than these two 70-year-old scientists, these thousands-year-old Brahmins. I hate this kind of condescension. Then she leaves. For each of these visits no matter how long, 20 minutes or an hour, she receives $175.00. At ten visits a week to clients? Do the math.

Auntie told me Ruth is a member of an ashram in New York City and that she likes coming here to their house because she sees the house as peaceful and spiritual. She invited auntie to go to the ashram in New York with her. She is a westerner who practices yoga, which is becoming more common.

I was 30. Ruth was maybe 40. Auntie and Uncle were 70. What does money and comfort have to do with meaning in life? Death is the meaning of life.

Uncle worked forty-to-sixty-hour work weeks for 35 years for the Army contributing at times over the seasons to the manufacture of explosives designed to kill, maim and destroy people of all ages and at other times to the disarmament of the same toward peace. Ruth may work 20 hours a week telling people what they already know so they might live longer.

I’m penniless. And homeless. I work at the act of living a meaningful, slowly-paced, gentle existence … a full life … unemployed by anyone but myself toward this end.

Ruth will die. I will die. Uncle will die.

It is a beautiful autumn day, a gift for the dying in New Jersey.

More That Happened in the Week that Passed

I shot an art short on video (Beta) with the Doctor. He ‘acted’ as a newly arrived immigrant. I shaved my facial hair and clothing to create three characters who meet him in the USA. There were staged bits and improvised sections where he simply reacted honestly to his feelings about emigrating. The dialog is philosophical and cultural and conducted in three languages.

When he was away at the hospital with Auntie, I had long conversations with Priya. She tells me the doctor is violent with her and calls her a bitch when he has sex with her.

Her husband is half a man and barely a doctor. The latter rubber-stamped him for her as a husband and the former makes me burn with impassioned righteousness. I am too Americanized. I want to free her. I want to tear her from this patriarchy and take her to the tops of the rooftops of the world, in the City. In an instant I imagine us dining at my favorite restaurant in the Mission District, three thousand miles away in the city by the Bay, and driving at night across the bridge to stare back at San Francisco from the Headlands.

But what foolishness is this? It is only the half-cocked romantic thought of a man who has abandoned his own culture for dreams. She wouldn’t enjoy it anyway. She would only look across the table at me with her profoundly sad eyes and sigh as she nudged at her food with her fork.  Besides, I don’t have a dime to my name. I’m homeless. Unemployed. Worth less.

October 8th, 1997, Uncle Enters Hospital

Some numbers and number-awareness: On the way to the hospital last Wednesday night, Uncle said, “8 pints to the gallon.” And as I sat in the back seat of the Benz at an intersection while Auntie waited for the traffic to pass, wondering why he said it, he continued, “one pound is one pint … so they’ve taken a gallon of liquid from me.”

It was October 8th, 1997: Emergency Nurse’s Day, “commemorating the more than 90,000 emergency nurses throughout the world who blend the art of caring with the science of nursing to countless patients everywhere,” reads the sign in the waiting room. Count one more patient for the four nurses who met us in the emergency room at Dover General. We were taking him to the ER to fight the water retention.

They weighed him. I wrote down his result and then weighed myself, my scrap of paper reads: “131.2 Uncle, 187.0 me.” 40 years and 56 pounds separated us upon his death. What will I wither away to?

*****

They kept Uncle in hospital and Auntie and I returned home. Uncle’s condition has not changed. He is “stable,” but unconscious or asleep from the sedatives. I didn’t expect this.

The women started bringing the food that afternoon. There were a lot of people around now. It was a Sunday and the skies were clear. The sun shone through the leaves. There were leaves all over the lawn. They had all yellowed, rusted and fallen in the two weeks since I came.

In the last conversation I had with uncle he said that the leaves age and change even more beautifully North of here, in New England, but from the window in his study, I cannot imagine how true that could be. His lawn is a blanket of sprinkled light on green and yelloween.

He is dying. We all know it. Each of us deals with it in our own way, though we have a collective sense of support for our spirits.

The next morning started at 6:00 am, Auntie and Uncle’s cousin’s wife were up and in the kitchen before dawn. I heard them talking because I had been sleeping on the sofa since family members began arriving. Auntie was so practical in the face of her husband’s impending death. She talked about planning for all the people who would come to her house, about preparing food and making sleeping arrangements for them. She made calls to cousins and other family members. She was stunningly together and active.

It was becoming more apparent that these were Uncle’s last days. In the morning, when everyone left to visit the hospital, I stayed at the house alone to “man the phones,” and to be responsible for disseminating information about flight times and hospital updates and the comings and goings of others. They would come later in the day by whatever means possible from many different destinations. Uncle’s sister and brother-in-law from Canada would land at Newark International Airport at 2:30, Uncle’s cousin’s son from London by Virgin air at 6:40. Everyone who can come was making arrangements now.

Mornings were thus the antithesis of evening: an empty house with just me, the itinerant visitor, drifting aimlessly through the rooms. Uncle and Auntie’s cousins from New York, a couple and their son whom they were taking to Rutgers came in at around 10:00 in the morning. This auntie had a stern, harsh appearance and was emotional from the get-go. Her name begins with V., her husband’s S, so we called them V-auntie and S-Uncle.

V-auntie was instantly suspicious of me. Her fear and worry were exhibited in her face immediately. She had no idea who I was, all alone in her cousin’s house. I sat with them when they arrived and tried to explain what I knew, about uncle’s condition and auntie’s and the hospital and the flight plans. V-Auntie just sat opposite me and stared. Her glare was cold as ice and her face as firm as stone.

We sat silently after my stilted recitations on facts and figures and finally she spoke in a crackling voice, “We were married in this house,”  and S-Uncle pointed at the carpet, “Right here.” he added.

V-Auntie continued, “We were the first one’s married in this house. There have been many weddings here since then.”  Her voice was trembling. “Fourteenth is our anniversary,” indicating the day after tomorrow. Before I could ask how many years ago she answers my thoughts, “our twenty-fifth.” Her emotions were welling beneath her exterior and I am a stranger to her. I don’t know how to behave except to try to be reassuring and tell her what I can about the situation. I sit with them and the depth of the hurt and sadness is inescapable.

S-Uncle calls and gets directions to the hospital. He and V-Auntie will take their son to the hospital and then S-Uncle will take their son to Rutgers for school. They leave and again I am alone briefly.

I walk through the rooms of the house and reflect on my time with Uncle which has been brief but enjoyable. I feel so many strange emotions. I cannot feel him dying or as dead. It just hasn’t struck me yet. I have only words about the phenomenon and they are empty.

*****

Later in the evening people were leaving who will not stay past the weekend. Uncle was still in the same condition with no change. Auntie had slept maybe four or five hours of the last 60. She had been at the house for maybe three hours a day and the rest of the time stayed at the hospital with her husband.

Everyone wore a brave face and made small talk and even chatted gaily sometimes in the face of events. It was a unifying experience, but also a confusing one as many of us did not know one another, or hadn’t seen one another in years. I was the most an outsider.

The family is from Andhra Pradesh and so they speak in Telegu which I, as a Tamilian, cannot understand. Thus, I was left out of the most intimate 65% of conversation. Everyone made allowance for my status as a speaker of Tamil and so we shared English as a common tongue between us all.

The conversation was about a wide array of things ranging from what everyone does, is doing, to where they have been since seeing one another last. There have been marriages and births. It is that sort of an occasion and I am an unintentionally present guest.

Where to begin in discussing the way in which each of the friends and relatives approached their grief ?

The cousin of Uncle’s who had come to visit the previous week, and so was one of the few I had already met, is also a diabetic and had the most in common with him over the years. He is pessimistic. He had come too often to this house for this reason. He believed only a miracle would pull his cousin out of trouble at this point.

We talked at length about such spiritual topics as our shared beliefs in reincarnation and the advancement of spirituality through the laws of physics, the meta-physical made real in a discussion which included unified wave theories and numerology.

This day he said meaningfully, “Well, you know uncle’s birthday is 22nd.” I do not know how to respond to this information and am briefly shy and almost embarrassed. “And tomorrow is the thirteenth,” he continues, “and three and one is also four.” He completes the syllogism for me, “so if he can make it through tomorrow, he could be all right.”

Every time the phone rang, I’d get a stirring feeling in my gut of wonderment and fear. I supposed that everyone here did, too; wonderment as to who it was and fear an instant later that it was the hospital.

Uncle’s cousin has an uncle of his own who lives in Austin, Texas, and who had dedicated the last dozen years to translating ten volumes of Vedic texts: nine books of the Upanishads and a tenth compilation of ‘highlights,’ from the other nine. The work was deeply spiritual, centered on coming to an understanding of the universe from a cultural perspective which is thousands of years old. The word for grandfather is Thatha and they call him Texas-Thatha.

This Texas-Thatha was also enraged at Tagore’s poem which became the Indian National Anthem. Tagore named all the northern states in the poem, but encapsulated southern Indian culture into a single line referring to us as Dravidians. Texas-Thatha hated that national anthem of India so much that he rewrote it with different sanskrit lyrics to the tune of “O’ Canada!”

Uncle’s cousin was pessimistic about Uncle’s condition.

*****

At one point there were at least twenty people in the house – lots of aunties and uncles and friends and cousins came. The faint of heart could not see uncle intubated and passive and practically without function. It was intensely depressing to see him without the strength and life he normally carried. Uncle’s younger sister and her husband came from Saskatchewan. They wandered in and out of the kitchen all night worn and tired by the waiting and the helplessness.

A strange aspect of the day was that the power went out three times for no apparent reason and we were all briefly, collectively plunged into darkness in different rooms without windows around the house causing us to wander into the well-lighted spaces and ask one another in various languages and dialects if the power had gone. The computer upon which I made these notes shut down thrice because of it.

Uncle’s dog Randy wandered from person to person stumbling, searching for his master’s face in the sea of legs and bodies which surrounded him. He was confused and lonely and at one point got outside while no one was watching and ended up wandering around in the grass of the neighbor’s lawn across the street.

Priya found him and brought him back in. She was wandering through the house with her husband, too. None of us knew how to behave, There was no order, nor rules for this condition, but the elders demanded an order of some kind. They had been around death and had a ritualized process which they had developed to deal with it. They behaved in an orderly way. The young and the pets are numb and confused.

Earlier, I wrote, “He is dying. We all know it. Each of us deals with it in our own way, though we have a collective sense of support for our spirits.”

I was dealing with it by sitting at Uncle’s brand new PowerPC which we installed and set up together and by typing these words. It was the only meaning I could find in the crazy empty process of dealing with the practical matter of Uncle’s illness.

I had come here homeless and penniless after having slept in Central Park and wandered around New York trying to get my works published. And with neither judgment nor recrimination, Auntie and Uncle took me in like a puppy and provided for me.

As I have said, they were host to two others who, like me, are in a transitionary period in their lives: Dr. R. and Priya, staying in the basement apartment in Auntie and Uncle’s house while they await R.’s results for his applications for medical residency.

It was their story I began to tell before becoming distracted by death. Since the morning of the funeral, Priya had been feeling nauseous. She was pregnant.

*****

Five minutes after 11:00 in the morning on October 13th, Columbus Day, the call came.

At 11:07 Auntie and several others went to the hospital. The caller told auntie, who had been picking up the phone on the first ring since yesterday evening when she came home to sleep, that uncle’s condition was worsening, that his heart had seized again and that he needed to be defibrillated again. They were “doing everything they can.”

That morning and the previous evening, we were all feeling strangely positive. This was the thirteenth, and since 4:00, the day before, Uncle had been off sedatives. Despite the sedation’s absence he had remained stable and that morning according to Auntie and others he had even moved his extremities, though he didn’t open his eyes.

The First Generation Americans

There are a disproportionate number of doctors in the house. Indian doctors. So there were many approaches to Uncle’s illness ranging from the matter-of-fact to the wildly emotional. The responses were not divided by any factors related to occupation or gender, though generally the most emotional response came from V- Auntie, and the least from one of the many Indian doctors here.

One of them, Uncle’s nephew who flew in from England, was 30 years old and treated as the “eldest son.” It became his responsibility to describe the condition of Uncle to various people in languages ranging from the technical to the medical to the emotional. When he was not around others tried to do the same, but the specifics were insufficient.

The eldest son was quite Americanized and doesn’t speak Telegu, the mother tongue of the family. He did not forgive himself for this easily and wore his responsibilities at this time like a badge with which he hoped to return to his own culture from outside. He took great pleasure in his role though he was struck with grief and cried often. He felt the mantles shifting around himself and wanted to perpetuate the traditional roles of his culture as he perceived them, though his perception was ignorant, uninformed, narrow and reduced.

During my last visit to the hospital and my last opportunity to see Uncle, I sat with Indian doctors in the waiting room who spoke matter-of-factly about respirators and ventilation maintenance. They did so in front of that same V-Auntie who sat with me at the house that first day and then opposite me in the waiting room, who had been married exactly 25 years before in Uncle’s house.

V-Auntie was also a doctor, a pediatrician. She sat with her eyes closed in the waiting room and suddenly she barked out with a deep inhalation of air and sound. It was as if she had awoken from a terrible nightmare. She looked directly at me. “I have to leave here,” she said, “I’m getting depressed.” Priya and I immediately stood up and offered to drive her back to Auntie and Uncle’s house.

As we were leaving, on the elevator, her state worsened. She said, “I can’t listen to the way the others speak, so mechanically. I can only pray.” Then we walked from the elevator through the lobby and out the front doors and she finally broke down.

I held her as she cried into my chest. She cried for a full two minutes saying, “So many important things happened in their house. So many things with my son happened in their house. I cannot see him like this.”

This woman whom I hadn’t met until that morning was crying on my chest in front of the lobby of Dover General and I didn’t have any words or thoughts to help her.

On the way home she sang bhajans in prayer to God which included the names of Auntie and Uncle. She told us that the one thing she had asked of her swami in whom she believed so deeply was that neither she nor Auntie should have their husbands die first. There was no way to respond to the threat to her faith which existed in the car with us on that day. She went to New York the following day to pick up two other family members from La Guardia.

Unlike many of the others, Auntie was stable as an ox throughout the entire experience. She moved with grace through the house of guests who came to wake her husband. She was amazingly calm and composed. The morning he died, she simply came into the kitchen and said, “his condition is worsening. They are doing everything they can.” Then she left.

Death is the meaning of life. Language is a useless way of dealing with it.

*****

The younger nephews and nieces arrived last. They were all closer to my age and so we had some things in common. I was a curiosity to them, another 30-year-old at their Uncle’s house in these grim hours, but one they had never seen while growing up.

We were all interested in comparing notes. We went out to get cocktails together to break the ice. When we do we look like a club or a gang … a pack of brown Indians in western clothes, relatively hip , hardly conservative and without a trace of an accent – at least no Indian ones, some British, but of course here in the US that’s respected blindly. It was slightly uncomfortable for most of us at first but we were all soon very good at being good at it. We had a good time.

Conversation was centered around the happenings of the week and my appearance here a few weeks ago. We all laughed together about the ridiculous relationships we have with elder Indians and Indian-Americans. We have so many secrets from them. We are nothing like them and yet we feel a responsibility to behave ourselves. Some more than others. Me the least of all. The eldest son, who would be responsible for making funeral arrangements and delivering the eulogy was growing into his skin as a doctor.

The elders doted on him and reveled in his position as a med student in England. They were very proud. Though we are exactly the same age, he is treated differently. His being a doctor makes the part of the difference that my being a stranger doesn’t make, the rest is left to my being unemployed and a writer. Strangers who are doctors (or lawyers or engineers) are at least in the party line.

Late that night, I smoke out the eldest son with the tiniest, last remaining portion of marijuana I have left from my time in the City. We sit up, high, and talk about death and life and whether or not I want to sleep with any of his cousins.

What are lies and what is truth?

In order to do this telling justice, I must use names. However to make it easier, I will use names of my own manufacture. Who would believe that a young man named Andy, a student in his fifth year of medical residency in London, England, returned home because of his uncle’s hospitalization for a fatal condition would be sitting opposite me, a total stranger alongside his cousins with whom he shares a long history of growing up in the house in which I have been staying for just the last few weeks?

Andy was a frat boy. Over in England he missed football and Sportscenter. He wants me to write about his Uncle and his uncle’s house because he sees the story as glorious and heroic. He wants me to do it because he doesn’t believe he can. He sees me as a writer and a creative person. Falsely, he sees me as something other than himself. He feels he has given in and become a doctor because it was expected of him. At one point, he actually tells me he feels he was made to become a doctor. He perceives me as a risk-taker.

“I mean,” he says, “It’s a pretty amazing story, really.” He says this to me often during the week of his uncle’s passing. He is referring to the story of his uncle and aunt’s immigration to the United States, to their tireless efforts to make their house an institution to support other immigrants from South India and others less fortunate than themselves.

Andy is in the years when it is important for him to believe many things. He needs to find meaning in Hindu rituals which he has never understood. He needs to step into his role as eldest son by pretending to understand some things, asking about some others and accepting vague answers to questions he asks about the arcane meaning of ritualistic behavior so he can believe he knows something about himself and his relationship to his culture. He is like me, or any of us in-between. But now he has more responsibilities. Soon he will have a life in the US as an Indian doctor. There are already so many precedents for such a life. He wants to step into a mold which he perceives as glorious.

There are many things Andy did while he was home for this family emergency. He came to the hospital and talked earnestly and grimly with the doctors. He served as the primary contact for the family to explain the situation at hand though the situation was obvious to even the least educated person. Andy stepped into his role in the patriarchy with aplomb and a desire for flair. He arranged the funeral and cremation services. He wore a jibba for the funeral and had a story to tell about shopping for it. He wrote a stirring eulogy and delivered it through heartfelt tears.

A couple of days after the funeral, he shopped for a BMW, which he has decided will be his car of choice when he becomes a surgeon. He said it “has to be German.” He shopped for a new personal computer. He went around and saw some friends.

Andy used to be married to an American girl. They are now divorced. The descriptions of that experience are riddled with unhappinesses. Andy tells me he felt even on his wedding day that he was watching someone else get married. He didn’t know what he was doing. At one point, an Indian relative of his, the Texas Tha-tha, I believe, had begun a recitation in Sanskrit to bless the wedding. The recitation went on for some time and Andy’s damn-near-bride leaned over and asked him to try to cut the Tha-tha short. Andy tells the story with shame and self-loathing as well as no small amount of distaste for his ex-wife.

They were married for two years.

Then Uncle died.

The twelfth day from his death was on a Saturday and it is the convention of our people to observe the death during this period of time out of respect and honor for the deceased. Thus, the house was full of people. Many meals were eaten, tears were shed, and some laughter was heard. The silence and pregnant emptinesses of Uncle’s absence permeated rooms full of people, even children were brought to it.

What were we doing here? Sometimes simply reminiscing about a man who had passed. At other times sharing in the experience of the void his absence brought.

The nephew who presided over many of the events and was responsible for many of the troubling details of the last week wrote a eulogy which he delivered at the funeral proudly and through heartfelt tears. It was matched by the tears of the eighty people in the mausoleum of the Cemetery in Dover, New Jersey where the funeral was held.

It was a beautiful day. The sun was shining through the long, tall windows and the ten-paneled skylight overhead and lit the grey-white triangles on the granite stones of the resting places of the deceased within. The panels of stone were dappled in various patterns across the names etched deeply and evenly in the stones.

It was warm and sunny the two weeks before we took Uncle into the hospital and for the three days he was in the hospital it was dark, cold, grey and stormy. The first rains of autumn came on Sunday, the day after his first cardiac arrest and coma. The rains and clouds lasted until the evening before the funeral, the fifteenth, which was also the mid-autumn harvest night. The clouds broke to reveal the shining white face of the full, round moon hung brightly in the night sky.

This was the mid-autumn festival moon in China (Zchong Chyo Jie), and across the planet hundreds of millions of family members gathered to eat mooncakes and sit on rooftops and look at the moon and talk in much the same way that this family talks, when it isn’t thinking about the reason we are all here. The “extended family principle” of Asian families is not something to be codified and analyzed. It is innate to us. We cannot turn from it without pain. We meet and share and do our duties without duty. We feel one another.

Mid-autumn among the changing, falling, dying leaves of North Central New Jersey, my host chose to leave this earth.

There was a period of viewing at the funeral home which brought mixed emotions to the family and friends present. It was so disturbing to see his empty corpse in that cold, grey coffin, half-opened to reveal his upper torso. His absence from that chamber was painfully apparent in the immediate. There was nothing left of the soul which had so recently occupied this cadaver.

We were angry at his departure and stared numbly. Some of us whispered, “I hate this!” and “This is not Hindu tradition!” and “Why are we here?” But we did so mostly because we were angry he was gone and we were hurt and tired and exhausted by our own emotions.

He was dead then and the viewing was meant to confirm it. It was ugly the first day. I couldn’t return for the next. But I heard it was better, with more people in the room and more talk and energy.

The funeral was presided over by a Brahmin, a Hindu priest from the local temple. He came in a white cotton dhoti with a thin bluish-brown borderline. He carried sticks to burn and cloth to lay across the body of the deceased. He burned what is called a homum – a small flame in the mausoleum. He recited slokas and mantras in sanskrit and repeated the many names of God and our many chanted prayers for the dead, dying and living. The ceremony was long.

It began with his nephew’s eulogy:

FAREWELL PEDDANANAGARU

Peddamma, Atta, Nanagaru, Ummagaru, Mamaya, family and friends today we are celebrating the life of a man who has inspired and enriched each of our lives. It is difficult to capture his essence with a few simple words; however, the simplicity of his approach to life is what captivated our attention.

FAMILY

When I asked my cousin what intrigued her about Peddananagaru, she quickly responded , family. Peddananagaru strove to instill the values of family in all his nieces and nephews. His interest in the extended family was so important to us raised away from the family web that is India. This extended family does not merely constitute our blood relatives, but the entire Indian community. I am proud to address each and every one of you as Uncle, Aunty, and Cousin because of him.

GOODWILL

The outpouring of emotions from people in this country and abroad are testament to the goodwill he imparted on others. Peddananagaru’s home has always been a place where anyone was welcome without hesitation. It is where many got their start in this country. It is where you came to get married. It is where you came to seek advice. It is where you came to simply chat.

PASSION

Peddananagaru tirelessly and passionately pursued excellence in all that he did. Whether this was Chemistry or understanding and treating his medical condition, he pursued all with precision.

 

LOVE

Peddananagaru’s love for his wife and family have always been clear for all to see; however, his love for animals and children was something to behold. Kirin, Sasha, Prince, and Randy were not merely pets, but individuals who played an integral part in the chemistry of the Bulusu household.

HOPE

Peddananagaru’s optimisim and hope for the future was without bounds. Not only did he meticulously map out his own future, but encouraged us all to do so. His hope and zeal for the future kept us all alive.

PEACE

The ferocity with which he pursued life was always tempered with his peaceful side. I commented this week, that over the past several months Peddananagaru has seemed more philosophical. I believe what I was sensing was his sense of inner peace regarding his achievements, contributions, and role in this life.

This brief narrative cannot do justice to his glorious life. Over this past week several descriptions and titles have come to mind: Ambassador, Diplomat, Pundit, Emminent (sic) Research Scientist; but, I believe the title of Peddananagaru, eldest father, suits him best. How else can one describe someone who has been a father to us all? We will miss him, but I’m sure the greatness of his soul will be felt elsewhere.

Go in peace Peddananagaru.”

*****

During the ceremony it was necessary to open the bottom half of the casket and expose Uncle’s legs fully so a homespun cloth could be placed upon him. Just as this was done, a crow flew past the mausoleum and called out in sets of four.

Caw. Caw. Caw. Caw.

Caw. Caw. Caw. Caw.

*****

We manufacture truths from a collection of languages we decide to believe as we pass through this earth avoiding righteousness and blind to the basic injustice of it all. I am just as guilty, though I struggle with my experiments with the truth. But the shrieking widow has had her vengeance on my arrogant posture. I arrived with the full intention of taking advantage of her hospitality and I end up picking up after her dead husband.

I am sick of the feeble attempts to describe this life in the face of death. In defense of this position I told Uncle’s cousin: “I hold what Lao-Tse says to be true, “existence is beyond our capacity to define.” I believe that science is a self-referential language which builds upon its own definition of truths to create an ever-expanding body of thought which is uniformly true to itself by definition. But because it depends upon our ability to perceive of ourselves “outside” of the natural state in which we exist in order to name and subsequently manipulate phenomena, it is and will always be, ultimately, limited by our abilities (or lack of ability) to perceive the whole.”

He told me to read Max Delbruch.

Uncle’s cousin remains steadfastly optimistic that we will come to a satisfactory understanding of human consciousness through science. His disagreement with me gives me hope.

Uncle is dead after a long war with his own body. He wrestled with congestive heart failure, with diabetes for 30 years, with edema and pulmonary problems. The war was waged thus as battles in his feet, lungs, liver and heart. The soldier cells marched wearily and incessantly through his veins, fighting attrition.

The history of diabetes runs rampant in the family. Even the nephew who spoke so eloquently at the funeral is aware of his propensity at the age of 30.

Uncle’s cousin, for 16 years a diabetic, has watched his cousin die and has listened to doctors say repeatedly, “that diabetes really complicates things …” And still he remains optimistic about the chance that we will someday come to a physical understanding of our state of consciousness.

Dare I, at 30, healthy, say otherwise? Dare I suggest that the fear of death inspires desperate rationalization and belief in unnecessary dogma?

I dare not.

But at 30, I embrace the notion of the natural passage from life to death without the need to understand consciousness. I believe perhaps equally as faithfully, though I am not driven to consider it until challenged to do so, that I am a part of a whole which has breathed me alive and into birth and which will exhale me out unto death. That this is how it has always been, I am confident. My faith is what I have to assure me that it is orderly and passes as it should. Will I, too, grow old to fear?

There are donuts here every morning and Uncle’s cousin’s daughter says, “the donuts are cooked in lard,” prompting another cousin to retort, “Oh great, a houseful of vegetarian diabetics waking up to a box of Dunkin Donuts every morning.”

Laughter soothes us. We laugh about many things, but laughter around stories about Uncle soothes us most. There is always a collective moment of silence after such laughter which he owns despite his corporeal absence. We know that silence belongs to him.

His science and numbers also belong. There are many doctors and chemists and physicists among us. We are Indians after all; good at Maths and Science. We invented numbers. Numbers are made important through the generations of like-minded thought.

*****

We who were gathered now at his home, are mostly educated in science. I was one of the only artists/writers until C. arrived, a design student in a Bachelor’s of Architecture and Design program in Canada. We ache to make. So we stay up until 3 in the morning comparing sketchbooks and bartering metaphors. It is good, healthy art.

I am rejuvenated by a 25-year-old Canadian boy who studies design and art and who breathes life into my science-deadened lungs. I share with him a drawing I made in my journal that I can show to no one else in this house: his dying uncle connected by plastic tubes to a machine which breathes for him accompanied by words from his last hours of life. Only an artist can observe coldly thus. We are purposed with the need for “reality and truths” to be real and true.

Priya is pregnant. Her conception happened in the basement of this house by a man who called her a bitch as he fucked her hard. She will have a baby which will be born to a father and mother who have had an arranged marriage in India and who live in someone else’s home.

“Thank God you’ve arrived,” said the atheist to his brother, “I’ve been surrounded by believers for weeks.” “A dying man is silent and thus have I recorded his final words,” replied the brother.

*****

How can I begin to tell you about the multiplicity of things I have learned about my own culture in the few days I’ve been here? “While the rest of the world was populated by ignorant savages, there were great civilizations in the East.” – Gibbons. Uncle tells me this: “There is more meter in Sanskrit poetry than any in the world. It can’t be beaten.”

That word, “beaten” … what a strange position. I am an Indian-American immigrant with the stories of my culture passed through me as oral history to defend myself to the education and propaganda I am taught by the culture in which I currently live. But my own culture is often unsupportive of my efforts because our own willful desire for self-promotion. Our lack of belief in the concrete denies me access to truths which can be validated universally, as we Hindus are so good at having our own stubborn-minded opinions.

Meanwhile. Mean. While. I am surrounded by a dominant culture which seeks to reduce the worlds of thought and energy of my culture’s thousands of years of history and philosophy into categorizable ideas. Lump-summing our poets into a small box on a timeline in an encyclopedia made by Time magazine or by Microsoft for inclusion in its next encyclopedia-software package to be sent with pc components around the world: “Indian philosophers are old and wrote long poems about their many Gods. Next topic. Space. Press “d”, for Dinosaurs.”

We part learn our own culture so we can defend it in layers to one another, preaching to our own choirs and afraid to stand up before the world and defend the greatness of our collective thoughts. We can’t even understand the infinite machinations of our rituals sufficiently to agree about their meaning.

Eleventh Day Rumi

It is the eleventh day and the skies have gone grey and dark. Rain is predicted for tomorrow morning and the house is filling again. I have been receiving e-mails from one of the cousins who has gone back to her own home in Atlanta. They have included numerous poems. Here is one by Jalaluddin Rumi:

 

Listen to the story told by the reed,

of being separated.

“Since I was cut from the reedbed,

I have made this crying sound.

Anyone apart from someone he loves

understands what I say.

Anyone pulled from a source

longs to go back.

At any gathering I am there,

mingling in the laughing and grieving,

a friend to each, but few

will hear the secrets hidden

within the notes. No ears for that.

Body flowing out of spirit,

spirit up from body: no concealing

that mixing. But it’s not given us

to see the soul. The reed flute

is fire, not wind. Be that empty.”

Hear the love-fire tangled

in the reed notes, as bewilderment

melts into wine. The reed is a friend

to all who want the fabric torn

and drawn away. The reed is hurt

and salve combining. Intimacy

and longing for intimacy, one

song. A disastrous surrender

and a fine love, together. The one

who secretly hears this is senseless.

A tongue has one customer, the ear.

A sugarcane flute has such effect

because it was able to make sugar

in the reedbed. The sound it makes

is for everyone. Days full of wanting,

let them go by without worrying

that they do. Stay where you are

inside sure a pure, hollow note.

Every thirst gets satisfied except

that of these fish, the mystics,

who swim a vast ocean of grace

still somehow longing for it!

No one lives in that without

being nourished every day.

But if someone doesn’t want to hear

the song of the reed flute,

it’s best to cut conversation

short, say good-bye, and leave

This poem strikes me in the heart of my displacement. I am hurt by my reduction to observer status as a half-Hindu as a result of our immigration. I have missed out on many things which separate me. Not facts, but beliefs.

There was a portion of the twelfth day ceremony, for example, which was meant for all male Hindus who have had their upanayanam (a rite of passage for young Brahmin boys). I was upstairs working on this piece when it occurred and no one came to get me. Someone told me it was because they assumed I did not have my upanayanam done.

When one of the aunties ran into me later and told me this, I informed her that I had my upanayanam in India, w my cousins. We stood in the silence of our separation. I was petty inside and thought in an instant, “never mind … just call me when you need the trash taken out,” since I had been responsible for that task all week.

It is said that a truly orthodox Hindu is not even supposed to cross a single body of water from his home. I have crossed the Pacific, the Atlantic and swum in seven seas, in Lakes and Bays and Sounds. I have eaten meat: chicken, pork, fish, beef, squid, octopus, goat, snake, crckets, grasshoppers, alligator, eel, and drunk alcohol, taken drugs and made love to many women.

Am I even a Hindu anymore?

Uncle certainly was.

What measure of a man was he? At his death about 5’ 4” tall and weighing about 131 pounds. At his peak, maybe 5’6” and weighing 175, wealthy by Indian standards and well-to-do by American ones, he laid claim to both countries and traveled the world. Handsome and charming as a youth and centered and driven as an aging man.

He was the lynchpin for immigrants from the state of Andhra Pradesh in India, to the United States, and in particular to New Jersey where now the largest population of Indians living in the US reside.

There are practically no immigrants from Andhra who have not at one time or another been in his home, a place that has been called The Ellis Island of Andhran Immigration.

He would be called a “liberal,” by political denomination in terms of American politics and he supported the American Democratic party and social democracy in and out of the US. He loved India, Andhra and the United States. He was a member of his local temple to which he sent his wife the morning he chose to leave this earth with a heart seizure. He believed in, but rarely spoke of, God.

He owned a Mercedes Benz and a number of high-tech tools, and for everything he owned, he kept meticulous records. He maintained his possessions with a near obsessive care. He kept the original boxes to electronic equipment which was more than thirty years old. His wife still has receipts from their purchase. He was well-versed in a number of areas but specialized in physical chemistry.

The Twelfth Day

It is the twelfth day since Uncle’s death and the house is full of people. There are easily a hundred people here in the house and the number is growing as car after car pulls up and parks on the tree-lined streets of the neighborhood where they live. His obituary from the local paper read as follows:

Suryanarayana Bulusu, 70, senior research scientist

MORRIS PLAINS – Suryanarayana Bulusu died yesterday at the Dover campus of Northwest Covenant Medical Center after a short illness. He was 70.

He was born in Elldre, India, and lived in Succasunna before moving to Morris Plains in 1972.

Mr. Bulusu was a senior research scientist with Picatinny Arsenal in Rockaway Township, where he worked for 35 years before retiring May 15.

He was a graduate of the University of Bombay and received his doctorate degree there.

He was a member of the Hindu Temple of Bridgewater and the American Chemical Society.

Survivors include his wife Lakshmi; a sister Venkata Lakshmi Vittala of Yorkton, Saskatchewan, Canada; and several nephews and nieces.

Arrangements are by the Tuttle Funeral Home, 272 Route 10, Randolph.

(They misspelled the name of the town of his birth which was “Ellore.”)

The End

Needles

08 Saturday Nov 1997

Posted by mtk in fiction, S.F.

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1997, consuelo, dj, gomez, hayes, hayes valley, Karthik, mtk, needles, palace, record, records, roommates, san francisco, sf, short, spin, stan, story

There was an uncomfortable silence.  Stan would be home for the meeting soon so Lenny didn’t have the time to say anything really valid about the needles to the rest of us.  It was just that dead time of day when we usually talk about other things like ball games.

I figured somebody had to say something so I asked, “Anybody catch the Lakers?”  Lenny had seen the game and he broke it down for us while we waited.  Stan came in the middle of it and he picked up the description.  “Deal with it,” he calmly effused, “eleven three-pointers on sixty-eight percent shooting and eighteen of twenty from the line,” and we were all appreciative if for no reason other than the solidarity it lent.

We sat for just a second longer before Stan segued into the meeting: “Where’re we at?”

Lenny was silent and let somebody else do the talking thank god.  Stan could figure from the silence that the stuff hadn’t turned up.  It was uncomfortable but it wasn’t like there was anything to dispute.  Lenny’s brother and his girlfriend had been the only visitors the whole weekend and now the needles were gone.  Nobody even commented on the weed.

I proposed we each chip in fifty bucks for new needles and then Len said he’d ask his brother about them but nobody said anything.  Stan wanted to know if he could take his share out of the rent and we all supposed that would be all right. The most uncomfortable thing was that without the needles the turntables sat still and mute.  The red light on the amp was on as if the music had been interrupted in mid-groove.  The silence was a palpable souvenir of the needles’ absence.

We were just about to end the meeting when Kevin piped up. “But it’s bullshit,” he said.

Len was visibly stricken by a pang of tension.  Stan sighed, “what?”

“Well I mean, check it out,” he continued, “I mean I didn’t take the needles and lose them or whatever and I don’t have fifty bucks to just throw around.”

Stan started to say , kind of under his breath , that he could front Kevin the fifty but Kevin said he had it.  “I just want to know what we’re going to do in the future if something like this happens again.”  Len started to say something but stopped and I said, “Well, it isn’t going to happen again,” in a tone of voice that pretty much put an end to the meeting with my age advantage and all.  We left it at that.

I hate my life.  I don’t know what I am going to do about it and sometimes I feel so trapped and paralyzed by my existence I feel like I’m going to explode.  I know it can’t go on like this.  I live with a bunch of guys I know, at least — it could be worse — but it’s like I’m in college again.  I never thought thirty’d be this way.

I don”t think I ever had an image of it being any way, but I wouldn’t have ever guessed this.   I need to make a new plan but for some reason it isn’t coming together.  I always zigged and zagged before and lately it’s like I’m out of gas.  How can that be? I’m only thirty.  Shit.

—–

1988.  Autumn and I say “fuck this,” and move to China.  At least that’s how I tell it now. My three years in Asia have been reduced to a sidenote on my resume.  I mean I guess it started out as Taiwan before and became Malaysia and Thailand and India and Japan after … and now it’s “an experience which has given me a cultural appreciation for Asian cultures.”  The point is I split and so did everybody else I know.

I remember when we sat around the university local  and threw our passports on the table. Kevin was going to Paris, Ken to Guatemala City, me to Taipei and Tracy to the Peace Corps.  She hadn’t been assigned to Malawi yet.  And we laughed like fucking kids and threw our damn hands in the air and sucked down pitchers of beer and it was all good.

Now  me and Kevin are here, Tracy works in DC,  and none of us wants to talk about Ken except his mother who always wants us to “stop by any time” when we’re in Texas visiting our own families.  And it’s all bloody and sore and itches like an amputated leg’s supposed to.

Whatever.  I have to get something going for myself.  My doctor says I only have fifty more years left.  I mean if I’m lucky.

Le fin de siecle is a fucking joke.  Lenny exaggerates pitifully when he makes plans for it.  He talks about Times Square and Paris and some island in the Pacific off the date line, but it’s been four years since he’s traveled.  And that was Mexico.  I know he won’t do what he says he’s going to do anymore.

When we were kids, the year 2000 was like this crazy place where we’d all be in our early thirties and kings of the damn world.  Now it’s a fucking lie about how little time means and how much hype time-sellers have to pitch.

My mother thinks it matters still. She isn’t a part of the revolution of apathy we are and so it’s a serious pain in the ass trying to explain to her about fruitlessness on arable land.  Time passes that’s for sure.  My hair gets longer and my ass gets colder and lonelier, too.  Nobody else seems to have a problem with it.

—–

Christ on the Rue Jacob!  I feel fucking great!   Good god, I want to scream at the top of my lungs for about an hour while the world spins under my feet.  Pass me the bowl there Lenny and let’s get this show a-pumping.  The guys have no idea what I’m doing back here except that when I leave the party it’s usually to make some notes.

Fuckity fuck … life is a gas, baby.   What are you going to do about that you apathetic fuck? Huh?  What are you going to do about the fact that it is beautiful and warm and there are people and places and love is a real goddamn emotion and the drugs are relatively good and  California is all free and you aren’t starving and dying in a Zairean refugee camp or in a ditch in Bosnia.  What are you going to do about the fact that you are on fire?

—–

When my father and mother crossed the border in 1957, they were in the back of a chevy longbed and they were not illegals.  The crossing was the last leg of their journey from Africa which took them two years and lord knows how much money.   The revolution in my father’s homeland cost him everything. He was lucky to get a professorship here.  No.  As he always says you make your own luck.

“My father wanted a better life for us,” is what I always say when people ask why we moved here.  They can tell I’m unhappy.

What is there left for me to do?  I haven’t had sex in three months.  I can’t seem to get the appetite for the chase or even for the event. I mean I’ve had opportunities and lately I even reject those.  What’s the point?

—–

I could try looking at it this way:  thirty is a good year to begin …

I could fall in love.  “You make your own luck,” is what he said.  I never argued with him though I think that’s a load of shit.  You make your own rationalizations is more like it.

—–

Let’s put the puzzle pieces together: December 31st, 1988 and I’m riding a 350cc ’81 Sanyang motorcycle across an empty field in rural China.  It’s Cheng-du province and Tiananmen Square is months away and when it happens I won’t know about it anyway because I am living with the Chinese.  And I’m flying fast through the cold, cold countryside.  My bike chokes and I feel it seize so I pull over for a minute but don’t kill the engine.  It’s all screwy.  I think there’s something in the fuel line.  I don’t know if the bike will get me back to the doctor’s ranch where I am staying.  I breathe a deep sigh over the ruddling hum of the engine and see my breath cold and white in the night air.

I look at my watch.  It’s midnight. I realize that the equivalent time in New York and San Francisco and wherever else was met with balls dropping and firecrackers and wet warm drunken kisses and Auld Lang Syne and eggnog and it all hits me like a wall.  No one here even knows what that’s like or what it’s about.  It means nothing.  It’s as empty as the tube in my fuel line past the block in the joint.  I sigh and feel strangely great.  I dance a little jig.  I am thrilled at being free of all the bullshit.  It may well be my one clean moment.

—–

I picked up the new needles today.  I got home this afternoon and opened the front door and called out, “We got music again!”  But no one responded.  I walked through the entire flat but there was no one around.

It’s been a beautiful day.  It’s warm and sunny out and the skies look like October:  blue and clear and light.  I walked down to the front room and the sun was streaming in through the windows all over the futon and the floor.

I sat in the long warm patch of light and tore open the bubblewrap.  The needles are light and beautiful.  They have tiny diamonds in them I guess.  What a gorgeous little design.  I handled the needles for a minute before sliding across the rug and putting one on: locking it onto the tone arm.

I walked down to the records room.  There’s vinyl everywhere and gear for days. I was flipping through the Lee Morgan and Horace Silver and that whole era of sweet-sounding music music music when I saw that someone had misplaced one of my records.

I picked the record out of the stack and walked back to the front room.  There were birds out on the fence.  I pulled the platter and cleaned the vinyl slowly with the brown brush and fluid. It hadn’t been spun in months, hell maybe years.

It was ‘Metamorphosen‘ on one side and ‘Tod und Verklarung‘ on the other – Richard Strauss, Deutsche Gramophone.  I chose the flip side.  The needle was new so I put my finger to my lips, licked it and then gently rubbed the diamond tip.  The prick barely registered on my wrinkled fingerprint.  It felt rough, like a cat’s tongue.

I fired up the mixer, the amp, the receiver and clicked the selector over while they all warmed up.  The crossfader slid gently through and I set the needle down.

After my father died I tried to find that fucking record.  All I wanted the morning after I had him burned was to feel warm and empty like I did that day, lying, thirty, in the sunny patch on our ratty black futon with nothing but cocktails and a joint to look forward to.

ko'an, 1997

19 Sunday Oct 1997

Posted by mtk in poetry

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atheism, death, poem

“Thank God you’ve arrived,” said the atheist to his brother, “I’ve been surrounded by believers for weeks.”

The brother replied: “A dying man is silent and thus have I recorded his final words.”

We, short story, 1997

08 Wednesday Oct 1997

Posted by mtk in fiction, S.F.

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1997, Karthik, mtk, new, short, story, we, Yorker

We’re drunk again and soon we’ll fuck.  That’s the order of things these days.  We meet in the evenings after work, make a dinner of inconsequential size and of indiscernible tastes, then go out for drinks at one of the locals until we’re so lit we can finally be honest with each other.  We fight like Burton and Taylor as we crawl home. She shoves me into bed and we fuck until we pass out. It’s an o.k. life but I keep thinking there must be something more.

She wants a baby but I want a dog.

Neither of us reads very much but we watch a lot of TV.  She watches crap.  Me, I watch nature shows.  The kind that show the lives of animals all over the world. And under the sea.  The ones on sharks are my favorite.

Everything I ever learned in school turns out to be bullshit.  My job is a joke.  I spot-test circuits on an electronic motherboard with two cables and a detector.  The hardest part is showing up.

I file reports and go to meetings.  People talk slowly about insipid things which mean as little as possible to anyone in the room.  The more meaningful the conversation becomes the faster it goes until the most important thing, the reason why the meeting was held in the first place, is blurted out and discussed at a barking, rocketous clip so there’s no time to blame anybody for any fuckups and no time for anybody to complain when they’re given an assignment.

My work is not meaningful to me in any way except that I receive a check for exactly $1843 every two weeks.   After taxes.

I have health insurance. My girlfriend is covered, too.  She makes as much as me at her job and has a full health plan also (mental to dental).

All of our friends are incredibly boring. But they use us and our resources to have a good time.  So we all get drunk together and laugh at things which only we can possibly think are funny because the language we speak is incomprehensible to anyone who hasn’t spent at least a year in our circle of friends.  We have developed this language as a method by which we can keep undesirables out.  Our friends’ girlfriends and boyfriends who do not check out don’t last long because it is especially hard for people we don’t like to keep up with our language.

We quote obscure lines from movies and television shows as a method of relating.  We see mostly mainstream films, not because we like them, but because they are easiest to make fun of.  We do not discriminate on the basis of sex, color, creed or race, only on the ability of others to keep up with our language and contribute to it.

We have no culture and no history because we are mostly made up of mutts. Part European, part whatever but none of us has a cultural background of any measurable depth because we are Americans.

I play a lot of computer games because they are easily accessible to me at work.  I also use my computer to send e-mail to all my other friends who also have jobs with e-mail.  We are never out of touch because most of us have cell-phones and beepers as well. Sometimes we fuck each other.  But mostly we get along because it would be boring otherwise.

We own a lot of things.  Most of these things are things we have read about in magazines or seen in movies.  Rarely do we buy things we have seen on television because the ads on television are stupid and we make fun of them.  We buy what we are sold but rarely do we buy what we want.

Sometimes we travel to other places.  Usually we only travel for a reason – such as family or friends’ weddings or funerals.  However sometimes we travel so we can say we have been places.

We can say we have been many places and our recollection of them is manufactured in such a way that we can relate stories to one another about the places to which we have been.  This allows us to all go to the same places at different times and always have the same experience of them.

We rarely leave the continent.  But Mexico and Canada accept our money so we go there from time to time to get away from it all.  Mexico is barbaric and uncivilized.  We avoid its nontourist destinations.  We use it to get things we want cheap and to be treated better than we deserve for very little money.  This is fun.

Canada is intellectual.  We go so we can say we have been there and have conversed with Canadians on a wide variety of topics.  We quote Canadian facts and figures about our own country.  Then we make fun of Canadian mannerisms, accents and figures of speech.

We’ve each been to Europe once.  Mostly after graduation.

We are Americans and as such we vote regularly but rarely in elections; only in surveys and opinion polls.  Still we follow the polls and watch CNN and other news programs. We quote soundbites which are filtered to us through the media. There is no time to learn anything about any of it and even if there were we are cynical and know that it is all a crock of shit anyway so we would never bother.  We believe that surely people who do bother are already working on it and so we have the information presented to us.  Our own lives are not affected adversely by most changes in policy and so we are willing to wait for injustices to be reconciled by the efforts of those they affect.

We trust apathetically that people who are unhappy will eventually be made happy by the system in which we have been raised.

Today, I left work and went to meet a friend at a coffeeshop.  He was a friend of a friend, or maybe three friends away, who was supposed to bring me a resume because my friend said he might be a good employee for my company and I knew if I helped this guy out it would score points for me with my friend.

I ordered a coffee and waited for the guy to show up.  I was sitting outside and several people came and asked me for money.  I gave some money to a few of them because I always feel bad for people in a bad way.

One guy got really aggressive with me because I wouldn’t give him any money.  I refused to give him money because he was rude to me.  I gave money to someone else nearby and pointedly told the guy to leave me alone.  It reminded me of feeding pigeons at the park.

My friend’s friend never came.  I had time to kill so I went to a bookstore.  They had comic books and I bought one and decided to read it in the park.  The comic was an illustrated remake of a short story written in the 1800s by Anton Chekov called “The Bet.”

I read the comic and went home.  We ate.  Then we went to get drunk.  I came home early.  Now I am sitting at my computer writing this entry.  I will e-mail it to all my friends and leave it saved here on this computer screen just before I pick up the .45 I bought last spring with Ernie and Ellen at the flea market in Marin and scatter my brains across the keyboard, the monitor, my desk, and the window here, which looks out onto our backyard and several rows of calla lilies, California poppies and jasmine.

Tonight the jasmine will bloom and our yard will be graced with a delicious tangy scent.  My girlfriend will have to fuck herself.

digital film festival at the kitchen before the 12th Annual Anti-Gentrification Festival, Harlem, 1997

20 Saturday Sep 1997

Posted by mtk in essay, journal entries, journalism, NYC

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95 Claremont Ave. #12, NY,NY, noon, 09/29/1997ce

The 12th annual Anti-Gentrification Festival will begin here in a minute.  There are tables being set up all through the intersection and the first crackly, then tinny, over-trebled and finally thuddy-bass-ed, and slightly more balanced sound of a PA of some kind kicks through the residential buildings at this corner.  The kids are all setting up different stands and tables outside as I write.

I want to do some straight chronicling of the events of yesterday because the day was so full of activity and information. Let me get my coffee and a little more comfortable for the direct reportage process.

<Break>  There is a relationship between B. and I as colleagues.  He is a writer of the daily.  He is a reporter.  He is a member of the press and he attempts to work within that structure.  I am a writer, too.  The type of writing I do is at a different tempo, set at wide, broad strokes over years.  Instead of the daily or the column-oriented construction of events into a format for a daily deadline, I create my own deadlines and parameters for describing and reporting on my world, at long-term estimation periods.

Yet we have so many things in common.  We take coffee and read the paper.  We are regular in our approach to the machine.  We keep orderly notations and structures.  Writers are a funny lot, but it is easy to pick one out when you’ve got one in your sights.  B. understands I’m a writer and so he provides a vantage point, coffee, the paper, simple things.  And a complex thing, too, for with the capacity to switch media like this I can capture much more than with just the field notes.

Here in the United States where so many things (everything?) are about money and its exchange, here in a capitalized society it is difficult to explain why I am able to use B.’s gear or coffee or he, mine.  In the world of the arts this question does not arise.  As an artist, we are communist by definition.  We have to commune in order to create in a meaningful way.  And so we try to order our efforts so the least amount of the fabric of the lives of others is required to allow us to participate to create the highest degree of impact or affect the highest degree of contact with others.

If a pen is the only thing I can afford, what is the most powerful thing I can make with it?  What is the most powerful thing I can say?  If I have access to a computer?  Or a video outfit?

The tools are merely media. One of the most stupid things to do is to glorify the tools themselves.

The issue of how to use them is the decision of the artist who takes his task seriously and approaches with an organized effort.  Right now I am in New York.  This aspect of the process requires me to be here, now and to wait.  So I’m trying to get what I can of the time.

I chronicle and report and keep the process going in whatever way possible.  I attempt to get to places and see things and try to document to the best of my abilities what I experience.  I am also trying to do something very different from journalists like Bob who participate in a language upon which his colleagues attempt to agree.

I am participating in a way in which I want to make language into a tool as well.  I want to bend and angle and break it if I have to in order to present what I feel is an accurate portrayal (in metaphor) of the me I was when I was experiencing the things I describe.

This includes an attempt to completely embrace subjective-ism.  It is to turn subject into object.  And collect with language.  This is the tempo of the kind of writing which I do.

For B., the writing itself and the perspectives represented take a back seat to the deadline and the result is the beauty of having a regular, ordered, ouevre of work over a long period of time (so beautiful) which requires, patience, discipline and dedication, not to mention the ability to tolerate editors, publishers and untold other interveners on a daily basis (no small thing – I CANNOT DO IT RIGHT NOW).  He embraces and accepts the natural limitations of the form.  I admire him his ability to do this, but I do not wish it for the world.

Well, let us begin shall we?

Yesterday morning I awoke to the beautiful sounds of South Indian music and singing as H., the Indian woman with whom I am staying, (who has been so kind and good to me since my arrival by accident in her lap in the street unknown, by “accident,” three weeks ago … see previous entries) awoke, showered and readied herself for her job to which she must go every morning at 8:30.

We chatted briefly about meeting up later in the day for a reading by two authors at a space downtown.  She had the directions at the office and so I told her I’d call her there later and she left.  I arose, drew a hot bath and took up a few of the fashion magazines which the woman from whom H. is subletting the apartment keeps on her windowsill.  It’s the first time I’d ever read any of these magazines which are such a huge part of the literature in this country.

There I was, 30, bearded, shaved head, in a hot bath, listening to music, reading Marie Clare, Harper’s Bazaar, and Vanity Fair.  The perspectives are on pop cultural issues and generally from a woman’s point of view, though not exclusively.  It was amusing to spend a morning on the upper-east side this way, despite being broke and unemployed. I am truly blessed and fortunate to have good friends and help with this process.

<Break>

So yesterday, I arose and read in the tub and sat about thinking for a while.  Went to the Scoop and Grind Cafe for a coffee and a bagel.  I have taken to the place.  I am able to sit outside and enjoy the people passing and have a tall hazelnut coffee with two shots of espresso and an “everything” bagel with cream cheese all for $3.50.

I spend the time reading the papers and so on.  Ted Turner, the billionaire entertainment and communications mogul has given the United Nations (the UN), one billion dollars.  The amount is the largest contribution of its kind anywhere, ever.  It’s absolutely phenomenal, and people seem to take it with hardly a thought.  It’s as if a billion has become meaningless.  But it isn’t.

The trouble is, what will the distribution of that billion dollars yield?  Political power for the unempowered worker in Bangladesh?  Ted Turner gives $1 billion to the UN and the next day a worker in India who is fifty times brighter than a worker in a McDonald’s in Biloxi, Mississippi, makes $3 a day in kind, not in cash and is able to eat a decent meal and feed his family.

Meanwhile the wages here in the US are spent on Tazmanian devil t-shirts and plastic toys.

Waste.  Consumption.  The false value of stupid objects designed by others to appear valuable but which are in fact cheap, and non-lasting.  Will Ted Turner’s money fix that?  It’s a problem which has gone on for fifty years untended and is, in some cases, worsening, more waste, more consumption.

New York is about money … I have heard people talk about how much they like making it, spending it, earning it, working for it, cheating others out of it, having it.  It is honestly at the heart of many of the discussions here.  It is the American, capitalized sensibility at its oldest and most evolved – New York, where people have come from every god-damn place and hacked out an existence. By using money.  By attributing value to money.

But what a life.  Is it a valuable life?  Or is it devoid of meaning?  (As one New York lifer told to me, “I cannot sleep where it is quiet, in the country, I have been around this noise all my life.  My fear is that … I don’t know if it is a good thing.  I don’t know if I don’t want it to be different.   I am afraid that it is unhealthy.”)

And another have actually said, “I live to make money.  I’m like a pit-bull when it comes to money.”  What meaning is there in the earning of money for its own sake?  Ted Turner gives away a billion and says it was like he gave away the earnings for the nine months of the year.  “I’m no worse off than last year,” he suggests.  It’s crazy.  The inequity of wealth in this society as a function of the value of money-  No. …  the subjective value of money.

If you choose to care about money, if you choose to value it and you work your ass off and you are lucky and you have certain advantages like a good family or connections, it STILL isn’t a guarantee you will have money, security or satisfaction or happiness.  It is something a person could spend a whole lifetime doing and have wasted a life.  True contentment comes from within.  Money is a manufactured construct, made to sate our desire for material happiness, security and contentment … but it requires enslavement.

Freedom is worth more than money.

Real freedom.  The freedom to be unencumbered by society’s groping need for your expenditure.  To participate as an individual for the collective good of the whole as you please, to reduce waste and participate.  Does Ted Turner do this?  His behavior night before last at the United Nations Awards dinner in his honor speaks to it.  His gift is an enormously powerful and important one.  Now to see if capitalists will learn from this the importance of supporting those in our society who do not accept money or capitalism.

The paper also reviewed the new exhibit at the Solomon Guggenheim Museums here in New York which opened to private reception night before last and was opened to the public yesterday.  The exhibit is an enormously encompassing retrospective of the works of Robert Rauschenberg, now 71 year-old artist who was born in Port Arthur, Texas in 1925 and moved to New York in 1949.

He was educated at the Black Mountain school in the late 40’s and early 50’s and this yields some thought about his cohort and his own work.  He was a student of Albers and participated with the encouragement of John Cage and Jasper Johns.  The influence of both is very much present in his work and self-referentialism of the era – in literature as well as arts and music – must be addressed.

It is at this time that Charles Olson and Robert Creeley began the correspondence of which so much has been written, collected, and discussed.  It has been posited that the Black Mountain School produced this movement of thought and idea which was named by its writers and energized by its artists and musicians.  In order for it to be valid a a movement, however, the artists and so on must produce at length with comparative relationships.  This seems to have happened.

The first use of the term “post-modern,” is attributed to the Creeley-Olson relationship.  Surrounded by such artists as Johns, Rauschenberg and Cage it is no wonder the naming took this path.  The Black Mountain School of thought can it be called?  How do we go past it?

The Guggenheim has taken an amazing step toward solidifying the reputation of this school of thought.

Mr. Rauschenberg’s stuff is everywhere, six floors of the main space uptown at 5th and 89th and also in the downtown gallery and at another site.  I have only seen three floors of the main hall’s dedication to R’s work.

fantastically broad usage of mixed-media and the incredible productivity of this fellow!  He made so much art between 1949, when he arrived in New York at the age of 24 to 1965, still in New York but with many many many overseas trips and attempts to his credit by 40 years of age.  16 years and an amazing amount of work.

It is an impressive and vast collection.  The use of mixed-media of such a wide variety (from gold leaf to photocopied images to photography to paints and drawings and blown glass and worked metal and text-and-image based stuff and lithographs and sculpture – taxidermified animals for God’s sake!) filled me with thoughts of Warhol, Johns, Cage and others a lot, but they were all contemporaries.

His use of the Mona Lisa as a photocopied image incorporated into another piece in 1952!  That impressed me as important with regard to image appropriation and manipulation.  It was so long ago.  Photography was in its middle years.  Rauschenberg was at least incredibly productive.  And he was innovative, and he had a wonderful sense of taste, especially for texture  (I’m using past tense and he’s not dead, but I haven’t really seen the stuff past 1971 or so … BTW, The De Kooning Retrospective in 1996-autumn was a much different type of show.  This thing can’t possibly travel this way, I think, but it will.  This is New York City.  Here you can do anything.)

The generation of artists who precede my arrival in New York with movements (before Arthur Danto’s  “Death of Art”) have huge institutions in their favor now.  But they didn’t when they were my age.  How can I make progress in this process now?  What is the key to understanding how to make a relationship with my community which allows me to create for a living?  Join the communities’ institutions?  Should I become a member of the Guggenheim?  Of the Met?  Of the monied?  Can’t. I’m broke.  All I do is write.  Hmmmmmmm.

After the Guggenheim (there are field notes in the New York Black Journal #1 – dated, 9/17/97ce) I walked down to H.’s place and had a couple of glasses of Yago (a cheap Sangria that’s tolerable when poured over ice) and sat down to roll three joints for the evening.  My joint-rolling skills are terrible, but here in New York, the common practice for pot-smoking is the joint and no paraphernalia. I have learned this from a number of sources – it is considered west-coasty and read wimpy to use pipes and bongs … joints are the NYC way … how funny to learn these things at 30 …

I got a call from D. who wanted to get together for a drink.  Kate is in town and I have blown her off pretty hard by not participating for the sake of my own vulnerability and so on.  D. had arranged for us to meet her late tonight at an event.

D. and I agreed to meet at the sushi/bar at the corner of my block and so I finished rolling three joints, smoked half of one, and made my way down to the corner.  D. was late and so I sat at the bar and had some sushi and a gin and tonic and wrote for a while (Field Notes Available – not important, some notes, “New York City:  It’s a distrac- … (beat) … It’s god-damned all a big-ass distraction.”  and others)

<Break> For a phone call from S. <Break>

That said let me return to last night …

After sushi, D. and I caught the 6 to the Drawing Center for the readings to be held there.  The Drawing Center is at 35 Wooster Avenue and houses a gallery space (I had heard of it before because, Glenn Seator, whom I met through Sebastian, who constructed his piece at the Capp Street Gallery in San Francisco, has shown his work at the Drawing Center – Seator was in the last Whitney Biennial).  The space is long and rectangular and well lit.  It has good, large windows in the front of the shop, and a nice-sized space within which to show.

The readings were by Anita Desai, someone else, and Amitav Ghosh.  D. and I arrived late and so we missed Desai and came in the middle of the second reader whose name I didn’t get and caught all of Amitav Ghosh who read from his new novel, “The Calcutta Chromosome,” reviewed positively by the New York Times as a complex, spiritual thriller-detective-type thing (NYTBR, two weeks ago when I first arrived).

The second-reader had a younger, faster-paced, style with pops and whistles.  He had all the elements of Indo-Anglian writers of the day, exotic settings (to english ears) and rhythmic approaches to the blending of languages and so on.  I wasn’t able to follow his reading so well, it lulled me because he had such little variation in his tone of voice as he read.  He was listless.  The audience, was polite and laughed when led to laughter.  I think oral presentations are supposed to be different experiences from reading the book itself.  I mean, here they are in front of a group and all.

They feel as if they are written to fit into a pre-defined structure ordained by the industry for Indo-Anglian writers.  I know that’s terrible to say, especially about my contemporaries, but what are we building that’s original?  I ask knowing the answer … little and everything.  We are original.  We are the new Indians.  We can’t help but be contemporary and original.  It’s never happened before, this thing.

Amitav Ghosh read from his novel which was available at the front of the gallery, beautiful jacket, case-bound, lovely job, by Avon Books … I was able to follow along in the text as he read which was a great benefit to the experience.

His work is slower-paced and more even.  It is much more traditional.  I mean in style, but not in content.  In content he has woven and toyed with ideas.  But the style is long and drawn and traditional.  I think his use of adjectives and adjectival phrases (much like the younger fellow before him) relies too much on Indian-ness … but perhaps this is because I am an Indian … (am I?  Only there, then … where?  when?)

Marvelously developed thoughts, though, and ideas.

H. and her brother and others went for food afterward and D. and I went on to the D-film festival at the Kitchen (by cab).

The Kitchen is a performance art space on 19th at 10th streets … past chelsea in the middle of noplace.  It was cool.  I mean a good, black, dark-ass space with lighting available.  But not so many people were there.  Still what a weird event, to see K. in NYC and to be at a film festival from SF touring the US and here in NYC first.

Most of the high-tech digital filmmaking is SF, LA, California … this year’s festival had several New York entrants and two of the guys were present.  It was good to see.  Content was limited.  I mean most of it was cutes-y and damn near vaudevillian.  But there were one or two which took interestng approaches.  There was one called, “Amend,” no plot, all image and spyrographic crazy beautiful trip through music … lovely and well-done.

Others of interest … but lots of cartoony-type stuff … what’s the point?  That isn’t content … one guy did Dreamboy and it was because as he put it, “I saw the South Park stuff and figured I could do that … so I did …”… it’s good, it’s funny, its impressive, but it’s got obscene jokes and silly content … mass-market … cool, whatever … you know?

There was 120 minutes of shorts and then a last extra … it was long and the chairs were hard and uncomfortable and all … but I mean it was cool to see the “cutting edge,” of computer-based technology utilized by its makers.  Give me content anyday though!!!!  Not even necessarily linear.

So afterward we went to a bar, had a drink, K. and I smoked out before and after the gig and in the street and wherever we pleased.

After D-film we went to Mark Summer’s place and saw a few of his films and saw K. in one … it was good to do.  Afterward D. and I had food and caught the 1 to his place.  I got here at 4:00 a.m.

Now it’s Saturday and the Anti-Gentrification fest is rolling loud outside D.’s place!!!

Gotta go.  That wraps up my description of my yesterday … 8:30 a.m. to 4:11 a.m. … damn near 20 hours on my third weekend in New York.

NYC crickets, Queens, North Front Street, 1997

29 Friday Aug 1997

Posted by mtk in audio, conceptual art, NYC

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1997, august, crickets, front, Karthik, m.t., mtk, new york, north, ny, queens, street, summer

recorded these crickets at the end of summer, August 29th, upon my arrival to New York City.

Eulogy

20 Wednesday Aug 1997

Posted by mtk in fiction, S.F.

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1994, aloud, braid, Coltrane, District, eulogy, french, Karthik, kenny, Mission, Missy, mtk, newspaperman, party, read, sam, T. Rhae, trice, Watson

I’m dying.  That’s what I have decided and so suddenly I feel a wonderful sensation.  Something akin to relief.  I’m not sick or anything.  At least no more sick than anyone else.

I do highly recommend it.  Choosing the dying, I mean.  I am quite sure it will make the next 40 years so much more enjoyable, easier.  I am having such a marvelous time.  I drink and eat what I like.  Rarely get much sleep because I go out and celebrate my last moments.  Every moment.

It’s good.

It’s funny, when I was living — really not so long ago as when I was growing, just sort of between the grow and the die — it was harder to tell who was, is.

But now, it’s easy.

A woman in my office asked me just the other day what I thought.  Which was nice.  I said, “Oh, for sure. You’re alive!”  I can tell.  It’s so obvious to me. “You’re definitely not dead.”  I told her if she needed a testimonial to her vitality — say, for her files — I would be happy to provide it.

Last week I received a chain letter from the dying.  I didn’t perpetuate it, though.  I like when things happen.

Simple Rules of the Dying, it read.

Number One:  Regarding Monetary Transaction:  Treat money with respect but rid yourself of it as fast as possible. It is useless to the dying.  Freedom from the chains of currency is one of our benefits.  So spend freely.

Number Two: There are no rules.

Whatever. I’ve been watching the money. It travels far and fast among the living.  It is powerful stuff.  They often think they own it but they are naive like that (pish, listen to me, dying just a few weeks and authoritarian like a pro).  When you’re living you wrestle stupidly with money; play silly games with it.  Try to corral it in pens and harbors.  But it can’t be kept.  Money’s too watery.

So what to do today. I think I’ll write some letters.  I still haven’t told everybody I’m dying.  My mother will be so pleased I’ve joined her.  She’s been lonely since dad crossed from the lovely fog of dying over the indigo line to dead.  My sister of course was, is, has been, no help at all.  She’s not even trying.  Her statistics (the vital ones) are pumping away progressively, productively.  I wish we had talked.

My lover and I scream in bed like animals now.  The last three weeks we’ve constructed love all around the house, crushing things under our weight.  We laugh at ridiculous aspects of our bodies and giggle slap-happily at sentences which have taken on new meanings.

Our whole vocabulary has doubled, trebled.  I have dozens of new words for parts of her body now which make matters even more erotic and delicious.  Sometimes she looks at me, throws a bowl at the wall and says, “Bibble clumby, slooperkoo!” which I take to mean many things and then laugh at my thoughts.  She times me with a stopwatch and when I start cracking up she says, “<click> Flaxis.  A three-minute thought.”

Ohhhhhhhhh (sigh) hhhhhhhhh  God. (smiling and decrescendoing to empty lungs)

I must weep now.

It can’t be all good, dying.

Samuel is dead now and his meat withers in a wooden box below the dusted surface of this earth. In living and in dying (I wouldn’t know about growing for he’d revolved around the sun so many times before I’d even slipped into this corporeal sleeve) he graced … grace — gracious!  He was graceful.  And quiet — silent as the dead.  But never lived (or died) a man so right and true.

Few things are magical anymore.  And so it was that being near him was a rare and cherished treat in the lifetimes of most.  One couldn’t elect to be near him for too long. This would have been crass and inelegant.  So one could only ache to be near him even while all that small talk was made, leading to its inevitable end and separation.

Oh, but what talk.  Like golden notes from Coltrane’s horn the words fell simply from his lips.  “It was hot” and “Good afternoon” and “I shall pray for you”  Spirits issued from those lips and carried the words to the ears of anyone who could hear them.  From his big, black hands worlds were born and died.  When he clasped them in prayer God took pause and form and listened.

Tears are the only remnant of his magic and they are liquid and clear and cannot be kept.  They soak through everything:  through paper, fingers, skin, feet, down through the earth, joining a river which flows deep below, which carries souls and spirits away.

Enough.  I am dying after all.  There is no time for cloying maudlination.  With machine-like precision chisel from stone a life.  You are dying.  So be it.

Chat County Hospital, short story, 1997

15 Friday Aug 1997

Posted by mtk in fiction, S.F.

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My father should never have had a son.  Nor any children at all for that matter.  But this is not an option for our people.  Or I should say it has not been until now.  He tried his best to be two things:  a father and a scientist.  He succeeded as equally as he failed in each of these efforts, with absolute precision.  The result is that I spend most of my hours wondering why I’m alive.

Purposeless, I wander around the empty corridors of life’s hallways.  I sometimes open doors and stick my head into rooms.  I even walk in one or two to check out the wallpaper, the paint on the trim.  But mostly I just walk past door after door; past the infinite choices.  I examine the stark grey interior walls of life’s dusky halls.

He is still alive.

Even now he looks over at me with glassy, wide-open eyes, but he shows no recognizance.  He veils me with his illness.  And I am filled with a nauseating, selfish apathy.

No one knows my disconcern.  I wait on him dutifully and assist him when he is in need.  Soon I will change his urine bottle and then I will drain the fluids from the plastic bulb affixed to a long tube which veins byproducts from his entrails.  I am a model child.

But I am cold and dry to him and his illness.  I am incapable of reform or catharsis because the bastard went and got sick during our angry years.  We havenÕt begun to want to resolve.  (He gave me my stubbornness.)  I hate his fucking attitude and I haven’t forgiven him for my youth.

He took it from me.

He knows, too.  Behind those glassy eyes he knows it is too soon.  And he’ll decide.  Once again he has control over our relationship.  He’ll decide if he lives so we can heal old wounds or if he leaves so his part of me rots for the rest of my life.

I don’t hate him.  I must love him or I couldn’t be driven to such deep emotions.  I don’t hate him.

I can say clearly and truthfully (and here I must be honest or I am more lost for it) that I don’t like him very much.  I’d never have chosen him.  I’d never spend time with someone like him.  But that could be because of what’s happened since I was born.  Maybe there is a somebody like me with different teeth and bones who would.  A woman with less calcium and more osteoporosis.

If I had him for a class, I wouldn’t be like the students of his who parade in here with get-well-soon cards and flowers and plants he may never see if they’ll die before he does.  I wouldn’t be one of the students whose name he knows who’s been to his house for barbecues and to help him plant roses or okra in the garden.

I know what a bullshitter he is.  I know it’s so deep he’s even fooled himself.  I wouldn’t be one of the students who spends my idle hours learning even more from the fantastic wealth of knowledge he has to give, to teach (I acknowledge that much is true — he’s got an incredible memory).  I’d never want to sup from his vast table of words and equations or chew fat from his multicultural polyglothic plates.

No, I’d recognize him early. I’d come to class, do what I’m told to do. No more no less. I’d see him for what he is.  I’d never fall into his net of worship and gardening.

This story is an old sigh.  But wait, I must tend to my father. The old man’s bladder has impolitely intruded on his linens and across his already-stained hospital gown. He’ll need a bath.

I have been cheated by my vagina (I use the clinical term here in the hospital, call it what you will but if you’re playing me you better have a sweeter nothing than that) and by my bloody, crimson blood.

Not by the monthly, moonly blood of my insides.  But separately and coldly by first my lack of a cock and second by an ageless river of blood known as Hindustan.  The Brahmin Rive De Sangre of my past.  Multi-cult-you’re dead.

“Hey Tikku-Tikka!” comes a voice tinny and thin.  His only friend has come to try to cheer him out of his catatonia.  “Yene pa? Sowkyum, ah?” he speaks in our native tongue before continuing in their adopted language, “Why you are always sleeping only, sir? Don’t you know vinter has long since uppity-gone and spring is coming?” He winks at me as he continues to speak to my unconscious father.  “Now only is the time to rise out of your silly hibernating.”  Each of his ‘t’s’ are hard, the way the British emphasized them through Brahmin teachers.  He and my father studied together years ago.  They speak the same language.

“And Shanti, what yaaah?” he says to me, “Beautiful girl you are like a spring flower only – like lotus.”  He tries to make me smile and dutifully I give him a tiny corner of my cheek.

“Doctor, sir,” I ask — my father is lucky his closest friend is a specialist — “How is my father?”

I am to the point.  I am to the point when it is just stupid play-acting for me to beat around the bush.

Dr. Subramanian or “Dr. Subi” as all his American friends and patients call him whispers across my father to me, “Hold on, Shanti, Subi-Uncle will make this good. Give it time.”

I want to scream into his face, “Oh you fat fuck!  It’ll be made good like you made my brother good?  Like you made my mother and father’s marriage and my family all made good?” but instead I say in my finest South Indian accent (readopted for my request), “Will you please stay here for some time for me?  I must go to the toilet and then … I am feeling hungry.”

He looks uncomfortable in his ill-fitting suit with the idea of sitting here away from his Mercedes not on the way to his tee time (or his tea time) at the club.

“Never mind,” I whisper.

“No, no,” he replies, wagging his head like a googly doll, “go ahead.”  And I leave this room for the first time today.

*****

The sky is a flame.  Twilight is my hour of peity.  All these long weeks, these purpling, pinking moments have marked the passage of my servitude. One.  Two.  Three.  Four. They say prayers are heard and answered best at the end of a worthwhile day.

What bullshit. There is no machination or imagination behind any of this.  Time just sweeps along and we stupidly with it naming things: sun, sky, clouds, God.

I am hurt and angry and impossible to assuage with talk of prayer.  Only the sweet angel Time can cure me, Time so vast and beautiful … fucking sexy draped across the sky in quick-sinking sunlight.

I will come.  I will come.  I am.  Oh, I’m coming.  I’m coming.  Oh God!  I’m coming in Time …  in Time.

I am not fingering myself.  The hands, the lingering fingers of the sun tickle my insides as he fades away.  “Rosy fingers of dusk” is more like it. There’s time to clean myself up before I go back to his bedside and to night.

Tonight.

My brother hated me.  He loved me too much like I love my father and so he hated.  He hated, too, all of the boys who came to try me.  He hated the attention and the eyeballing and how I’d suck on my little finger and laugh. (“It’s not a pinky, silly, it’s a brownie!”)  How I’d have any boy I wanted while he got only the Mexican girls.

The white boys, the black boys, the Mexicans, they all showed an interest in broadening their cultural awareness.  They all looked, saw and learned what da Gama opened up to the West:  the legs of the most beautiful women in the world, opened up for sale by a tiny Portugee with an overaggressive cock.

“ohhhhhhh, de la India!!” said the gas station attendants, “Y porque tu puede hablar espanol?”

“Oh, no,” I’d giggle, “just un poco espanol.”

My brother hated them and all the American men who took me from him.  No, not just me – todos las mujeres de la India.  No wonder he was so fucked up.

Listen sisters,  a poem.  A poem for my Indian sisters:

You’ve come so far
and I’d be the last one to say
but please turn on your backs
for our Indian brothers today

Give them good cheer
they are alone and afraid you see
because they don’t want any of these bitches here
and they can’t have you or me

Sometimes I dream that he had gotten away.  That the letter never came and that he had gone out West.  In my dream he’s gone.  And in my dream other letters come.  There are stacks of letters from the Golden State in my dream.  I read them as I pack them into a small, brown valise.

“California is like heaven,” he writes, “or home.  The ocean my dear Shanti, it is our mother.  Our father, the sun firing infinite jets of love into her belly gave us life …”

and other letters: “We are all here  … black, white, brown, yellow and peach.  At night we trickle, laughing secretly down the dormitory halls of this city and we make love in colorful combinations.”

And in the dream as I read and pack these silly, naive letters one by one into the valise, I know that I am going West, too.  I’ve jumped aboard the freedom train like my parents did before me only this time it’s stopping further still down the line. Stations further from the bloody fucking cult-you’re past.  You’ve lost us already.

Tonight, without telling me, the good doctor Subi-Uncle will pull the plug.  My brother is dead, my father dying and me?  I’m free and free and free as el vallejo de San Joaquin in the Golden State of California.

Letter to the Editor of the New Yorker, 1997

10 Sunday Aug 1997

Posted by mtk in essay, NYC, public letters

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The idea called India today affects the lives of hundreds of millions of people.  This idea is embodied by a geographic area which has ever-changing borders in the minds of those who name(d) it.  We who were born on Indian soil know it.  Those who were not but who are related to India in some way feel a very powerful relationship between themselves and India.

Those born at this moment, in these hours, weeks and months fall into a different category.  They are the contemporaries of nations and countries named.

They will come to call places India, Israel, Ecuador, Panama, America, Europe & etc. There is lessening influence from the time when they were not named as such.  As the years pass those who called other names, or fought for other names or fought naming, grow older and eventually die.

When a person who thinks carefully about names has a child, it is a moment of great importance.  For many, naming a child is an important act, but for many others naming does not stop there.  The act of teaching names to a child is equally important.  Because the names one teaches may live for at least another  generation through this act.

Early in his essay, “Damme, This is the Oriental Scene for You!” (New Yorker, June 23 & 30, 1997, p.52) Salman Rushdie makes use of a newborn name: Indo-Anglian literature.  And in so doing teaches the many children of his revolution a new name.  Whether this name lives for another literary generation depends upon its use and its use, as with all language, is a function of its necessity. Indo-Anglian literature is, by the parameters of its creation, a contemporary art.  Contemporary arts throughout history are marked with factors that distinguish them from previous movements. Among these factors perhaps the most impressive is risk.  In contemporary arts risk may become more valuable than endurance.

History is dying.

The era of the written word as a valuable and trustworthy guide to understanding is yielding itself to other processes by which we come to estimate the world around us.  The diversity of the tools and media we have available to estimate and distribute estimations of events and acts around the world are affecting literature in unprecedented ways.  The historical word, first spoken, then written and now reduced to an accompaniment to images in both written and oral forms, is dying.

In its place a concert of word and image and sound and space and portrayal and metaphor are being utilized to represent truth.  The modern citizen of the physical world must deal with this as the ideological world shrinks to the size of a p-nut in the palm of an Indian boy running the aisle of a plane travelling a tres grande vitesse on 16mm film, 24 frames per second.

The greatest contemporary artists in the written history of the arts have been brave.  In the face of change and alteration of beliefs, they have sought methods by which they can represent truths.  These artists exist today.  They seek trust.  They try to represent hope.  They are as Gandhiji, conducting “My Experiments with the Truth.”  In this way we are living in a very complex time for an artist or writer who wishes to participate at the most important, the most global, the most contemporary level.

Indo-Anglian writing and arts share, with the arts of other ancient cultures (Afro-Anglian?  Chino-Anglian?  Sino-Anglian?) the new joy of working in the Post-Colonial Era.  Indeed, the joy of supporting the end of the colonial era in an effort to support the whole one-ness of the human species.  At his wonderfully unifying musical concerts, the great Fela Anikulapo Kuti used to say, “You can say many things with English, but in order to say many other things which are true you must break it, which is why we speak broken English.  This next song is in broken English. You must break your English to understand it.”

In this country, we are faced with a unique set of problems as artists and writers trying to represent truth with the tools available to us.  We are subject to the philosophies of the dominant culture in the United States of America, which paradoxically represent the Colonial Attitude in a different aspect.

To be an Indo-Anglian writer in the United States is to choose to be a contemporary artist working in a contemporary arena to represent truths which affect millions of people using the tools available in the most powerful country in the world, an awesome task.

The writers who represent post-colonial Indian thought in literature in English are dedicated to many similar topics, but writers who are Indo-Anglian face the same difficulties with naming as anyone who wishes to express: we do not want to be grouped.  And yet we are all tied to this land mass which, as an island something like 45 million years ago smashed its way into the continental spread of Asia forcing up the formation of the tallest mountain in the world and the twisted masses of mountainous geography in the North of India.  Such a violent, willful act of inclusion seems so contradictory to this desire for independence.

Choosing to be here in the US, I struggle to represent the truths I experience despite this. In the United States the way in which the cultures relate has been poisoned by the specter of racism.  The complex way in which racism was born, named and now has insidiously changed itself into a thing which can exist despite the stated collective desires for freedom, peace and equality is a direct function of the way this country has been created.  It is something for which everyone who lives here is responsible.

In conclusion, I care about where you are from … but how we behave now that we are all here is what concerns me most.

M.T. Karthik, Harlem, August 10, 1997
[did not appear in the New Yorker magazine]

1000 Words From Compton

14 Saturday Jun 1997

Posted by mtk in installations, Los Angeles

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Protected: Stab at a True Memoir

05 Wednesday Mar 1997

Posted by mtk in journal entries, S.F.

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Prologue to my first novel, Mood

18 Saturday Jan 1997

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Mood

(A Fortnight of Lies & a Truth for the Profoundly Sad)

Our dreams and longings cover deeper dreams
and longings in the silence far away
All things on earth, sweet winds and shining clouds,
waters and stars and the lone moods of men,
are cool green echoes of the voice that sings
beyond the verge of Time

–Harindranath Chattopadhyaya

Once, upon a time before numbers, many things occured in harmony …

… a man sits upon a hill unaware.  He is conversating with the moon.  Get comfortable it says.  This will take as long as it takes.  Timing is everything.  And nothing at once.

Just a moment –

The sun kisses me that I should be incapable of this murmurs the moon.  Smothers me in his bright ker-shmack-a-dahs that I should be unable to share with you these whispers regarding the question you are.  (Who are you?)  My airless breath is caught in his kisses but my cold, cratered soul sings on the sly.  So take measure and begin:

Temporarily I shall have to suspend the thunderous rhythm of the train of my fates though it has built steadily in momentum toward a point at which its power nearly supersedes my own strength to arrest its churning wheels.  I am full-on the brakeman (of my own invention) and have barked at the conductor to fasten loose baggage and the hatches in every compartment.  Fortunately the only remaining passengers are fast asleep or dead or deserve whatever violent surges and upheavals which this accounting and recounting and inventorying may produce. They can handle it.  They climbed aboard of their own volition (not free will but theirs all the same – unique will)  and have had clearly pre-ordained opportunities to dismount, to unboard from this passage at station after station over the terrain of life.  The stops have been regular and timely.  Scheduling complaints have been few.  Until now.

Those who are left must have some taste for the ocean and for change or they would not be here at all.

Change is here.  Tempo rarely.

This whistle-stop panegyric will end geographically in the lap of our mother Pacific, although temporally (not rarely, temporarily) it will have begun and ended over and over in times too many to number.  Holding on tightly to its corners, edges and pages is not recommended.  They are paper thin and likely incapable of supporting even the slight weight of soulless fingers much less the blood-filled, knuckled meats of a mortal variety.

(But fast, already I am skidding.  Hold, I halt more aggressively or it will all be as it will be without the benefit of observation, without the curse of remembrance.)

Forever this will have been the American century. A has-been falsely named for a wandering Italian whose public relations skills far surpassed those of his peers. Whose marketing skills predecessed the creation of this capitalized time.

And forever stories such as mine will be contrarian.  Infinitely untold they will remain guerrilla legends of a history unknown. So listen to the invisible voice, hear the reason of the pulsing millions who live in the shadow of a great white hope perpetuating existence solely (soully) for the sake of each moment, each split-second of time; those for whom being is (and history is not) …

just a moment-

Some once-sleeping passengers have risen to the change in velocity.  They have acknowledged the alteration of tempo and have felt the impending nature of the hard-driving tone of this ride.  They must be resettled.

Sleep, sleep dear souls.  Lie down and sleep.  The time to awaken has been predetermined, but that time is not now.  This rattling about has been caused by my own unctuous wriggling. Me? Why of course, I too shall shall set to sleep.  Let me coax you into your own places first. Let me tuck you in.  Would you like a story? I am filled with stories Scheherezade herself would rub heavy-lidded eyes to hear.

Once, upon a time before numbers, many things occurred in harmony, among the first of which were the alternating cries, chortles and deep-sucking breaths of a newborn child. Prior to the child’s emersion from it mothers womb many days and nights of worry and consternation had been experienced. The child’s mother had suffered from a terrible, feverish anomaly in recent weeks due to the repositioning deep within her of an ever-hardening clot of cell activity which was fast becoming a cyst.  The cyst grew to a point at which the lives of both mother and child were jeopardized by the presence of the willful collection of necrotic cells.

Many prayers were whispered and sung.  Healers came from far and wide to the bedside of the mother who was to bear the child and- with support of neither husband, family nor friends –  whose will flickered and faded like a soft-glimmering candle, whose wax has become a mere pool of melted oil, whose wick has burned out.

It was therefore with great joy that the healthy birth of the woman’s daughter was received only to be followed by the deep sadness of its subsequent orphanage. The child was named after her mother and for the world from which she had come. The child was forever marked with foreignness.  Her name was Soleta.

Soleta entered into an orphanage from the time she was strong enough and able enough to leave the hospital where she had been born.  Years later, her earliest memories of the traversing which then occurred – for the hospital was quite a fine one and the orphanage rather not – were of a terrible trip by rough roads from a place of austere and sterile beauty – a place of solitude, to a place teeming with little lives; viruses, insects, rodents, a few adults and dozens of homeless, parentless children.

Soleta had been born and upon entering the world was thrust promptly thus into societal life. Into a society which was not even her own.

Now we must take pause to remember that many other things occurred in harmony with these events which we have chosen to follow in such a fashion.  They are merely events which occurred – nay, are occurring – while time proceeds down its umpteen paths.  Many other children were born, many other women died.  And men, too.  There were great upheavals in households throughout the world.  Arguments and love affairs took root, blossomed and bore vengeful fruit in these few subtle years.

To her credit, Soleta came during the years of this period of spiking change and flux to realize how temporary these years were. She was cognizant of the futility of an attempt – even at such a young age – to grasp for firmament which would not be forever altered within weeks, days, or hours.  She did not waste her time with names for she knew names are temporary.  She was a loner.  In her patient way, she grew observant and quiet and waitful.

Soleta’s sense of awareness had been so finely attuned that on the occasion of her 16th birthday she was possessed with a powerful assurance that the period of change had ended and it was time for her to begin. Of this she had no understanding save that a beginning was to take place which seemed to her by a process of elimination more sound than an ending and less confusing than a middling.  (Though in truth her beginning was postdated, as this middling and soon an ending, too.)

Now, it must be said that the child faced a monumental task to the point of her sweet teens.  Indeed a stranger born in a foreign land with neither parent nor guide to a culture which was not her own and under the pressure of such an intense period of flux in the course of herstory might be quick, nay would know no better than, to adopt local customs, traditions and morays if for no other reason than for the comfort and solace of companionship.

Soleta however was led by the truths of her own blood and by the ghost of an ancestor of whom she would never hear one word spoken in her lifetime and from whom the power to resist perpetually swam through her veins striking down insistent, itinerant foreign agents like a one-man army of antigens.

(yes, it was a man. And a powerful man indeed who could traverse both time and space despite the will of the child’s mother – Soleta the elder – to assert such control)

And so it came to pass that Soleta the younger learned the language of her adopted culture reluctantly.  Learned their words for things right and wrong, would establish an understanding of the names they had for things good and evil but would never for herself feel an indebtedness to any of these names.  Her linguistic skills far surpassed those of any of her cohorted orphan’s for she was unencumbered by the need to divine truth from the words she was taught.  She sailed along untethered to the concerns that other children had.  She never asked, “But … why?”

Why not?

And so empowered with a language which was not her own and knowing no truth save that truth was elsewhere (and feeling somehow an insistent pull and protection from within her spirit-filled veins) she packed a small valise and on the eve of the 16th anniversary of her birth departed from the only place she ever remembered.  And set sail for her fate.

And now she is on this train fast asleep.  Forever 16.  But we shall here more from her.  Be patient.  You see now, this is the freedom express. This is the train of what was and it barrels toward the land of what may be.

Maybe.

Or perhaps not.

The shaken passengers sleep now.  Night has fallen and we make our way at a more regular rhythm.  We are slowing and it will be only a matter of time now.   Temporal matter scatters itself throughout this trip.  The chalky dust from the crumbled remains of bones kicks up in the light of every switch flipped or matchlit spark.

I must speak of life in a colder light. For now it is night and the dead rise from within the train.  Soleta the elder (once dead, now once here risen) has come to the dining car where she pulls with full, red lips at chartreuse and absinthe in alternating sips.  She sits alone and hopes for no company though she knows it futile.  She wishes death were more solitary.  Less crowded.  “Living had its benefits,” she murmurs thinking of quiet Sunday mornings before … before …

With a click and a slide of the car door which allows in the rushing air, the doppler-shifting downward pitches of our slow-grinding halt … halt … who goes there?

‘Tis the East for whom Soleta the elder is not the sun.

“Oh.  Sorry.  I didn’t think there was anyone else here,” the East begins.  Soleta the elder smiles wanly and waves at an empty barstool, at empty tables and chairs.  She knows soon they will be full.  At least until the dawn.

The East is weary.  Etched in its moonish face (since death the sun no longer rises in it) are pockmarks of an eternity of experience.  Histories cratered and unimaginable.

The arms of the East are weak and thin.  (Some years ago its hands atrophied from lack of use; withered until they became like six stumps dangling from six, thin, unmuscled arms. It appears tentacular now, another victim of the arms race, as it takes a seat at one of the crimson, velvet booths which align walls of the dining car. It looks out at the night and sighs. El Ultimo Suspiro del Este.)

Yama the Death God rides his horse through the car.  Clattering hooves cacophonize against the slow-braking train and send plates and glasses into tinkling showers of shard.  The car is crowded with the stench of rotting bodies.  The long-ripening redolence of stale, dead aspirations fills the air.

My parents are here.  My grandparents and greats.  But none of them disturb me.  They do not even acknowledge me.  They are unsure of my blood. They do not believe from my actions that I am of them.  Some are convinced I am an impostor put here to satirize, to libel the family name.  Would they had fingers they would write the train themselves.

It brakes hard.  Momentum is fading.

Soon comes the dawn and a brief respite before my lecture.  My final oration.  And eventually, with a last toot of the blasted horn, the end of the line – la mer.  The death train ends its trip.

It is time to break fast.

Good morning gentle ladies and men, esteemed colleagues, family, friends and enemies mine.

Finish your coffee and dough knots, bagels and fruit.  I will allow for your digestion but I must finish before we come to a complete halt which by my own calculations will be within the hour.  Our mother Pacific awaits our return.

I would like to take a moment of silence first for our dearly departed conductor, who passed of old age sometime in the night, and to the brakeman who – his arms having been rent from his body – has locked the brake into position with his legs but has subsequently bled to death.  Their sacrifices have been immeasurable and I look forward to seeing them on the return trip by night.

(beat)

Champagne.  Everyone.  Please. The long, dark night has ended.  The dead are behind us and we arrive at the beginning.  Soon.

The title of my lecture today as printed upon your programmes is, “Linear Models of Time and Space in Dilated-Locomotive Physics,” and for those of you who thought you could make out or wondered over the subtitle, a confirmation:  yes, it does read, “(narrative form)”. (laughter)

I take as my fundamental assumption the fact that we speak the same language at least insomuchas everything I say – have said, will say – is comprehensible.

We are all murderers and prostitutes.

Soon this train will come to a halt and we shall face our mother with newborn eyes.  She will see within you.  She will know you for your true self.  Then, on high the sun will shine down upon the waters of the Pacific and standing here on the tall sea cliffs at the last train stop of the freedom train you shall know peace.  It shall be alit within you by the triangulated silvery sparkles of the sun on the deep blue sea.  The finger of the sun points directly at you alone in sprinkles of silvereen.

Our train comes to a halt now.  I shall sound the horn for your release.  Hear it friends, hear it blow and know that you are free at last, at last you are free.  And with this trip ended, love.  Love.  Your debts are paid.  Life awaits you.

California lays beneath the sound of the great whistle hoooooooooooooooooooooot.

Run, run, run, into the ocean.  Run to your mother Pacific and feel her cold fingers (running) in your hair.

Epilogue, poem

17 Friday Jan 1997

Posted by mtk in Coastal Cali, poetry, S.F.

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after, entry, epilogue, finishing, first, journal, Karthik, mtk, novel, poem

January 17th, 1997ce 3:45 pm
Ocean Beach, San Francisco, California

At two o’clock p.m. on 17th January, 1997ce, I ended an experiment in documentation, exactly two years and two days from the experiment’s beginning.

I put an end to two years of work during which I spent the vast majority of my time – averaging five to seven hours a day – doing nothing but writing. The conclusion of the experiment occurred as a result of the act of putting the only existing copy of the novel I had written over the two year period into a black cardboard box and delivering it to Chronicle Books, a publisher of some size in San Francisco, at exactly two o’clock on that sunny Friday.

Then I went to the beach.

I consider the experiment in chronicling and documentation to have ended at that time.  I do not intend to revisit or change one word of the texts of the resulting documents which include the novel, many stories, poetry and a number of other notations and entries.

The following is the first entry in my journal which I wrote on Ocean Beach after ending the experiment:

You are a novelist and you have just ended your first novel.  The process in which you participate has borne a fruit.  And now, it is time to take the fruits of your labor to market.

What will the market bear?
How does your fruit compare.
to other fruits available.

Is it sweet?  Is it bitter?
Does it slake the thirst?
Does it feel cold and delicious
going down like a plum?
Is it dry and grounding, requiring
delicate effort like a banana?
or more delicate still
unseeding a pomegranate

What is the going rate for
fresh, ripe, delicious fruits
on the market which compare
to yours

Shall you ask more or less?

This is your position and
you feel you may be definitive
and yet you are afraid because
you have never sown & harvested
these seeds (brought them
to ripen) before.

Your fruit sits next to you
like a prize tomato and
just picked, plucked, fallen
and all you can think of is

how to better farm the seeds next time.
How to hoe the rows.
How to plant the seeds.
When?

And you realize there is no time.  You are beat.  The last harvest cost you everything and you are tired and hopeful for success @ the marketplace and you do not know what to do except to try to maybe relax … and take a break.

But even resting is duro … hard … difficult

This is an alone time.  And you notice your surroundings.  Sounds are amplified. The women talking at the table next to yours, the ocean, birds, music, poetry, … ART

painting

ALL     MADE

BIG!

Xmas Time and the Last Days of 1996

31 Tuesday Dec 1996

Posted by mtk in Coastal Cali, essay, journal entries, S.F.

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airport, alicia, artist, artists, bergman, christmas, daniel, drive, east bay, freeway, Galvez, John, juana, Karthik, miranda, mtk, mural, oakland, rigo 96, san francisco, sfo, wehrle, xmas

The weather has been grey and wet.  Thick, dark, moody clouds hang over the Bay, and the water between the Golden Gate and Bay Bridge is green and grey and smoothed by high, grey skies.  There is neither fog nor mist.  Everything is different shades of grey.  Two storm fronts moved in last week.  The first came Christmas night and, the day after Christmas, the City awoke to rains.  It has been wet and damp and mucky.  And cool.

Friday morning there were sightings all up and down the Bay, of rainbows, double-rainbows and even, in the South Bay of a triple rainbow which spanned the Bay waters and ended in Oakland.  I saw the tail-end of one on Friday morning while waiting for the bus.  It stretched out over the top of the Rehab Center across the street.  A guy at the bus stop said it had been there for ten minutes.

This year, Christmas falls on a Tuesday and the New Year arrives on a Wednesday.  The work week’s are broken-up by the holidays leaving stray Fridays and Mondays to reconcile.  The Upper Management, The Owners, the Board Members, the CF and CO and CE O’s take the whole two weeks off while the workers are left to divvy up what remains of their sick days and vacation floaters from the aging year.

Offices in the financial district are composed of skeleton crews of bored staffers who find tedious, long-undone tasks to accomplish to kill the 9 to 5 on the lone Monday or Thursday they have to come in on.  “What’s the point of being here?” they ask with half frustrated, half-commiserating smiles as they pass one another in the halls, as they re-organize the files in the storage area together, and alone.

I am working as a temp.  So in this season, it’s easy to find work.  I am covering for “sick” receptionists and office service workers at a law firm in the financial district.  From this view on the 32nd floor, I can see the whole North Bay from bridge to bridge and the thick, rolling clouds and the green wavy water passing Alcatraz, Angel, and Treasure Islands.

It has been raining off and on and when it does, vertical lines slash down from black clouds like bold strokes of a charcoal nub on the sky or hard etchings on the billowy blocks of clouds.

In the financial district, people rush about prior to and after Christmas in the wet, in the rain.  They run about in slickers and galoshes.  They wear overcoats and trenchcoats and hats and carry umbrellas.  They carry packages to and fro in the rain, some grumble, some move more slowly.  The latter seem to enjoy the season.

*****

Downtown is dead. The hard pavement of the narrow streets of the financial district, usually abustle with Friday afternoon activity, pre-weekend revelry, happy hours and excitement is quiet today.  The break-up of the season leaves this Friday straggling and searching for an identity.  There are the few workers who have to stay over the holidays and put in hours to keep the offices running.  There are a few temps.  But the streets are mostly empty and those who pass one another share a silent camaraderie on the grey sidewalks.

After work I caught the bus home.  It took a good long time for the 21 to come on Market Street.  There were six 5 Fultons and at least three 38 Gearys which came before even one 21.  Not to mention the innumerable 71’s and 7’s and two 31 Balboas which passed us by as we waited.  A man commented, “I should move to Fulton … it’d be easier to get home.”  We made jokes some then.  We were the waiters for the 21, wet and miserable, huddled under the bus shelter grim but chuckling.

The bus finally came.  It was full, standing room only even that far down the line (we were between Montgomery and Powell which is maybe three or four stops from the start of the line).  There was a second 21 just behind the first, so some of us waited for it knowing we could at least sit down.

Once home, I was drained and bedraggled.  Rain takes a lot out of me in the city streets.  My shoes were soaked through at the ends giving them a black-tipped appearance.  I hopped out of my musky, wet clothes and into a hot, invigorating shower.  I washed the grime out of my hair and off my skin and afterward made a turkey sandwich and sat on my bed watching the rain.

Saturday the rain broke for an hour or so in the morning and the sun peeped through the clouds.  I didn’t see any rainbows but there must have been some.  Saturday was uneventful.  The rains kept most folks inside.  There was football to watch.  The Cowboys beat the Vikings.  The Jaguars upset the Bills.

The rain fell quietly and the air was damp and cool.  The second front came Saturday evening.  I heard it arrive.  I was having a bourbon at the Lone Palm listening to the rain outside and killing time before I had to go to the airport to pick up Rigo 96 who was returning that night from a visit to New Mexico.  The winds were picking up and the bluster became audible.  I drew a little picture about men and women while sipping my bourbon and waiting for the time to pass.  The picture is in a little sketchbook/journal I keep in my back pocket.

Rigo’s plane was supposed to come in at 9:45 but the rain and the holidays have made so many planes late I figured I’d just call in advance.  I sipped my bourbon, drawing, and listened to people trickle in on this rainy night. I checked the plane and it wasn’t to come in until 10:15.  I contemplated another bourbon but passed on it.  At around 10:00, I left the Lone Palm and headed for the airport.

I was driving Rigo’s truck.  The turn signals were acting up while he was gone (the front ones didn’t work but the back ones were fine. I guessed it was bulbs or fuses but didn’t do anything about it).  I took Guerrero down to Cesar Chavez’s Army Street and turned toward the freeway.  There was a police car on Cesar Chavez Street three cars ahead of me in the next lane.  The cop car held up traffic in his own lane and waited for me to go through the stoplight ahead of it.  I changed lanes and passed in front of the cruiser and was progressing toward the highway entrance to 101.  I was nervous.  The back turn signals were fine last time I checked. I had clearly been singled out but I didn’t know why.  Just before the highway entrance, the cops turned on their lights signaling me to pull over.

I was driving a truck with no turn signals, which had no insurance papers (nor insurance policy for that matter).  I had no drivers license.  I had just finished drinking a bourbon and a beer and not three hours earlier I had gotten stoned on some California green (marijuana) at Rigo 96’s house.  I was carrying a pipe (paraphernalia) and a small, plastic egg which contained a small amount of pot.

I couldn’t figure out why the cops had pulled me over and I didn’t have a license, so as a cop approached the driver’s side window in the rain and turned a flashlight beam on me, I said, “What’s the problem?”  I wanted to gain the cop’s trust.  Besides I hadn’t done anything wrong visibly.  I didn’t know why I was being pulled over.

A male voice came from behind the flashlight beam, “broken headlight,” he said.  The broken headlight I didn’t even know about.  I had an inkling that the lights were askew one night last week but I just thought they were aligned improperly and besides I was only just running up to the airport. There are a lot of cops on the streets during holiday time.

“License and Registration,” he said.  By this time he was close enough for me to be able to make him out.  I looked him in the eye as he turned the flashlight away from my face and into the cab of the truck.

He was young – younger than me – and he had a freshly shaved face and a short haircut.  His uniform fit snugly and was pressed and cleaned.  He is white and sees that I am not.  I felt immediately as if I had an advantage over him in age and it should be expressed in language.  I was honest.

“Well, actually,” I said, speaking confidently, “I don’t have my license on me. It was taken.  And now it’s at the Austin Police Department.  They contacted me but … I haven’t had time to …O I trailed off.  I waited and the cop didn’t say anything so I continued, “The truck isn’t even mine.  I’m just going to the airport to pick up the owner of it right now,” I said pointing to the freeway entrance ramp (It was so close the FREE way).  “I have the papers in the glove box,” I said pointing at the glove box and starting to lean over.

The cop asks to see the registration for the truck.  I lean over and pull out the fat booklet of documents Rigo has left in the glove box.  It is full of old traffic tickets, traffic court hearing papers, and other stuff.  I have no idea what the registration papers look like, so I say, “I’m not sure, I mean is it the pink thing?”  The cop doesn’t say anything.  “I mean, I don’t know what the registration papers look like,” I say as I dig.

I pull out the first pink slip of paper I come to and start to hand it to the cop.  As I do I notice it’s a traffic hearing failure-to-comply notice.  I quickly return it saying, “No that’s not it … hang on.”  The cop has turned the beam into the booklet on my lap to help me see.  Then we both see it at the same time.

“There it is,” he says as I pull the registration papers out and hand them over.  As he is looking at them I say, “That’s my friend, Rigo.”  I think momentarily that Rigo 96’s name may not be on the papers. His name changes with each passing year.  Next week he will be called Rigo 97.  I do not like calling him by his given name in public, out of respect but I am kowtowing to a cop who is younger than me, so as he looks at the papers I say, “Ricardo …” and I trail off.  As he is looking at the papers and standing in the rain and cars pass by with a swoosh of water I mutter, “I didn’t even know about the headlight.”

The truck radio is playing Joe Henderson and the lonely tenor saxophone cries through the one working speaker with a tinny creeeeeeeeee.

“What station is that?” asks the cop. “It’s ninety-one, one,” I say, “The Jazz station … KCSM.”

“I like that station,” says the kid.

He hands the registration papers back to me and says, “What’s your name?”  I tell him my first name and he asks for my last name.  I know these names are difficult for him to understand and so I say them and then I say, “it’s sort of long but I have my passport if you want to …”

He says, “I just want to make sure your license is clear and then you can be on your way.”  I hand him my passport and he holds it out in front of me and riffles through it briskly and thoroughly. He holds it upside down and riffles.  I realize he is making sure there are no visa documents lying loose within it for which he might be held responsible in a court of law.  He looks at me and says, “There are no loose documents in here, right?”  I nod.

He returns to his partner in the cruiser as I wait.  The cops turn their high-powered searchlight on and the light immediately floods the cab of the truck illuminating my face in the bright rectangular slice off the rearview mirror.

I look over at my bag sitting next to me and know the pipe and the egg with the dope in it are sitting quietly in the outside pocket.  I am warm despite the rain. Illuminated, I take off my seatbelt, and my jacket.  I dig a black, rubber hairtie out of my pocket and tie my hair up.  I know this makes me appear less threatening.

The cops are looking up my license based on my name off the passport. I sit hoping there are no violations.  I don’t think there are but nothing is for sure.  After all, the cops have just pulled me over slightly high, after drinking a bourbon and a beer, with a busted headlight and broken front turn signals.

I think about Rigo 96 waiting at the airport until his name changes because I’m in jail and I laugh to myself.

The kid comes back with my passport and hands it to me.  “All right, get that headlight taken care of,” he says, and he lets me on my way.

When I got to the airport, there were cars and people crowded in at every possible exit.  The cops were crawling all over the place making people move their cars  from the loading zone.  I parked the truck in short-term parking because circling around the airport repeatedly with a broken headlight is just asking for trouble.

By 11:00, Rigo still hadn’t turned up, though his plane had arrived.  Checking my answering machine messages at home there was no notice from him nor anyone else, that he had missed his flight.  I checked the airline register and it showed him as reserved for the flight but the guy behind the counter had no way of knowing if he had actually gotten on it.

At about 11:15 I gave up and decided to head back to the City.  (Rigo 96 had missed his connection in Albuquerque and so he wasn’t at the airport.  My roommate’s girlfriend had spoken with him when he called and then left the information on paper notes by the telephone which I didn’t get until I came home Sunday morning.)

I was nervous about the truck and so I ended up going back to Rigo’s place and dropping it off.  I took backroads.  In front of his studio, I parked the truck and leaped out and stood next to it laughing.  Free at last.

Afterward I caught the 14 and went to Cafe Babar where J. was working and had a few beers.  I wanted to wind down from the police run-in at the airport.

We hung out and played pool.  T. and I smoked out together and I helped them clean and shutdown the bar.  We had a couple of beers.  Later, I shared a cab with J. who lives in my neighborhood, and went home.

*****

Sunday, I got up and Rigo 96 called from the airport.  He told me his story about missing his flight because a man at the airport gave him wrong information regarding his connection. I told him my story about the cop and his truck.  It was still raining and we agreed it would be a bad idea to try to drive the truck out to the airport without lights.  Rigo had to catch a bus to my house because I had his keys.

Rigo 96 got to my house and we went to lunch at Art’s Barbecue.  The 49’ers were playing the Eagles in the playoffs and a television in the back of the little joint was broadcasting the game.  It was still raining and blustery.  The field at Candlestick Park was wet and muddy and the conditions for the game were terrible.  Rigo and I sat and had lunch and chatted about a number of things.

After lunch we walked in the rain down Church Street until the 22 came.  We boarded it and rode down to Mission Street where we were going to transfer to the 14 to go to his house.

Before the 14 came, I bought a December fastpass off an old guy standing at the corner there at 16th and Mission.  The guy sold me the pass for $2.  There were only two days left in the year, but the fastpass is usually good for a grace period of three days into next month and I knew I’d be traveling downtown on at least the last two days of the year to temp in the law office again so I’d save money (at least $2).

We went to Rigo’s place and he checked his messages.  Some friends of his were having a dinner get together in the evening in the East Bay. The group was comprised of artists and painters of some of the most famous and beautiful murals of the last twenty years in the Bay Area, Los Angeles and beyond.

The tradition of mural art in San Francisco is old and includes in its history the period after the turn of the century centered around the Mexican Revolution when Diego Rivera was living and painting here at places like the San Francisco Art Institute.  Rigo, a graduate of that same school, was asked to bring slides of some of his own murals to the dinner party.  The artists were planning to share perspectives on their work after eating.  Dinner was to be centered around turkey lasagna.  Rigo invited me to join him and I was happy to accept.

It was still early in the afternoon and dinner wasn’t until 7:00, so we decided we should make the pickup truck drivable because we were planning to be on the Bridge at night and it wouldn’t do to have the headlights out.  We smoked a little pinner of a joint, grabbed up a couple of screwdrivers and went to the auto parts store.  We bought new bulbs and some transparent reflective tape and were able to fix not only the headlight but the broken turn signals as well.  We did the work in the parking lot of the store.  Just as we turned the last screw in the headlight to align it, the sun was going down so we ended up needing the lights for the drive home from the auto parts store.

Before we went to the East Bay we went to see one of Rigo’s friends who was also having a party that evening.  C. has a studio in the SOMA-area called Refusalon.

C’s own studio is a narrow little job and clean and sparse with art on the walls.  We chatted with C. and his friend H.  They had a beautiful dog named Sally there.  She has enormous black eyes and a beautiful face and disposition.

We visited with C. and H. for a few minutes.  We got to see some of C.’s work and it was quite nice.  There was a carved wood piece which I particularly liked.

Rigo told me that C. had an enormous Cadillac which he had obtained from another artist some time ago. He had organized a group of students he was teaching to assist him in making an art piece of the car.  The Cadillac was covered in pennies.

C. told us he had the Caddy parked out behind the studio so on the way we drove around to the parking lot to check it out.  The Cadillac has a brown hardtop shell which comes midway over the backseat.  Other than this part of the Coupe De Ville, every inch of the vehicle is covered in copper pennies.  The pennies have been affixed to the paint job permanently. The license plate reads, “0 Cents”.

After visiting with C. we headed out to the East Bay, headlights and turn signals intact.  The party was to be held at Daniel Galvez’s house in Hayward.  The house is located on a hill just below the Mormon Temple which predominated the view.  The Mormon Temple is a huge, brightly-lit, gleaming structure, with four towers, one on each corner with reddish-orange, glowing orbs atop them.  It also has a larger tower at its center with a dome of the same coloration.

Coming over the hill to Daniel Galvez’s house, the temple is extremely well-lit due to the holiday lighting and so it looks strange and exotic.  It appears from some angles like a great, white insect with orange, bulbous projections at the end of its angled legs.  From another perspective, it looks like an alien spacecraft from a science-fiction rendering.  The building is trippy-looking.  We stare at it in the rear- and side-view mirrors as we smoke-out on Daniel’s street.

Daniel Galvez is a muralist who has recently been commissioned to do a mural at the site of the assassination of Malcolm X.  The commission was the result of a highly-prized competition and is worth some honor, prestige and money – the latter being a rare commodity for muralists or artists in general.  Daniel was chosen on the basis of a proposal he sent to the competition.

The party is already rolling when we arrive.  There is food and drink and everyone is milling about and chatting.  There are maybe a dozen of us.  Some of the best muralists in the area are here.  Besides Daniel Galvez, we have Miranda Bergman, Juana Alicia, John Werhle and Rigo 96 in the house. Ed Casal will show images of his work as will a visitor from Cambridge, Massachusetts (named J.), whose work has appeared on walls in that area of New England, USA for 15 years.  Daniel arranged this evening to allow J. to get an idea of what sort of murals are being painted on the West Coast, in the Bay Area, by local artists.

The assemblage of talent, energy and motivations in this house is historic. The work in the house itself is quite nice, also with paintings and drawings and sculptures representing a number of artists, present and absent.  Daniel has recently bought the place and it has a layout which includes a huge 20 by 20 foot studio in back of the house where he can work.  Daniel showed us a number of the computer-composite images he uses to make proposals for projects.  They included a design for a mural on the history of Chinese Immigration to California.  Daniel uses the computer to cut and paste images into a poster- or banner-sized representation of a particular mural.  Later, when the mural itself is designed, the images he has appropriated for the banner are replaced with actual people.  (friends, relatives and influences are often represented).

Dinner was a treat.  The turkey lasagna and baked ham were tasty.  There was a carrot-ginger soup which was really strong and delicious. There was salad and wines and a delicious persimmon-pudding pie for dessert.

After dinner, Daniel asked each of the artists to give him their slides to put into a carousel and we settled down to look at the work. The artists selected slides from their collections and pored and picked.  It was fun to watch them choosing works.  They seemed, despite their years of experience and their past successes, nervous to limit and choose and delineate.

The work is glorious. It spreads across bridges and under passes.  Along highways and walls. Up the sides of buildings and around corners.  Inside and outside.  There are many images and paintings I have seen before, have passed while walking through the streets of the City or cruising by on Muni.  There are many different representations of hard work and political activism.  Friends and helpers and assistants to the muralists who have worked side by side with them for years are here, too.  They call out names of faces they recognize in the works, “Hey is that your daughter? … That’s John, right there …”  The images bring back aging memories of hard work and fun times.

Miranda and Juana’s portion of the group mural project at the Women’s Building (on 18th street in the City) were shown.  The beautiful work by John Werhle in a public library in Northridge (down in L.A.)  Rigo’s big signs.  Paintings by Ed Casal.  The images were fast and furious and we looked at them for over two hours and didn’t even notice the time passing.

The discussion between the artists about techniques and materials was lyrical and beautiful to listen to, though without being a muralist it was difficult to understand (about chime and oils and cement and acrylics and panels and MDO board – all kinds of talk).

There was a feeling of camaraderie in the room and an open appreciation for the monumentality of these tasks (“the women’s building murals took thirteen months,” Juana says and silence fills the room), and for the true beauty of the works.

But there was an edge in the room of realistic cynicism.  Each of these artists struggle and fight against the continuing frustrations of their craft:  lack of funding for new projects, lack of funding for reparations and maintenance of old projects, the careless destruction of their work without their consent.  Then there is the underlying fact that the work is often ignorantly underappreciated.  Passed upon daily by blind eyes.

I feel that these people, muralists, are, have been for twenty years, more, decades, among the more courageous and beautiful of us in this area.  They endure, have endured and continue to produce work with a verity and conviction which shines of an affirmative hope.  It is overwhelming to see all of these murals, all these feet and yards and miles of painted walls and ceilings and bridges and FREEways.  It is beautiful and a little sad.

John Werhle, whose contributions to the visual landscape mean (and have meant for twenty years) so much to so many, says he cannot get commissions in San Francisco.  He is a gentle man to speak with and to be near.  He has a quiet, self-effacing demeanor and a graceful style about him.  The work he shows is alight with clouds and egrets and waters.  It is peaceful and playful work.

Miranda Bergman: what a driven energy she is.  Her words come from her lips like scuds. She speaks firmly and with conviction about the problems in Nicaragua where she has painted murals with Sandanistan children and had her work painted over with grey paint supplied by Sherwin-Williams, USA, to the Anti-Sandanistan government.  She tells of organizing and painting murals in Palestine with three other Jewish women muralists because she wanted to show the Palestinians that “all Jews aren’t Zionists.”  She jokes and laughs cynically about her frustrations and speaks openly about doing instead of talking, about achieving instead of wondering how.

Miranda’s friend and partner in representing the women’s building project tonight, Juana Alicia is the perfect foil to Miranda.  She speaks in her quietly strong voice and shows images of The Women’s Building and images of Nobel Peace Prize Laureate Rigoberta Menchu (” … my name belongs to all women.  They got my name wrong, it’s Menchu-tum because like everybody I have a mother.”) whose image graces the top of one side of the building.  Juana tells us that Menchu-tum said when she saw the women’s building that she feels “women are finally being heard.”

Juana Alicia also shows pieces based on the works of Juan Phillipe Herrera, Chicano Poet (whom she calls softly, under her breath, in the dark as she shows her slides, “Laureate as far as I’m concerned.”) and the poet Lorna Di Cervantes.

And there are so many more works and stories.  The causes and statements and purposes and representations of unheard voices are numerous. As if the only way some of these stories will be heard is by screaming in 50 foot letters on a wall.

Rigo got up and showed images of some of his works, including the three Capp Street Project-funded pieces from Rigo 95.  The famous “One Tree” brings respectful commentary but “Extinct” and “Inner City Home” are more popular with this activist crowd.  Rigo shows one of his pieces about Geronimo Ji Jaga Pratt.  (Still in prison without bail – 1997ce – ed.)

One of the purposes for this evening is for Daniel to show his friend J, the muralist from New England, what kinds of work are being done on the West Coast.  These artists represent the currency of a living tradition of West Coast mural art which dates back to the turn of the century and Diego Rivera through to Chicano and Latin American paintings of the late sixties and seventies. The representatives of this culture gathered together to show their works is impressive.

For his part, J.’s works are quite impressive, too.  They are long and tall and broad works.  He has been painting murals for fifteen years and exclusively murals for the last four.  His work is all over New England.  But it lacks the political edge of the other artists here.  It is significantly more commercial and corporate-based work.

A comparison of these methods and treatments of art and corporate advertisement brings to mind an interesting issue: the paint on the walls is hardly a few millimeters thick, but the depth of the meaning can vary so much from artist to artist.  Those few millimeters can be as deep as a river of ancient resentment or as shallow as a sideshow pitch.

After the slideshow, the artists and guests asked Daniel to show images of his own work. In particular we hoped to check out the as yet unseen Malcolm X piece.  Our host was humble and kind enough to oblige us and our curiosity gracefully.

The Malcolm X piece was glorious. Daniel showed slides of nearly the entire process of creation, including sketches and composites, from black-and-white versions through to the final colored and treated piece.  A fantastic montage of images from Malcolm’s life and times blazed across canvases.  It was an honor to witness.  The awarding of Daniel’s commission was well-deserved.

After the party we all went our separate ways.  Rigo and I headed back to the City.  (We were going to check out the Mormon Temple, but they had turned out their lights already – “I guess without caffeine they go to bed really early!” we joked)

It was a nice drive across the bridge at night.  The financial district buildings were alit with Xmas lights. I have driven this drive by daylight before and seen Rigo’s murals from the highway.  It’s good to be riding with headlights and turn signals.  We stopped back at C.’s salon on the way home for a nightcap and apple pie. Sally the dog welcomed us and I gave her some of my slice.

*****

Today is New Year’s Eve and it’s still cloudy and grey.  It’s another of these straggling Tuesdays and the office here where I am temping is empty.  “Why are we here?” some of the employees ask.  There is talk about what plans people are making to celebrate tonight.  How they will ring in 1997.  Rigo’s name will change in 12 hours.  Tomorrow is College Football Bowl Day.

I don’t tend to celebrate holidays anymore. I used to go through the motions, but along the way they have drifted out of importance. I want to spend my time well and live well, but I feel untethered to many of these clocks.

I am thinking about those muralists I met and whose work I see everyday and who continue to struggle to do what they love to do.  They are brave and strong.  Women and men with drive, energy, motivation and purpose.  They make, they do, they achieve so much so that all of our lives can be improved, so that smothered voices may be heard.

The sun came and went, rains came and went, the new years came and went.  Time passed.  The tradition of mural art progresses and time memorializes it.  We are blessed to have among us a Rigo and a Miranda Bergman, and a Juana Alicia. We are graced to have among us Daniel Galvez and John Werhle just as we were to have Diego Rivera.

The onslaught of commercial uglification may continue but silently, as continually, the struggle against it trickles along.

–M.T. Karthik, December 31st, 1996

mantra

31 Tuesday Dec 1996

Posted by mtk in poetry, S.F.

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1996, eve, Karthik, m.t., mantra, mtk, new, poem, year, years

In the new year … shit’s gonna be different in the new year
(repeat once every 365 days)

mtk, SF, 1996

Label

10 Tuesday Dec 1996

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1996, goo, gunk, Karthik, label, m.t., mtk, muck, ooze, retail, sale, slop, stuff, unit

 

This Unit Not Labeled For Individual Retail Sale
Ingredients:  stuff, gunk, goo, slop, muck, ooze, FD&C Brown No.9, FD&C Black No.23

 

mtk, SF, 1996

science, language and diversity proof

27 Wednesday Nov 1996

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1996, diversity, Karthik, language, m.t., mtk, poem, proof, science

LANGUAGE NAMES DIVERSITY.

SCIENCE IS LANGUAGE.

SCIENCE NAMES DIVERSITY.

 

mtk, SF, 1996

watching and watched

10 Sunday Nov 1996

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1996, Karthik, m.t., mtk, poem, watched, watching

 

There is a feeling of being watched.
Because of course, the watcher is watching.

But the watcher is the watched.

And yet the feeling persists.
Now the watching …

 

mtk, SF, 1996

come, It's Fall

01 Friday Nov 1996

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1996, autumn, come, it's fall, Karthik, mtk, poem

I’ve come

many times

mindlessly

in the fall

when autumn has fallen

into its “n”

and october

breathed its last “errrrr”

into the lush warmth

of my woman’s insides

and it often

arrives

with

a rusty leaf

a golden crispy crackle of yellowing green

that burns well in winterous weather

in my minds stoven pipes

coming into the world

melancholic

as

november

The Storytelling is the Important Part

31 Thursday Oct 1996

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being, important, Karthik, m.t., mtk, poem, story, storytelling, telling

 

The story telling is the important part
The story is the being is the telling.  The telling is the being is the story.  The story is the telling is the being.  The being is the story is the telling. The telling is the story is the being …

the being is the telling is the story.

Not The End.

 

mtk, SF, 1996

my lie(f)

23 Wednesday Oct 1996

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1996, Karthik, lie(f), life, m.t., mtk, poem

imagine if I were to collect every single word I wrote and saved over the last fifteen years and bound them into one very fat, long book.

I have dozens of stories, poems, journal entries, drawings, notations, thoughts,

words.

Suppose I were to collect all of this and then Bind it.

I could see an ordering using language (words are lies)

of my life.

of my lie(f).

Surviving the U.$.A.

20 Sunday Oct 1996

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1996, capitalism, counter, Karthik, mtk, sf, States, surviving, U$A, United, usa

In the US, temperance of desire is necessary more than anywhere else because here, laxity of this temperance is observed as a vulnerability and an opportunity for commercial intervention.

This subsequently leads to the inflation of false desires and the inflation of the value of insignificant temporal things.

mtk, SF, 1996

Can it?

17 Thursday Oct 1996

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1996, can, it, Karthik, m.t., mtk, order, poem, word, words

 

Can it be some other words? In some other order?

No. It has to be exactly these words.  In exactly this order.

No.  It could be any order.

mtk, SF, 1996

me, fucked

16 Wednesday Oct 1996

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1996, fucked, Karthik, m.t., me, mtk, poem

If computers are a fad, I’m fucked.
(me)
If computers aren’t a fad, I’m fucked.

If the Internet’s a fad, I’m fucked.
(me)
If the Internet isn’t a fad, I’m fucked.

mtk, SF, 1996

what am I doing here?

12 Saturday Oct 1996

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1995, doing, here, Karthik, m.t., mtk, poem, sf, what

 

What on earth am I doing here?
seeking control of the wrong things.
… just seeking control

lost

in a stupid place
in a stupid, stupid place,
lost.

 

mtk, SF, 1996

Marconi's First Words

28 Saturday Sep 1996

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1996, first, Guglielmo, Karthik, m.t., Marconi, mtk, poem, words

 

doesn’t matter what Marconi’s first words were.

He was only the first one to put them into another wave, another packet.

There are millions of ways unheard everyday.

So why celebrate one?

mtk, SF, 1996

The Law Regarding Suicide

23 Monday Sep 1996

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1996, faiil, Karthik, law, m.t., mtk, poem, regarding, succeed, suicide

The law regarding suicide:

you’re allowed to succeed
you’re not allowed to fail

you’re not allowed to succeed.
you’re not allowed to try.

mtk, SF, 1996

the long ing

22 Sunday Sep 1996

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1996, ing, Karthik, long, m.t., mtk, poem, the

the long

ing

doesn’t hurt

it’s too long

to hurt

anymore

Moving Fast

01 Sunday Sep 1996

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1996, fast, Karthik, m.t., Moving, mtk, poem

 

Moving FAST

in the wrong direction

is tantamount

to moving slower than SLOW.

 

mtk, SF, 1996

The Pursuit of Types

15 Thursday Aug 1996

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1996, Karthik, m.t., mtk, pursuit, stereo, stereotypes, types

The pursuit of types – harmonically convergent patterns – is invariably a looping process which is infinite in scope and variety.

So naming the loop at any given point is dangerous, at worst and wrong (i.e. the path toward falsity) at best.

mtk, SF, 1996

Epilogue

The pursuit of truth cannot involve types or patterns because these are statements of limitation.

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M.T. Karthik

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This blog archives early work of M.T. Karthik, who took every photograph and shot all the video here unless otherwise credited.

Performances and installations are posted by date of execution.

Writing appears in whatever form it was originally or, as in the case of poems or journal entries, retyped faithfully from print.

all of it is © M.T. Karthik

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