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MTK The Writist

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MTK The Writist

Tag Archives: tom

Locals Summer on Long Island; Djokovic at the U.S. Open; Trips to Fenway and New Hampshire

18 Wednesday Sep 2024

Posted by mtk in 2024, baseball, NYC, Road Trips, sport, sports, travel

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Tags

autumn, baseball, beach, Boston, boston-red-sox, Fenway, Flushing, friendship, Hampshire, island, Lido, long, Massachusetts, mlb, new, open, park, queens, sports, summer, tennis, tom, travel, trees, U.S., USTA, woods, york

I’m out on Long Island, NY, where I’ve spent a couple of weeks visiting my friend, Tom, who was my neighbor in Williamsburg, Brooklyn, 25 years ago, when we were both childless, unmarried and young.

Well, I was in my early-30’s. Tom and his roommates were recent college grads, starting their careers in the biggest city in the world. NYC was spectacular and singularly massive at the turn of the millennium. We were intoxicated and alive.

Tom is younger than me by seven years. In the time since I saw him last, he climbed the ladder in two separate career paths that crashed due to financial crises and has now climbed the ladder in a third: wine and spirits. He is an accomplished and successful Director of middle management.

He’s raised three children and supported his mother, and theirs. His father passed away; and his brother, an Iraq War vet, committed suicide.

Tom tracked me down four years ago after his father died. He told me he thought a necklace I gave him, cursed him. It brought him so much bad luck.

I arrived in mid-January in sub-freezing temperatures, we spent a few days catching up, and I promptly threw the necklace into the ocean on the outgoing tide.

Close readers of this blog will remember when I threw the accursed necklace into the sea, but click the Tom and the Opera link and read about it if you haven’t.

When we reconnected, Tom and I had both just lost our fathers. His brother died some years before, and I have since lost my sister. We are brethren at mid-life. We often have half-hour to hour long phone conversations about enduring this world in our times. Since we reconnected, I’ve tried to give my friend a way to separate himself from his troubles.

In the last two and a half years, I showed up to help Tom move into his post-divorce apartment – when we went to the Metropolitan Opera for Rigoletto from center box seats. I flew him to Amsterdam for a four day vacation before the first ‘Thanksgiving and Xmas with split households’. And I paid for him to go to Africa to build a school with his daughter and her classmates.

I’ve also treated us to several lush meals in diverse locations. The latest was at Blackstone here on Long Island. We had really delicious oysters from Canada, tuna sashimi, a Vietnamese-spring-roll-style sushi roll, lump crab, and a tomahawk Wagyu steak. I had a beaujolais. Tom had the banana cream pie.

It’s a fine dining restaurant in an area of strip malls. The interior was made to feel old-school, wooden, warm. Yet, the exterior is contemporary suburban monoculture – sigh, I guess that’s everywhere now. Here though, they take things they want and put them together for the convenience and then make them at the highest quality available in the same place … good steakhouse and good sushi, has emerged. The fish was fresh, prepared very well. The steak, unique, delicious.

Spending time with Tom has been exorbitant fun, controlled chaos and a good re-bonding experience. I know we’ve been helpful to each other, though we don’t discuss it. I worried about him when things were looking bad, I don’t now.

Tom, like many New Yorkers, does for himself and his own, but won’t ask for assistance. He will take what’s offered without guilt and enjoy it lustfully, which I find fun and uplifting. Until it’s not. Then he gets arrogant and deaf.

I was walking through Golden Gate Park two weeks ago when my cel flashed, indicating my phone was ringing. Seeing it was Tom, I answered.

“Thought you were coming out this summer, ” he said.

I told him I got busy with a three week, 2200 mile road trip to drive my beloved car Sylvie out west.  Tom said:

“Well, there’s only Labor Day pool party left, unless you want to come New Year’s Eve for Phish.”

I put the phone down, bought a one-way ticket to JFK, booked a hotel in Long Beach for a week, and bought tickets for Arthur Ashe Stadium at the U. S. Open tennis grand slam.

It had been a year and eight months since we hung out and I knew I wouldn’t make NYE in NY. I rationalized, too, that Tom wanted me to visit so I could see that he’s cool now and things are going well.

I had been trying to help get him away from it all to process his thoughts. That’s why I took him to Amsterdam and the Opera and supported his travel to Africa – to wholly extricate him from his own life as a break.

Our meals in Manhattan, in Amsterdam and here, are all, in part, a separation from our lives – to talk deeply about things that matter. I was thrilled to help him travel with his daughter and their class to Senegal.

The Labor Day Pool Party at Tom’s townhouse in Lido is the final party at the pool before it’s closed for the off-season. All the families and friends of families enjoy swimming, food, drinks, music, a raffle, and the most important events: games!

The table tennis and cornhole tournaments are highly anticipated and competitive. Yet from the moment I arrived, Tom told me, “I’m winnin’ that.”

He crowed to every neighbor we saw for two days that he was winning the cornhole tournament. It got so ridiculous, at one point when we were alone in the car, I said, “Yo, man, you are talkin’ a lotta smack about this cornhole thing.”

Now cornhole, like shuffleboard, requires team play. I know these tournaments use random selection for team mates. How could he possibly guarantee he’d win? But the thing about Tom is …

It was done and dusted.

That’s something Tom gives me – and I think he gives it to everyone he knows – chutzpah.

It was a great time. I saw Tom’s mom and family. We all jumped in the pool together at the end of the party, by tradition. The food was great. Lovely day, wonderful people. I felt welcomed.

So for my contribution on this trip, I took Tom to the USTA Center in Flushing for a match at the U.S. Open Grand Slam tennis tournament, something he and his neighbors would never do.

I grew up with tennis because of my Indian parents. Tom’s people prefer hockey, football, basketball and baseball. I know I expand Tom’s cultural landscape, as I know he expands mine.

Through luck of the draw we got a match featuring perhaps the greatest tennis champion ever, Novak Djokovic, and, in a stunning upset, Nolé was defeated by Australian Alexei Popyrin.

I concluded it was because of fatigue from playing in every previous Grand Slam Final and then meeting in the Olympic Gold Medal match that Djokovic and Carlos Alcaraz, world number two and one respectively, were eliminated in the early rounds at New York.

Apparently the men’s endurance limit is four championship tournament finals. But it was pretty cool to see Nolé combat the Aussie Popyrin at Arthur Ashe Stadium.

By contrast to my material gifts, Tom has been  generous with things that have no calculable value, including counsel and trusted conversation. He has picked me up, dusted me off and demanded I go at it again more than once.

On brief occasions, over the last four years, we’ve enjoyed food, wine, weed and travel as single men in mid-life.

We’ve shared meals and conversations and consulted one another on these occasions, separate from our responsibilities, to decide how we will make our way. He has lifted my spirit and confidence. This is priceless.

Tom has introduced me to his friends and family, who keep a tight circle. I am, for the first time, meeting his oldest friends and the people he has known for four decades, a community within which he is now the eldest surviving male of his family.

We both battle depression under the weight of our self-perception. We both do it in solitude, often not sharing it with anyone else.

Instead of staying in the city and visiting for a night,  I’ve come out to LI to stay in Long Beach, with Tom for a couple of nights and in local hotels .

It’s now the season they call “locals summer,” when the tourists leave and the weather is pleasant and locals get to enjoy what the island has to offer before it gets too cold. It is a lovely, peaceful beach town now.

Long Island’s a place that has been described so often by others that it’s hard to put it in original terms anymore. From The Great Gatsby to Jaws to Everybody Loves Raymond, the literary, artistic, social, and now digital, presence of the place masks the reality.

The reality, which I am gaining an understanding of through Tom and his community and my extended visit to the area, is private, energetic, vibrant and physical. Long Beach is more diverse than I imagined. Other areas of Long Island are not.

Meanwhile, many helicopters and private planes still pass by the beach and overhead daily – shuttling the wealthy back and forth between the City and the Hamptons, or Montauk or wherever.

It’s half-September.

Many of my friendships have faded because all I do is get really close to people and then leave disgusted with where I am. For example, I could never live here.

New York remains a place that repels and attracts. I hate the way people look at me here for my long hair and wearing bright colors. I feel an almost constant basic racism of otherness. It’s a famously white and restricted place that demands you behave to belong.

My unwillingness to be treated less than for being exactly who I am has meant friends have faded from my frame of reference away into their own lives.

Now, at mid-life, some old ones re-appear. I find they are younger than me by just a few years and they are all going through what mid-life brings us: break-ups and deaths and a powerful existential energy.

The French call it “l’energie d’age.” Which is such a better term than “mid-life crisis.”

This was a really cool kite flown at Long Beach, Long Island

Since I’m on the East coast, I decided to try and see some other friends who, like Tom, reconnected with me just after Dad died, in that fateful Spring when the pandemic plunged us all into various solitudes.

These friends, a married couple with two sons in college, have been dealing with enormous soulache from numerous deaths in their family and community, including a fraternal suicide and a very recent loss to cancer.

The emotional weight of it is staggering. But when I saw them I was inspired by their resilience. It falls to us, in our 50’s to bear and manage the circumstances. We’re the adults now.

My rediscovered friends here on the East coast impress me deeply with their strength and fiercely organized approach to the spiritual and practical demands of mourning. They press on.

Though busy with funerals and memorial services, they were able to break away for a couple of days to spend time at a forested property in New Hampshire, where we had a good walk in the woods.

and lovely vistas of trees.

Though the visit was short, it was affirming. It’s good to trust others again.

When we returned from New Hampshire, I was in a suburb of Boston, with time on my hands. This gave me the opportunity to visit Fenway Park, the oldest major league stadium and a baseball-lover’s bucket-list destination.

This was indescribably wonderful. It’s an intimate place where they adore baseball. You can read about my first trip to Fenway on Giants Baseball Corner, my baseball blog, if you click that link.

and here are the Red Sox fans, in their glorious baseball Ashram, enjoying their song, Sweet Caroline by Neil Diamond:

And here are some stills of Boston I took from the windows of various cabs:

I also managed to sneak in a visit to MFA Boston, the Museum of Fine Art which is, remarkably, open until 10pm on Thursdays and Fridays. I’m sure Friday it’s packed, but to have that place all to myself on a Thursday for four and a half hours was fantastic.

I will write a separate blog about that when I get a chance. Here’s the train back from Boston:

Meanwhile just xilling on Long Island:

Tom and the Opera, Wednesday, Jan 19th

19 Wednesday Jan 2022

Posted by mtk in 2022

≈ 2 Comments

Tags

2022, City, curse, Karthik, m.t., madball, manhattan, Metropolitan, mtk, new, six, tom, york

I cannot disclose why I went to New York in late January as I’m constrained willingly by the contract I signed the day I left from La Guardia just hours before the city was hit by a snowstorm carried on winds of the la niña winter polar jet stream, and snowbound. 

I can say it’s an NFT play, signed between me and my former neighbor in Brooklyn, Tom.

“Either you go tomorrow,” Tom agreed,”or you ain’t leavin’ til next week.”

My flight of escapees had mostly bought their tickets within the last 48 hours, with a weather eye on the polar jet stream. We were routed to Denver. The storm shut the city down while we were in the air. I had been in New York City and out in Long Island for two weeks.

*****

Double-dose Pfizer-vaccinated in May of ‘21 and boosted in November, I decided in December of last year that 2022 was going to be different. I was going to travel. I would help the economies of some places I haven’t been in a while. I’d spend some money in some places in our country that I respect and love for cultural and intellectual richness.

I made a new year’s resolution to spend more days of 2022 out of the house where I have been for the last five years than in it. Unlike most of you, for whom the ‘quarantine’ was at most a year and a half of house-boundedness, at that point, I had been bound for several years in a house, in another state from my beloved NorCal, as I cared for my father until he died, allowing him to pass the way he wished, in his home. I was eager to get back on the road, and eventually, home.

I set aside money from my small inheritance for this purpose. I granted myself a year of me-time, to travel, write, read and consider places to live, in the wake of my father’s death.

I chose New York first, and landed on the nineteenth day of the new year, amidst the Omicron wave. I was a New Yorker for five years at the turn of the millennium, so I’m prepared with specific goals when I visit Manhattan. It’s a habit learned from my Lakshmi-auntie, who lived in Parsippany for five decades and used the island, and indeed the whole city, with precision and elegance. She still drove into town herself in her 70’s.

I watched her use Goings-On-About-Town in The New Yorker, and Time Out and the Sunday NYT and the Voice, to be fresh, and even avant-garde, to her last days. She showed me the fastest ways to get in and out of the city, down-low parking spots, old-school joints. When I moved to the waterfront in Greenpoint, it was from her place, where I had been staying in the wake of the passing of her husband, my Surya-uncle, back in ‘97. It snowed in Brooklyn that winter.

Now, it was a clear, sunny Wednesday afternoon as I flew into La Guardia. It was in fact the warmest day of the year thus far in the city – 44° F, almost no wind, great visibility. The pilots swung wide to allow us a vantage of the cityscape – the bridges, high-rises and skyscrapers, just a few thousand feet below.

There’s the east river. Brooklyn Bridge, Manhattan Bridge, Williamsburg bridge.

Where I used to live in Greenpoint no longer has a cityscape view because there are massive condominiums there that can be seen in this shot. That bright, shining white skyscraper in lower Manhattan is One Manhattan Square. Extell Development Company sold 100 units there last year. They also sold 100 units at Brooklyn Point, which is the tallest residential building in Brooklyn.

One Manhattan Square and Brooklyn Point, each sold over 100 units in 2021 for a total of more than $400 million in sales. Extell claims it’s the only developer in New York to sell more than 100 units at two separate buildings in a calendar year. The units sell for between $850k – $3m.

When I was a New Yorker, the city taught me how to move through it. I didn’t know what I was going to find now, though, amidst the Omicron wave of Covid-19. New York was a city that had been ravaged in the first Spring of the nastiest respiratory virus in human history, because of its density and diversity – a global city, with international reach.

I came prepared, with my vaccine card showing two shots and the six-month booster, and my matching i.d., with N95 masks. Temperatures were expected to drop later that evening. The forecast was for highs in the teens and low 20’s for the rest of the week. I brought thermals, wool scarf, an overcoat and a fur hat – all of which were useful.

But I made a tight, localized agenda that had me entirely in Upper Manhattan. On my last day, I planned to walk to the Guggenheim to see the chronological exhibition of Kandinsky on the ramps at the Guggenheim, so I rented a hotel a few blocks away on the Upper East side – 92nd street and 1st Ave, near Yorkville. I landed, cruised through baggage, caught a cab to my hotel within 20 minutes, snagged a couple-hour nap, then showered, shaved and suited up for the opera.

Tom and the Opera

Tom and I hadn’t seen each other in almost 20 years. He is an energetic, native Long Islander, who has lived and worked in the city for years. He is as comfortable in the city as any of the boroughs or out on Long Island. He was my neighbor in Brooklyn 20 years ago, when he worked in commodities, on the floor at the exchange on Wall Street. He was there that fateful morning, besuited, running and hustling others away from the crumbling concrete and drifting ash and dust. We saw each other a few days later.

Tom and I caught up last year and I learned he had been through some rough times.  But he told me something else that shocked me, personally. He said that nearly 20 years before, I had given him a carved stone or wood necklace and had told him it was powerful. He wasn’t sure if he did something wrong or if it was just the object itself, but he felt that it had cursed him.

That’s no joke. You don’t see someone for years and you are catching them amidst heavy difficulties all around and they tell you that you gave them a totem that may have cursed them – have to take that seriously.

When I looked at the schedule for the Met Opera, I knew immediately I had to take Tom. They were performing Rigoletto. It’s a tragedy about a hunch-backed jester, a pathetic figure, who, upon being cursed by a courtier, believes in and fears the curse, then unwittingly aids in the accursed events which befall him.

The last line of the opera is Rigoletto’s bewildered wail as he cradles the body of his dead child, “La Maladizione!” – which means, “The Curse!”

The first time I went to the Metropolitan Opera it was February of 1998. Two dozen years later, I decided to splurge. I purchased Parterre Center Box seats. I had previously only ever sat in the balconies. This was special.

To enter we had to show ID that matched a proof of vaccination card and if the last dose had been over six months, a stamp for a booster. Masks were mandated. Before the curtain rose, the General Manager of the Metropolitan Opera, Peter Gelb, masked, came out on stage with a microphone and said, with a sigh of relief, “everyone in your program is performing tonight,” the confirmation that we would be seeing Quinn Kelsey and Rosa Feola . There was resounding applause.

The Metropolitan Opera has suffered, like every arts institution, during the pandemic. 

This production received great reviews for Conductor Daniele Rustioni and promotional material all featured the open throated face of Quinn Kelsey in clown makeup. The baritone has made a name for himself performing Verdi, and in particular, portraying the beleaguered Rigoletto. The program read: “Quinn Kelsey, a commanding artist at the height of his powers, brings his searing portrayal of the title role to the Met for the first time,” but Kelsey had been unavailable for performances on the 9th and 14th. There was a buzz from the hope we would get to see him with the soprano Rosa Feola, a pairing about whom much had been written.

The set was unique. Though the original opera was based on a story by Victor Hugo set in the mid 16th century, the libretto by Francesco Maria Piave, was set in pre-Revolutionary 19th century France. The current staging at the Met uses the Weimar Republic as the context, contending the times were comparably beset by careless inequity.

Production is directed by (Tony-award winning director) Bartlett Sher – the New York Times has described him as “one of the most original and exciting directors, not only in the American theater but also in the international world of opera” – and Set Designer Michael Yeargan. The costumes, designed by Catherine Zuber, were thus 20th c. German.

The set had a massive revolving structure upstage that allowed for feature performances downstage, nearer the audience, for greater intimacy. There was a full apartment above a bar in one set, and Donald Holder’s lighting was agile, an active element of the production, spotlighting soloists seamlessly as they employed the entire stage.

Piotr Beczala, charged with the most famous role, Duke Mantua, was good. But a standout performance, in addition to Feola and Kelsey, belonged to Andrea Mastroni, the bass singing the part of the murderous blaggard Sparafucile.

What always amazes and delights me about the opera is that there are no microphones. The orchestra is not amplified, neither are the singers. We all sit quietly, no cell-phones or beeps or bells or whistles to bother us, and we focus for two and a half hours on these live performers making music in an extravagant production – entranced. People try not to even cough during the acts. I love that.

Kelsey was masterful.

Tom and I dined at The Smith, across the street from Lincoln Center and shared a blunt as we sauntered to the performance – it’s legal now to smoke a joint on the street in New York. It wasn’t when we were neighbors – not that it stopped us much then, we were just furtive.

Now we just stood by the fountain on the plaza, in front of the big Chagalls and the other patrons and the cops and shared a blunt. Tom is a blunt smoker, which is not my style, but when I am with him I partake.

He went to Fordham, which is just next door to Lincoln Center. He pointed out his old dormitory building, as we smoked. We shared a blunt before going in, and again at the intermission. To be clear, quality marijuana doesn’t attack my memory of the opera, it enhances it.

Six Fingas and Madball

We left singing:

La donna è mobile/ Qual piuma al vento,

muta d’accento/ e di pensiero.

Sempre un amabile / leggiadro viso,

in pianto o in riso / è menzognero

**END Wednesday January 19th**

Ten days later, I checked the tide tables and  took the accursed totem that I gave Tom twenty years before out to Lido Beach at just past high tide, recited the gayatri mantram, and chucked the thing out to be taken away by the sea.

Stories with Tom, Jose, Xander

25 Monday Nov 2013

Posted by mtk in Uncategorized

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Tags

jose, Kingfish, Patrick, shoot, shuffleboard, stories, tom, tournament, TURKEY, xander

Fellow Trombonists at Twilight

21 Sunday Oct 1984

Posted by mtk in photography, San Antonio, TX

≈ 1 Comment

Tags

antonio, Band, Clark, cougars, friends, gentz, John, matt, San, sherwood, texas, tom, trombone, trombonist, twilight

trombonists1984001

Matt Sherwoood and John Gentz, age 17

M.T. Karthik

Unknown's avatar

This blog archives early work of M.T. Karthik, who took every photograph and shot all the video here unless otherwise credited.

Performances and installations are posted by date of execution.

Writing appears in whatever form it was originally or, as in the case of poems or journal entries, retyped faithfully from print.

all of it is © M.T. Karthik

a minute of rain

https://www.youtube.com/watch?v=QYLHNRS8ik4

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