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MTK The Writist

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MTK The Writist

Tag Archives: 2000

21st Century Elections

07 Wednesday Nov 2012

Posted by mtk in elections, NYC, S.F., San Antonio

≈ 1 Comment

Tags

2000, 2004, barack, Bush, chief, City, count, editor, F.Kennedy, fiasco, Filippacchi, Florida, frank, George, Hachette, in, Jeb, John, Jr., Karl, kerry, Lalli, lawsuits, loss, magazine, manhattan, new, obama, publisher, Rove, swiftboat, vote, W., york

In Spring of 2000, Hachette-Filippacchi Inc.,hired me and a half-dozen others to work as independently-contracted temporary employees to fact-check and conduct research for George magazine – whose founder and editor-in-chief John F. Kennedy, Jr. had been killed in a light-plane crash amidst fog off the coast of Maine eight months before. They hired us to ensure George remained, in the wake of its founder’s passing, an audible element of the political discourse during the Election of 2000.

As a national magazine which was read by hundreds of thousands of voters in many states, particular focus was paid to the Presidential Election between Vice President Al Gore and George W. Bush, the Governor of Texas.

My fellow employees, under Editor-in-Chief Frank Lalli, were a tight-knit, smart and savvy crew. In fact, on Election Night we were all together at Mr. Lalli’s beautiful upper westside home where he had invited us to watch returns. But Karl Rove’s fat face and a flipped state later, many of us were back in the office. A few of us stayed up most of the night and by 10 a.m. I was not alone in the office when I was posting coverage of Florida on the George website.

Though admittedly not a heavy-hitter politically, George was engaged throughout the Election and maintained an immense audience of voting readers before the magazine was finally brought to an end in 2001.

In 2003 I covered Schwarzenegger’s Election via Recall of Davis for KPFK, 90.7fm Los Angeles.

I also covered The Election of 2004 and the Presidential Race between George W. Bush and Senator John Kerry for KPFK, 90.7fm Los Angeles and in part for Pacifica Radio. Some of that 2004 Election work exists here and online at Pacifica’s Audioport and in the Pacifica Radio Archives, but I have complete digital copies of everything I did for KPFK and Pacifica between 2003 and 2005 backed up on disc in my studio as well.

In 2008, I was no longer working as a journalist, but did cover Obama’s Victory in Iowa for KPFK and produced short Audio-Visual Installments for Freshjive on the Internet. These were amateurish and clunky by design, yet carried considerable data for anyone who had tuned in to the broadcasts I produced for KPFK four years before.

When Obama won in ’08, I was with Lloyd Dangle, who hosted a book signing and Election Night Returns Party at the Riptide in San Francisco. Earlier in the day I had a drink with former SF Mayor Willie Brown at the St. Regis – we discussed Alaska Governor Sarah Palin’s plans for appointing a Senator to replace disgraced Alaska Senator Ted Stevens, forced to retire.

This year,I did not work as a journalist, but rather observed as a reader of the news media and a regular Californian voter.

The biggest single predictor of the elections of the 21st century has to be the margin of difference in registrations for the two major parties.

There are many reasons for this: smaller parties are being absorbed and disappearing for lack of membership, corporate interests fund the two major parties only, people threatened by one of the two parties runs to join the other and the demography of the nation is changing.

I have successfully predicted the last two elections as a result of my study of data and my knowledge of voting history. I think I see the electorate again.

Some points on 21st Century US Elections:

It’s impossible to write a blog about all my experiences voting and covering General Elections in the United States in the 21st Century, but suffice it to say there is a distinct difference between these and the Elections of the latter half of the 20th century, in which I also participated.

Much of this is discussed in my talk Political Media, Messages and More.

2003 was the Recall Election and spawned recalls in the 21st Century because of Schwarzenegger’s success.

2008 was the Youtube Election.

2012 was the Twitter Election.

Money and media are the driving forces of what has become a political system mired in divided, brutal contests between two immense parties which are financed primarily by corporations and special interest groups that define their policies.

We are in desperate need of a new Federal Elections Reform Act, as was passed in the early 1970’s.

Our democracy is sick. Hardly half the people with the right to vote even participate.

We need to update, nationalize and standardize voting procedures and make them more secure. We need to increase registration and participation. We need to subsidize the creation and maintenance of additional parties in the face of the massive expenditures made by Republicans and Democrats that have taken elections out of the reach of the common person. We need proportional representation in Congress.

Have been saying all of this for years, and it has only gotten worse. Here’s hoping the young people who are increasing in numbers at the polls pull off what my generation couldn’t.

The Marathon Project

15 Saturday Sep 2001

Posted by mtk in audio, NYC

≈ Leave a comment

Tags

1998, 1999, 2000, century, City, collage, collected, digital, early-21st, Found, Karthik, late-20th, M.T.new, marathon, microphone, mini-disc, mtk, Project, sound, york

an audio project I worked on for three and a half years.

[and here is some of the audio streaming online since 2004]

I worked on this all summer of 2001 – getting an engineer to master it, making the packaging – and just when I was getting ready to release it, the attacks of September 11th changed the entire environment.

This is the last copy I personally have of an edition of 101.

$1000 and it’s yours autographed specially.

Where They Stand, The Source Magazine, 2000

01 Tuesday Aug 2000

Posted by mtk in clips, journalism, NYC, press clips, protest

≈ Leave a comment

Tags

2000, 3, acoli, angola, aug, Karthik, leonard, magazine, mtk, mutulu, peltier, shakur, source, stand, sundiata, the source, three, thyagarajan, where

The Source had a circulation of 450,000+ at the time, so maybe a half a million people saw this piece – my widest reach at the time.

MTK, age 33 in NYC.

Longest Day of the Year 2000

21 Wednesday Jun 2000

Posted by mtk in essay

≈ 1 Comment

Tags

1997, 2000, base, celebrity, designated, larry, malle, manhattan, mourner, NYC, pine, shawn, sighting, street, towers, wall, wallace, wtc

It was a bright spring day, and I was coming out the glass doors of my office building in the central village when I suddenly felt as though I had walked into a Woody Allen movie. Through the glass of the open door, I saw playwright, actor and artist Wallace Shawn coming down the street carrying a large, heavy duffel bag containing some odd-shaped things that looked like bowling pins.

It was 1997 and I had just seen The Designated Mourner, Mike Nichols’ film of Shawn’s year-old play first performed at the Royal National Theater, London. I was so surprised I nearly struck him with the door and so he looked up and caught my eye. I paused there in the middle of the sidewalk and just stared at him and he gave me a little smile as he continued down the block.

I came to learn later that the famously private Shawn often made his way about the island on foot carrying a heavy bag – as a kind of improvisational exercise perhaps, but described in one article as an eccentricity.

I told this anecdote over and again in my New York life until the summer of 2000 when it became appended, after I read a tiny theater listing in The Village Voice:

The Designated Mourner
Wallace Shawn’s wonderfully nasty and clever drama returns to the New York stage. This three character piece examines the aftermath of a war in an unnamed country in which notions about high and low culture have murderous consequences. In this incarnation, Shawn and Deborah Eisenberg. Andre Gregory directs. 21 South William Street, 21 South William,532-8887 (Soloski)

Louis Malle, Andre Gregory and Wallace Shawn were at the heart of one of the most important movements in theater in New York in the latter half of the twentieth century. They took responsibility for the barbaric provincialism of the North and West more than nearly any white artists in the field and created storytelling of examined intellectual tenor.

On the summer solstice of the year 2000, I took the 6 train down to Wall Street and walked to an old, crumbly house at 21 South William, at the base of the World Trade Center Towers. I was sitting on the warm stone steps of the little house – still in sunlight on the longest day of the year – when I looked up to see a small, slowly moving figure walking toward me. It was Wallace Shawn. He wore dark clothes and a light, thin scarf around his neck that he was worrying at a little as he walked. He seemed to be in a placid, meditative, pre-performance state. I was awaiting a companion and was the only person sitting outside the small theater when he arrived.

He nodded and smiled as he approached. I stood and quickly congratulated him saying I felt The Designated Mourner was one of the most important American plays of the era. He smiled, thanked me and asked if I had a seat. I told him I hadn’t yet, but hoped to by waiting list or if not, then at another performance that summer. He said he hoped so, too and went inside.

The show was sold out and when my friend arrived we went in to add our names to the waiting list – we were numbers 7 and 8. Ten minutes before curtain the stage manager came down a set of small stairs into the foyer to announce there were 6 seats available. There was a group of three atop the waitlist and two couples ahead of us and I assumed at that moment we weren’t going to be seeing the play that night but suddenly, there was some discussion at the stage manager’s podium.

The couple ahead of us was trying to decide if they wanted to be split-up for the evening as there was only one seat left after the first five guests were seated. They took what felt like an interminably long time to decide – curtain time had passed. Finally, they agreed they would go to an early dinner rather than be split up and gave up the remaining seat. My close friend Daniel encouraged me to go take it. I paid the $10 fee and ran up the stairs toward the performance space.

The stairwell and indeed the whole house was dark save for a line of yellow electric lamps with yellow bulbs meant to guide the audience to the room in which the performance was to begin. A wonderful old and musty smell hung in the air. I followed the lights slowly until my eyes adjusted and I had some grasp of which floor they were headed toward and then ran the last flight in order to get to the performance which I was sure had begun. At the top of the stairs I nearly ran into Wallace Shawn who was standing, holding a chair and waiting.

“Oh good,” he said, “You made it.”

He carried the chair to a place at the edge of the audience, set it down, gestured for me to sit and then made his way to the carefully lit back of the room that was the performance area. There was no stage between audience and performer, just a subtle line on the floor, created from where the chairs ended and the lighting began.

Shawn then turned and faced the audience. The lights were dimmed quickly and he struck a match and lit a small piece of paper on fire which floated as it turned into ash, slowly up to the ceiling, “I” he recited, “am the designated mourner.”

The Voting Chamber, installation, 2000

01 Wednesday Mar 2000

Posted by mtk in Austin, collage, elections, installations, journalism, MTKinstalls, protest

≈ 1 Comment

Tags

1st, 2000, austin, Barnes, Bush, canvas, chamber.movements, currency, death, gallery, George, John, Karthik, killed, logo, m.t., March, McCain, mtk, No, Odell, painting, party, Penalty, primaries, Primary, real, Republican, rights, State, super, texas, the, thyagarajan, timeline, Tuesday, voter, voting, W., wrongly

The Voting Chamber was an art installation at Movements Gallery in Austin, TX, six blocks from Governor George Bush’s Mansion, and the exhibition was open during the Super Tuesday Presidential Primaries of Election 2000 and the South x Southwest (SXSW) Arts and Music Festival of that year.

COMPONENTS:
No Real Choice [2000], 5’ x 3’8”, acrylic, currency on canvas
The Voting Chamber (metal rods, fabric curtain, tabletop, audio component
Civic Dimension (acrylic on stairwell walls; chalk on pavement
Internet Component, including data from State Website and Death Penalty Opponents

I flew into Austin from Brooklyn and immediately went to a local chapter meeting of an anti-death penalty group and introduced myself publicly as an artist planning to do an installation at Movements Gallery on 6th Street:

installed for about ten days:

PRESS RELEASE

FOR IMMEDIATE RELEASE

OPENING RECEPTION: FEBRUARY 22, 2000
GEORGE WASHINGTON’S BIRTHDAY
6-8 P.M.
MOVEMENTS GALLERY
SIXTH STREET
AUSTIN, TEXAS, USA

“THE VOTING CHAMBER”

FEBRUARY 22-APRIL 22, 2000

A MULTIMEDIA INSTALLATION IN PROXIMITY TO THE TEXAS GOVERNOR’S MANSION

THE STATE OF TEXAS EXECUTES MORE PEOPLE THAN ANY OTHER JURISDICTION IN THE WESTERN WORLD. THE CURRENT GOVERNOR OF TEXAS (1994-2000) HAS OVERSEEN THE EXECUTION OF MORE PEOPLE THAN ALL FIVE PREVIOUS GOVERNORS TAKEN TOGETHER. HE IS CURRENTLY RUNNING FOR PRESIDENT OF THE UNITED STATES AND EXECUTING AT LEAST 18 MORE PEOPLE.

ACCORDING TO A TEXAS A&M UNIVERSITY STUDY, MOST TEXANS FAVOR ALTERNATIVES TO THE DEATH PENALTY OR ARE UNDECIDED:

47.5%    FAVOR LIFE SENTENCE
39.5%    FAVOR EXECUTIONS
13%     ARE UNSURE

Source: http://www.lonestar.texas.net/~acohen/tcadp

“THE VOTING CHAMBER” HAS BEEN DESIGNED BY NEW YORK-BASED FORMER TEXAS RESIDENT AND UNIVERSITY OF TEXAS GRADUATE M.T. KARTHIK, TO PROVIDE A PLACE TO REHEARSE FOR THE UPCOMING PRESIDENTIAL PRIMARIES AND ELECTIONS.

The State posts the Execution Schedule online

Texas State Execution Schedule: 23 Feb – 27 APR 2000

23 FEB 2000 Cornelius Goss, born May 25, 1961
24 FEB 2000 Betty Beets, born March 12, 1937
01 MAR 2000 Odell Barnes,Jr., born, March 22, 1968
15 MAR 2000 Timothy Gribble born, August 27, 1963
22 MAR 2000 Dennis Bagwell born, December 27, 1963
12 APR 2000 Orien Joiner, born, October 27, 1949
18 APR 2000 Victor Saldano, born October 22, 1971
26 APR 2000 Robert Carter, born March 7, 1966
27 APR 2000 Robert Neville, born October 5, 1974
27 APR 2000 Ricky McGinn, born March 11, 1957

Source:  http://www.tdcj.state.tx.us/statistics/stats-home.htm

OUTLINE FOR INSTALLATION

COMPONENTS:
“No Real Choice 2000” (5’ x 3’8”, acrylic, water, American currency on canvas)

“The Voting Chamber” (metal rods, fabric curtain, tabletop, agit-propaganda, and audio component)


“Civic Dimension” (acrylic on stairwell walls and sheetrock; chalk on pavement)
4.  “Internet Component”

THE INSTALLATION:

“No Real Choice 2000” was installed on the wall opposite top of the stairs to Gallery space. The 33’ wall was painted sympathetic to currently existing artwork in gallery while extending the theme of the canvas, including:

“The Voting Chamber,” a simulated voting booth: U-shaped curtain rod with a red curtain. This curtain is to be drawn around individual viewers to simulate a voting booth and allow a private viewing space of the canvas and of specific propaganda material. A looped, repeating audio component of the attorney of one of those on Death Row was played next to an empty chair.

The stairwell from the street to the Gallery floor and the sidewalks from the Governor’s Mansion to the gallery door (as practicable) were marked to point to the booth and to present statistics (see Statistics that follow) regarding the death penalty in Texas.

The Internet component contained elements: from http://www.georgewbush.com, the “Calendar of Events” describing the Governor’s current itinerary, and from http://www.tdcj.state.tx.us, the “Calendar of Executions.” and etc

CONCLUSION, 2008

It’s taken me more than eight years to write anything of what happened in Austin in the Spring of 2000. I installed The Voting Chamber and came to find out that Odell Barnes, Jr., was scheduled to die though likely innocent of the murder of which he was convicted.

The installation included an empty chair with the name “Mr. Bush” taped to the back, sitting beside a cassette player that continuously played a ten-minute audio loop of Mr. Barnes’ lawyer explaining that he needed more time to present the strong evidence of a frame-up he had discovered in Odell’s case.

The installation inspired a march of hundreds in Austin who chanted as they marched around the Governor’s Mansion against the Death Penalty:

This all occurred during the Super Tuesday Presidential Primaries as George W. Bush, the Governor of Texas, fought Arizona Senator John McCain for the Republican nomination, Spring 2000. The installation was up during the SXSW music festival, and the venue was a site for the Austin festival so thousands saw it.

George W. Bush and The State of Texas murdered the innocent 22-year-old, Odell Barnes, Jr. on March 1st of the year 2000. The message was clear as Bush ran for President on an active record of becoming the single individual Governing the execution of more people in U.S. history.

Odell Barnes, Jr.s’ last meal request was for “justice, equality and world peace,”

and his last words were:

“I thank you for proving my innocence although it has not been acknowledged in the courts. May you continue in the struggle and may you change all that’s been done here today and in the past.”

Nine months later, George W. Bush was appointed President of the United States by the Supreme Court – contravening democracy at the most basic level –  thanks to massive problems with vote counting and issues of voter suppression in the State of Florida, where Bush’s own brother, Jeb, was Governor.

The canvas “No Real Choice 2000,” finished two months before the election, was startlingly prophetic.

Shanti, fiction, 1999

31 Friday Dec 1999

Posted by mtk in clips, fiction, NYC, press clips

≈ 1 Comment

Tags

2000, Condé Nast, Conde, Inc., Jane, Karthik, magazine, mtk, Nast, Shanti, short, story, thyagarajan

amtkShantiJane2000001
bmtkShantiJane2000b001
cmtkShantiJane2000c002
dmtkJane2000002
emtkJane2000toc001

Condé Nast, Inc., featured my short story, Shanti, in the January/February 2000 issue of JANE magazine, which it had very recently purchased from Fairchild Publishing.

This was the very first issue of Jane as published by CN.

I can remember feeling thrilled because my check had the logo of The New Yorker prominently printed on it – as a design element! My one and only check from CN in the 1990’s.

I got paid on December 31, 1999 to be exact. Which means this may have been the last piece of fiction published by Condé Nast, Inc., in the 20th century – no idea if so, I just know the first thing I bought was a pair of long, camel-colored boots for my editor, and the second was rent in Brooklyn.

I was paid what I asked for as a freelance writer with the intention of setting a rate: $1 a word.

Shanti is a chapter in my first novel, Mood [1997]

M.T. Karthik

Unknown's avatar

This blog archives early work of M.T. Karthik, who took every photograph and shot all the video here unless otherwise credited.

Performances and installations are posted by date of execution.

Writing appears in whatever form it was originally or, as in the case of poems or journal entries, retyped faithfully from print.

all of it is © M.T. Karthik

a minute of rain

https://www.youtube.com/watch?v=QYLHNRS8ik4

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