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MTK The Writist

~ my blog and journal

MTK The Writist

Tag Archives: Mission

Bloody Thursday, a 5th of July at Mission and Steuart Streets in SF

16 Friday Nov 2012

Posted by mtk in installations, journalism, mural, S.F., sculpture

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1934, 1985, 5th, An, art, bloody, Bordoise, contract, Injury, July, Longshoremen, memorial, Mission, one, public, san francisco, sculpture, sf, Sperry, Steuart, Steuert, street, strike, Thursday, to, union

Public art to commemorate “Bloody Thursday” at the corner of Mission and Steuart Streets in San Francisco. The four-day general strike in SF in the summer of 1934 led to unionization of all the West Coast ports of the United States:

37° 47.602′ N, 122° 23.593′ W

Painted in 1985 by an artist’s collective, this mural-sculpture was placed by the International Longshore and Warehouse Union near the previous memorial, this plaque:

When the Hotel Vitale was built in 2004, the sculpture and plaque were moved a short distance and re-erected, with the plaque now mounted on the wall of the hotel. (Source)

The strike began on May 9, 1934 as longshoremen in every West Coast port walked out; sailors joined them several days later. The employers recruited strikebreakers, housing them on moored ships or in walled compounds and bringing them to and from work under police protection.

Strikers attacked the stockade housing strikebreakers in San Pedro on May 15; two strikers were shot and killed by the employers’ private guards. Similar battles broke out in San Francisco and Oakland, California, Portland, Oregon and Seattle, Washington. Strikers also succeeded in slowing down or stopping the movement of goods by rail out of the ports.

The Roosevelt administration tried again to broker a deal to end the strike, but the membership twice rejected the agreements their leadership brought to them. The employers then decided to make a show of force to reopen the port in San Francisco.

On Tuesday, July 3, fights broke out along the Embarcadero in San Francisco between police and strikers while a handful of trucks driven by young businessmen made it through the picket line.

After a quiet Fourth of July the employers’ organization, the Industrial Association, tried to open the port even further on Thursday, July 5.

As spectators watched from Rincon Hill, the police shot tear gas canisters into the crowd, then followed with a charge by mounted police. Picketers threw the canisters and rocks back at the police, who charged again, sending the picketers into retreat after a third assault. Each side then refortified and took stock.

The events took a violent turn that afternoon, as hostilities resumed outside of the ILA the kitchen. Eyewitness accounts differ on the exact events that transpired next. Some witnesses saw a group of strikers first surround a police car and attempt to tip it over, prompting the police to fire shotguns in the air, and then revolvers at the crowd.

One of the policemen then fired a shotgun into the crowd, striking three men in intersection of Steuart and Mission streets. One of the men, Howard Sperry, a striking longshoreman, later died of his wounds. Another man, Charles Olsen, was also shot but later recovered from his wounds. A third man, Nick Bordoise—an out of work cook who had been volunteering at the ILA strike kitchen—was shot but managed to make his way around the corner onto Spear Street, where he was found several hours later. Like Sperry, he died at the hospital.

Strikers immediately cordoned off the area where the two picketers had been shot, laying flowers and wreaths around it. Police arrived to remove the flowers and drive off the picketers minutes later. Once the police left, the strikers returned, replaced the flowers and stood guard over the spot. Though Sperry and Bordoise had been shot several blocks apart, this spot became synonymous with the memory of the two slain men and “Bloody Thursday.”

As strikers carried wounded picketers into the ILA union hall police fired on the hall and lobbed tear gas canisters at nearby hotels. At this point someone reportedly called the union hall to ask “Are you willing to arbitrate now?” (Source for text: wikipedia)

“An Injury to One is an Injury to All”

The Vamos Gigantes mural, Mission District

27 Friday Apr 2012

Posted by mtk in baseball, photography, S.F.

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District, giants, gigantes, Mission, mural, san francisco, sf, vamos

Vamos Gigantes Mural panoramic mtk
OLYMPUS DIGITAL CAMERA
OLYMPUS DIGITAL CAMERA
OLYMPUS DIGITAL CAMERA
OLYMPUS DIGITAL CAMERA

 

Eulogy

20 Wednesday Aug 1997

Posted by mtk in fiction, S.F.

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1994, aloud, braid, Coltrane, District, eulogy, french, Karthik, kenny, Mission, Missy, mtk, newspaperman, party, read, sam, T. Rhae, trice, Watson

I’m dying.  That’s what I have decided and so suddenly I feel a wonderful sensation.  Something akin to relief.  I’m not sick or anything.  At least no more sick than anyone else.

I do highly recommend it.  Choosing the dying, I mean.  I am quite sure it will make the next 40 years so much more enjoyable, easier.  I am having such a marvelous time.  I drink and eat what I like.  Rarely get much sleep because I go out and celebrate my last moments.  Every moment.

It’s good.

It’s funny, when I was living — really not so long ago as when I was growing, just sort of between the grow and the die — it was harder to tell who was, is.

But now, it’s easy.

A woman in my office asked me just the other day what I thought.  Which was nice.  I said, “Oh, for sure. You’re alive!”  I can tell.  It’s so obvious to me. “You’re definitely not dead.”  I told her if she needed a testimonial to her vitality — say, for her files — I would be happy to provide it.

Last week I received a chain letter from the dying.  I didn’t perpetuate it, though.  I like when things happen.

Simple Rules of the Dying, it read.

Number One:  Regarding Monetary Transaction:  Treat money with respect but rid yourself of it as fast as possible. It is useless to the dying.  Freedom from the chains of currency is one of our benefits.  So spend freely.

Number Two: There are no rules.

Whatever. I’ve been watching the money. It travels far and fast among the living.  It is powerful stuff.  They often think they own it but they are naive like that (pish, listen to me, dying just a few weeks and authoritarian like a pro).  When you’re living you wrestle stupidly with money; play silly games with it.  Try to corral it in pens and harbors.  But it can’t be kept.  Money’s too watery.

So what to do today. I think I’ll write some letters.  I still haven’t told everybody I’m dying.  My mother will be so pleased I’ve joined her.  She’s been lonely since dad crossed from the lovely fog of dying over the indigo line to dead.  My sister of course was, is, has been, no help at all.  She’s not even trying.  Her statistics (the vital ones) are pumping away progressively, productively.  I wish we had talked.

My lover and I scream in bed like animals now.  The last three weeks we’ve constructed love all around the house, crushing things under our weight.  We laugh at ridiculous aspects of our bodies and giggle slap-happily at sentences which have taken on new meanings.

Our whole vocabulary has doubled, trebled.  I have dozens of new words for parts of her body now which make matters even more erotic and delicious.  Sometimes she looks at me, throws a bowl at the wall and says, “Bibble clumby, slooperkoo!” which I take to mean many things and then laugh at my thoughts.  She times me with a stopwatch and when I start cracking up she says, “<click> Flaxis.  A three-minute thought.”

Ohhhhhhhhh (sigh) hhhhhhhhh  God. (smiling and decrescendoing to empty lungs)

I must weep now.

It can’t be all good, dying.

Samuel is dead now and his meat withers in a wooden box below the dusted surface of this earth. In living and in dying (I wouldn’t know about growing for he’d revolved around the sun so many times before I’d even slipped into this corporeal sleeve) he graced … grace — gracious!  He was graceful.  And quiet — silent as the dead.  But never lived (or died) a man so right and true.

Few things are magical anymore.  And so it was that being near him was a rare and cherished treat in the lifetimes of most.  One couldn’t elect to be near him for too long. This would have been crass and inelegant.  So one could only ache to be near him even while all that small talk was made, leading to its inevitable end and separation.

Oh, but what talk.  Like golden notes from Coltrane’s horn the words fell simply from his lips.  “It was hot” and “Good afternoon” and “I shall pray for you”  Spirits issued from those lips and carried the words to the ears of anyone who could hear them.  From his big, black hands worlds were born and died.  When he clasped them in prayer God took pause and form and listened.

Tears are the only remnant of his magic and they are liquid and clear and cannot be kept.  They soak through everything:  through paper, fingers, skin, feet, down through the earth, joining a river which flows deep below, which carries souls and spirits away.

Enough.  I am dying after all.  There is no time for cloying maudlination.  With machine-like precision chisel from stone a life.  You are dying.  So be it.

M.T. Karthik

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This blog archives early work of M.T. Karthik, who took every photograph and shot all the video here unless otherwise credited.

Performances and installations are posted by date of execution.

Writing appears in whatever form it was originally or, as in the case of poems or journal entries, retyped faithfully from print.

all of it is © M.T. Karthik

a minute of rain

https://www.youtube.com/watch?v=QYLHNRS8ik4

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