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MTK The Writist

~ Homo sapiens digitalis

MTK The Writist

Category Archives: 2026

The face of the moon in three latitudes

30 Monday Mar 2026

Posted by mtk in 2026, Bali, photography, San Antonio, TX, Uruguay

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moon, three, face, luna, cara, latitude, latitudes, trés

Artemis II flight plan

30 Monday Mar 2026

Posted by mtk in 2026, astronomy

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Artemis, astronomy, luna, moon, planet

Ciao, Sol … Te Quiero Mucho, El Ceremonio del Sol de Carlos Paez Vilaró a Casapueblo, Punta Ballena, Maldonado, Uruguay

23 Monday Mar 2026

Posted by mtk in 2026, architecture, art, Uruguay

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architect, artist, Carlos, Casapueblo, Ceremonio, ciao, de, del, hola, Paez, poema, sol, sun, sunset, Valiró

Hello, Sun. Once again, without announcement you come to visit us. Once again, in your long path from the beginning of life.


With your loaded belly of boiling gold to share it generously in villas and homes, country chapels, valleys, forests, rivers or in long forgotten villages. No one denies you belong to us all, but you prefer to give your warmth to those most in need — those who need your light to illuminate their homes made of tin; those who receive from you the energy to face their daily work; and those who ask God that you never fail to enrich the crops and grant a harvest.

It’s that you, Sun, you are the golden bread on the table of the poor. From my terraces, I watch you arrive each dusk like a ring of fire that never slows its pace and comes rolling through the years, punctual, infallible, inspiring my philosophy since the day I dreamt of giving rise to CasaPueblo and putting between these rocks the first brick and mortar. I remember it was a tempestuous day, and the sea had replaced its blue hue with a grayish tint.

On the horizon, a sailboat hard on its side tuning its path in an attempt to avoid the storm; the sky covered with escaping crows; and the squall combed the hills waking up possums and rabbits. Suddenly, like a supernatural omen the skies opened and you emerged. You were neat and round, perfect and delineated, placed on the stage of my initiation with the sacred strength of a church’s colorful stained-glass windows.
From that moment, I felt God lived within you — and in your caldron melted the faith, and through your rays faith was transmitted wherever you went. The same golden arms that reach out and awaken light also warm the hills, or upon descending gild the sea.

Hello, Sun. How I would have liked to share your long journey and your gift of light. Because within your path you’ve caressed the life of thousands of villages; you’ve shared their joy and their sorrow; you’ve witnessed war and peace; you’ve inspired prayer and work; you’ve accompanied liberty; and you’ve made the darkness of prisons more bearable. In your path, alligators fall asleep, sunflowers awaken and roosters crow. Vagabond cats lick their whiskers, dogs scratch as if playing the guitar, and moles are dazzled as they peek out of their burrows. In your path, there is sweat on the forehead of workers and on the bodies of bronzed women carrying water back to the slums.

With your heartbeat, you arouse the sea and render music to factories, markets, and to the sowing and harvesting of the fields. In your path, stampedes of buffalo and antelope ran, the lion yawned, the giraffe was startled, the snake glided, and the butterfly flew.

In your path, the lark sang, the eagle took flight, the bat awoke, and the albatross migrated.

Hello, Sun. Thank you for inspiring once again my artist soul and for easing my loneliness. It’s that I have grown so much accustomed to your company that if I don’t have you I search for you wherever you may be. That’s how I encountered you once in Polynesia, when they crowned you king of the mother-of-pearl archipelagos and of the intricate coral reefs. Also in Africa, when you gave impulse to the revolutionary quest for freedom, and your reflection on the mirrors of their tribal shields injected them with courage.

I’m looking right at you, and I see you haven’t changed — that you are the same sun the Aztecs revered; the same sun of my pilgrimage while painting throughout the Americas; the sun who engulfed the mysterious and secretive Amazon; the one who lit up my sacred journey to Machu Picchu in Peru; and the one in the valley of Patagonia, or even in the Sioux and Comanche territories.

The same sun that took me to Borneo, Sumatra, Bali, the musical islands, and to the burning sands of the Sahara. In contrast to a bolt of lightning that in the night merely cracks whips of light, from your planetary kingdom your glowing rays continue active, permanent.

At times, mischievous clouds hide your splendor, but we know you are there playing hide- and-seek. Other times, instead, we see you smile when swallows or seagulls pretend as if you were paper on which to write the lyrics of their flight.

Thank you Sun, for invading the intimacy of my afternoons and diving into my waters. Now you will become the light of sea creatures and of their underwater secret universe, as well as the glow of ghosts that inhabit the womb of sunken ships.

Thank you Sun, for the gift of this golden ceremony and for impregnating my white walls with your phosphorus glow.

Among squalls and storms, traversing cyclones and gales as well as rainfalls and tornadoes, you were able to arrive here to depart once again silently in front of our eyes. Because your mission is to depart and illuminate other places.

Lumberjacks and fishermen await you in other regions where the night will disappear upon your arrival. As if responding to a magical chime, you will awaken cities, you will accompany children on their way to school, you will put in flight the joy of birds, and you will call people to daily mass. Upon your arrival, scaffolds will liven up with workers, markets will be filled with singing, the edge of the river will burst with women washing, and joy will enter through hospital windows.

Good-bye, Sun. When in one instant you will depart totally, the afternoon will die. Nostalgia will possess me, and darkness will enter CasaPueblo. Darkness with its insatiable appetite will penetrate under my doors, through windows, and any crack it can uncover to filter into my studio, giving way to nocturnal butterflies.

Good-bye, Sun. I adore you. When I was a child I wanted to caress you with my kite. Now that I am old, I’m content to just greet you while the afternoon begins to yawn.

Good-bye, Sun. Thank you for provoking a tear in all of us, as we reminisce that you also gave light to the lives of our grandparents, our parents, and loved ones who are no longer with us but still enjoy you from other heights. So long, Sun. Tomorrow, I’ll wait for you again. CasaPueblo is also your home. That’s why the people call it the “House of the Sun.” The sun of my artist soul; the sun of my loneliness. It’s that I’m a wealthy man as I possess a million suns, which I forever keep in the treasure chest of my horizon.

sin titulo

09 Monday Mar 2026

Posted by mtk in 2026, Buenos Aires, poetry

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Aires, Argentina, Buenos, poem, poema, sin, titulo

todo el día ráfagas

de viento

soplan por la ciudad

estallidos

como giros románticos de la trama

insinuan

el cambio de estación

m.t. karthik

Buenos Aires

First Time Seeing Alpha Centauri, the Star Nearest Our Sun

18 Wednesday Feb 2026

Posted by mtk in 2026, astronomy, travel

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Alpha, Centauri, Centaurus, constellations, Hemisphere, Hydra, Hydrus, Montevideo, Sagittarius, southern, star, stars, Uruguay, visible

Last night I saw the constellation Centaurus for the first time in my 58 years in this material form.

Thus I also saw Alpha Centauri for the first time.

It has never before been visible to me, because I’ve lived only in the Northern Hemisphere.

It’s difficult to explain how meaningful this was to me. I first learned that Alpha Centauri existed and was just over four light years away when I was around nine or ten years old.

It appeared in science fiction stories as a destination, a source of alien intelligence, a goal, even. It became how, for the first time, I conceived of four light years as being nearby. Sci-fi writers imagined it expressively.

So last night, when I finally saw the procession of Sagittarius, Hydrus and Centaurus for the first time with my own eyes, it was a long-held desire, and an inspiring moment.

Hola de Montevideo, Uruguay

17 Tuesday Feb 2026

Posted by mtk in 2026, journalism, landscape, travel

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America, Montevideo, south, travel, Uruguay

17 February, Montevideo, UY

It’s a Tuesday. I arrived Sunday morning and so’ve been in Montevideo about 50 hours. I am at 35° South latitude, furthest South I’ve ever been. I finally get to see certain constellations

This is the first time I’m sitting down to write in months. I last wrote with a word processor when I concluded Part One of my observations on Bali and Nusa Penida, Indonesia, last August.

I said my next post would be Part Two, but of course, the life we all live now moves too fast and is horribly crowded with slop and garbage, so haven’t gotten to that. (Have faith, I shall. I have great stuff from Nusa Penida I want to share with you).

I’ve only used the typewriter and handwriting since last August, which is different. It’s note-taking and structure-making more than writing.

Oh, wait – and I’ve spent time with the stupefying reductionism of social media and messaging again – mind-numbing, attention-deficit inducing, crap writing. They think it’s quick-witted, but it’s puns and jokes from punks and blokes. Sigh. People don’t read anymore. So they can’t write. They can’t read. Illiterates.

But I write every day. Still. 50 years, every. day. I quit all the major socials I was on back in 2021, but have been posting to BlueSky lately which is a smaller, more chill place to engage. Friendlier, open-source, ad-free for now … so In addition to @mtksf.bsky.social, I cover the NBA’s San Antonio Spurs @theroadspur.bsky.social there.

It feels good, to be back at the keyboard, I guess. How’re you?

It’s just us. Maybe like 30 people will read this, at most, so get comfortable, make yourself at home, grab a tea or a beer or whatever. I do appreciate whomever you are. Thanks. Tell ’em MTK hipped ya.

The climate here is unique to me – in the mornings it’s cool and pleasant, but by 10 am, it gets warm, humid and sticky. Then around 4 o’clock in the afternoon, the temperature is several degrees cooler again. One can go from shorts and a tee shirt to a pullover and a scarf, the way we do in San Francisco, but the middle of the day there rarely, if ever, gets this warm: high 70’s. It’s 80° F today, – high season.

Montevideo, like San Francisco, is surrounded by water, a city on a peninsula. But the peninsula is pointier, and rather than a bay, it sits at the delta of the Rio de la Plata, which flows down from the confluence of the Rios Paraná and Uruguay at Punta Gorda in Uruguay. The Paraná itself descends from the Rio Grande and sediments from the north are brought down through the continent to the South Atlantic Ocean, here. The water in the river and delta appear brown because of this:

Uruguay sits to the East of the Rio de la Plata delta, and Buenos Aires, Argentina, to the South and West. I hope to visit BA next week.

Montevideo is a clean, orderly city. It’s relatively flat and has diverse botany. As a port city, much of that diversity is from Colonialism – eucalyptus from Australia, fortnight lilies from South Africa, jasmine from Asia via Europe. The climate and the river allow palm trees and non-native conifers to grow comfortably adjacent to one another at the coast.

Montevideo is diverse culturally from Colonialism as well. Because of Brazil to its North, the Spanish spoken here is influenced by Portuguese and sounds different. I have heard Spanish, Portuguese, South African idioms, English and French already.

Prices are going up and people are moving here right now. There is building and development everywhere. Like how Bangkok was when I went a couple of years ago – new apartment buildings going up all over the place.

Dawn, here

well, that’s it for now. Happy Year of the Horse to my Chinese friends.

love,
mtk

M.T. Karthik

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This blog archives early work of M.T. Karthik, who took every photograph and shot all the video here unless otherwise credited.

Performances and installations are posted by date of execution.

Writing appears in whatever form it was originally or, as in the case of poems or journal entries, retyped faithfully from print.

all of it is © M.T. Karthik

a minute of rain

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