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MTK The Writist

~ Homo sapiens digitalis

MTK The Writist

Tag Archives: mtk

Night Heron Eats Rat, Lake Temescal, Oakland, CA

28 Saturday Apr 2012

Posted by mtk in fauna, North Oakland, photography, short film

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CA, california, eats, elusive, feeding, feeds, heron, Karthik, lake, m.t., mtk, night, oakland, rat, temescal

a salutation

24 Tuesday Apr 2012

Posted by mtk in poetry

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Karthik, m.t. karthik, mtk, poem

To those about to light a toothpick,

the reverse end of an incense stick or

deliberating whether to forcibly divorce

a pair of chopsticks,

by lighting one on the gas stove,

in order to light a smoke

because you’ve no matches or lighter …

I salute you.

mtk 2012 Oakland

The Republic of Calipan

22 Sunday Apr 2012

Posted by mtk in Asia, collage, conceptual art, Japan, social media, travel

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age, california, calipan, country, digital, Japan, Karthik, m.t., mtk, nation, new, republic, secedes, tech, utopia

California secedes from the U.S. and joins forces with Japan to become a non-aligned, pacifist, non-nuclear-powered, green, tech-producing powerhouse in global digital and computer science.

Here’s the flag of the new most prosperous nation on Earth.

I hereby announce my Candidacy for General Secretary of The Republic of Calipan to anybody living in Aztlan or the Land of the Rising Sun who agrees Calipan exists.

The State of Real Estate, Oakland, CA

21 Saturday Apr 2012

Posted by mtk in North Oakland, photography

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2012, estate, Karthik, m.t., mtk, oakland, real

Norcal Turkey, Marin, CA

21 Saturday Apr 2012

Posted by mtk in fauna, photography

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2012, Area, Bay, california, Karthik, m.t. karthik, Marin, mtk, NORTHERN, san francisco, TURKEY

the golden gate, 2012

16 Monday Apr 2012

Posted by mtk in photography, S.F.

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2012, bridge, Francisco, gate, golden, Karthik, m.t., mtk, San

MTK Talkgroup

07 Saturday Apr 2012

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More Spring Flora

07 Saturday Apr 2012

Posted by mtk in flora, North Oakland

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asagao, california, m.t. karthik, morning glory, mtk, oakland, osteospermum, rose

Opening Day for the San Francisco Giants

06 Friday Apr 2012

Posted by mtk in baseball, S.F.

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catching light

02 Monday Apr 2012

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Empire State Building (above) and plane engine (below) from same vantage point  about two hours apart.

a few seconds of sunshine measured by sneaker whites

01 Sunday Apr 2012

Posted by mtk in conceptual art, North Oakland

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california, cloudy, Kingfish, m.t. karthik, mtk, oakland, partly, pub, sneakers, sunlight

poppy

30 Friday Mar 2012

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Rosencrantz-Blakeney Nuptials 2012

23 Friday Mar 2012

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Political Media, Messages and More

03 Saturday Mar 2012

Posted by mtk in elections, essay, journalism, press clips, reviews, social media, talks

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Bush, cable, history, internet, Jefferson, limbaugh, m.t. karthik, media, message, mtk, newspaper, orwell, pamphlet, politics, presidency, president, radio, Reagan, rush, States, talk, television, television presidency, U.S., United

( a one hour talk delivered to students at Academy of Art University in San Francisco on Friday, March 1, 2012. There was no recording. Slides appear in order here as images, and some video clips and links have been added to this online version).

Good afternoon, I am M.T. Karthik.

I’ve organized this talk chronologically, and into three general parts, starting first with historical examples of mass media used for sociopolitical language here in the US;

then second, a line between politics of the past and the present drawn by the invention and use specifically of television,

and finally politics in the Digital Age, which will conclude with some discussion of the contemporary situation.

The largest arc of this one hour talk is pluralism of mass media in sociopolitical language – from pamphlet to newspaper to radio to television to cable television to the Internet to FB to Twitter over the last 236 years.

In the last part of the talk, I will also be sharing some of my original work in the field. I have sought to report upon, document and portray through art, certain social interests primarily because I believe they are being written out of history, even covered-up by specific interests and aggregation of public opinion around a monocultural viewpoint of our nation’s political past.

No discussion of American political thought and expression can start without the Declaration of Independence –

– Thomas Jefferson’s seminal document authored against the monarchy in England, which set off an age of revolution on behalf of individuals against kings and nation-states and which, with the U.S. Constitution, created the bond between the Colonies that holds as Federalism to this day.

It’s important to read the Declaration in context, because of the scale of Jefferson and the Colonists’ reach.

Jefferson was influenced by the French and other European thinkers as a result of visits there, but really, the scale of the task was unprecedented.

How would you author a letter to all the Kings and governments of the nations of the world declaring the creation of your own new country – led collectively – with an unprecedented democratic governmental structure set up by its citizens?

It’s said Rick Perry, the Governor of Texas, has supported secession of Texas from the United States. How would his Declaration of Independence read, today? Would he address it to the UN, the Senate, the President, the Supreme Court? – none of these institutions existed for Jefferson to appeal to. He was writing to the nebulous notion of a “world at large” and against the British Monarchy.

What kind of persuasive language do you use in such a context?

“When, in the course of human events, it becomes necessary for one people to dissolve the political bands which have connected them with another, and to assume among the powers of the earth, the separate and equal station to which the laws of nature and of nature’s God entitle them, a decent respect to the opinions of mankind requires that they should declare the causes which impel them to the separation.

“We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable rights, that among these are life, liberty and the pursuit of happiness. That to secure these rights, governments are instituted among men, deriving their just powers from the consent of the governed. That whenever any form of government becomes destructive to these ends, it is the right of the people to alter or to abolish it, and to institute new government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their safety and happiness.”

Epic.

But how was it possible for Thomas Jefferson to set down these words in Virginia with such confidence? The seeds had been sown by a Philadelphian, who wrote and published a pamphlet which became an instant best-seller here and abroad.

Perhaps more than any text in that nascent revolutionary period, Thomas Paine’s pamphlet Common Sense – addressed audaciously to “the inhabitants of America” – pushed the colonists toward independence. The text demanded an immediate declaration of separation from England a full year before Jefferson sat down to write the great document.

With Common Sense, began the era of the political pamphlet in the United States. The authors of the Revolution used the format in the next ten years to author the Constitution. Should we refer to the American political pamphlet as a medium?

Here’s a recent one:

The pamphlet brings with it the creation of whole industries: printing, typography, stenography, journalism, cartooning, and begins an arc of American sociopolitical language that pluralizes to include newspapers, magazines, radio, television, cable television and the Internet. This talk will discuss the use of all of these and pluralism of media over the 236 years since the Declaration of Independence was written.

The serial publication of essays, viewpoints and even texts of speeches became the normative method for political discourse in the Colonies. It birthed the centralization of thought in new-born cities and the media channel of our oldest newspapers and journals.

The Federalist Papers were a series of 85 articles or essays promoting the ratification of the United States Constitution.

77 of these were published serially in The Independent Journal and The New York Packet between October 1787 and August 1788. A compilation of the 77 and eight others were published as The Federalist or The New Constitution in two volumes in 1788.

From these documents and the discussions they generated, came our Constitution and Bill of Rights.

Promptly thereafter, colonial cities birthed the “two-paper town” as the newly minted First Amendment of the Constitution produced contrasting viewpoints in the form of newspapers, which bore, defined and built the “constitution” of American political thought for a hundred and fifty years.

The era made editors-in-chief men of great power a hundred years before Citizen Kane.

Note that the Presidents of the US at this time are mostly forgettable bureaucrats. Perhaps Van Buren stands out for his hemispheric reach, but great debate and intellectual work wasn’t being done by the President. It was occurring in the Senate, at the level of the Supreme Court and with the birth of newspapers’ Editors-in-Chief like Horace Greeley of The New York Tribune – who began to take on greater responsibility for political language.

During the period of 1840 – 1860, after years of the establishment of new civic centers and States, with their own newspapers and journals, the country faced its greatest sociopolitical unrest. Correspondingly, an era of great newspaper publishers and editors representing contrasting viewpoints emerged.

By 1858 it was common for newspaper-editors to employ stenographers to attend speeches and to publish the speeches in totem in their papers.

The Lincoln-Douglas Debates of 1858 were a series of seven debates between Abraham Lincoln, the Republican candidate for Senate in Illinois and the incumbent Senator Stephen Douglas, the Democratic Party candidate. At the time, US Senators were elected by state legislatures so Lincoln and Douglas were vying for control of the  Illinois legislature.

The main issue in all seven debates was slavery and ultimately all of the issues Lincoln would face in the aftermath of his victory in the 1860 Presidential Election – issues which would lead directly to the first dissolution of the Union and the first Civil War in U.S. History.

The debates were held in seven towns in Illinois, but became so popular that they were distributed by papers elsewhere.

But editors of papers who favored Douglas would take the stenographers’ notes and clean them up, fixing errors of notation, context or even meaning only in Douglas’ words. Papers that favored Lincoln did the opposite. The power of the Editor was never before so clearly visible.

Lincoln lost the Senate election, but afterward he had all the texts cleaned, edited properly and republished as a single book – which was read broadly and helped lead him to the nomination in 1860.

The issue of Slavery was defined for vernacular discourse by the Lincoln-Douglas Debates, a remarkable moment in U.S. political history and language. Here’s the Centennial Stamp:

And so for long years newspaper men and politicians were bound in this country and great cultural and social consciousness that helped define the nation emerged through muckraking and whistle-blowing, but also, inevitably, corruption and yellow journalism.

The Spanish-American War may have been born from such yellow journalism, as the sinking of The Maine, falsely attributed to the enemy by papers in the U.S., pushed Americans into the war. More examples exist, and indeed as media pluralizes over the next century, this cozy corruption between politicians and journalists has been exacerbated by new media.

By the turn of the 20th century, the dominant medium was the printed word, and then, the word as heard through radio and both were being used to push political interests and social agendas.

Radio, a warm medium, a tribal medium with which President Franklin D. Roosevelt created the fireside chat, became the primary media tool for information about the wars abroad that defined the century. As Wiki points out, Every US President since Roosevelt has delivered a regular radio address.

News and official information delivered by voice over the airwaves is warm and available, lucid by the intimation of the sound of the voice, not subject to interpretation of the reader. Baseball and music and DJ’s sounded great on the radio and political communicators quickly recognized it.

Writing for broadcast began.

An excellent metaphoric example of the power of radio before television as a vernacular medium in politics can be found in the Coen Brothers musical film, O Brother, Where Art Thou?.

Set in the southern state of Mississippi before television, one narrative thread of the film follows a Governor’s race. Throughout the film, various people in the State are shown at home following the Election by listening to the radio.

Three escaped state prisoners form a musical group on the run, and anonymously record a single at a rural radio station which becomes immensely popular throughout the state through the power of radio. The men appear in disguise to perform their song live at an event which both candidates are attending.

The Governor’s opponent is insensitive to the popularity of the group, focusing instead on denigrating the men for both their fugitive status and their race. In a moment that predates television’s power in this regard, the challenger is revealed to be a racist statewide over the air. The challenger, unlike the incumbent, has no grasp of the power of the radio.

In the climactic scene, the incumbent Governor of Mississippi, seeing the immense popularity of the three escaped state prisoners, pardons the musical phenomenon the ex-convicts have become. The whole of the dialogue is shown to be carried out on radio throughout the State to the folks listening at home, who even hear the challenger run out of the hall on a rail as the Governor leads the crowd in a rousing chorus of “You Are My Sunshine.”

The entire scene is here:

[with respect to the Coen Brothers]

These scenes are remarkably faithful to the truth. In Louisiana, Jimmie Davis, a popular singer and the attributed author of the song, “You Are My Sunshine, became Governor.

The blogger LaLouisiane is eloquent on this matter:

“I remember my granddaddy saying that if Jimmy Davis would come around and sing “You Are My Sunshine”, (he wrote it you know), that everybody in the state would vote for him and never even ask him about a policy, a road, a bridge, nothing. We just really like that song down here, I guess.”

This talk, Political Media, Messages and More, is a follow-up to a talk I gave as News Director and Elections Coverage Producer for KPFK 90.7fm in LA, seven years ago at C-Level Gallery in L.A.’s Chinatown, which was subtitled, Pluralism of Media in the Age of Surveillance [mtk 2005].

Pluralism of media is evident at the addition of each new mass medium – radio doesn’t arrive at the newspaper’s exclusion or the pamphlet’s exclusion.

The pamphlet and certain newspapers remain significant modes of sociopolitical communication. They are at the heart of some, arguably all, of the United States’ greatest movements. Women’s Suffrage,

Socialism, the Labor movement’s successes in the first half of the 20th century.

So Pluralism of Media means we media-include, not media-exclude.

Where before you read pamphlets, now you read pamphlets and newspapers. Where before you read print, now you read print and listen to the radio – you add TV.

We add each medium and the media morph to fit our desires of them. Talk radio, drive-time radio, live radio, each is its own form.

This is what Marshall McCluhan meant when he said any new medium contains all previous media in it.

This is all changing now, of course, as Pluralism of Media has matured since 2005 to become the fluid, the cloud, the totality of data that we swim in today, post-TiVo, at the dawn of the streaming era of the web.

END PART ONE

Part Two: THE TELEVISION PRESIDENCY 1945 – 2008

The Television Presidency, born when Truman used it to announce the end of World War II , instantly made the Office of the President of the United States different from every presidency before TV – and television dominated until the Internet and the digital age, a period of twelve presidents.

Ike was the first President on the tube, and in his most important moment on TV, his exit speech, President General Eisenhower famously warned against the growing presence of a “Military-Industrial Complex”

… perhaps it would have worked in color.

But forever the line that defines the Television Presidency will be the Kennedy-Nixon Debates of 1960.
If you’ve seen Frost/Nixon you know that Nixon to the end of his days considered television, and the close-up, his undoing.

In the televised debates with Kennedy, Nixon’s problems with perspiration accumulating on his lip and his jitteriness in general on TV, came over as nervous and untrustworthy – on radio or via text this would never have been transmitted to the public-at-large. Nixon was ridiculed mercilessly for it by critics.

Imagine the contrast, Kennedy’s cool, youthful good looks and Nixon’s shiftiness.

Kennedy garnered the potency of the new medium, and, thanks in  part to the work of Speaker of the House Sam Rayburn and Lyndon Baines Johnson in delivering Texas, won the election by a slim margin.

I really like the blogger J. Fred McDonald’s take on this, who states, in his excellent essay on Kennedy’s relationship with TV: “For JFK, television could turn defeat into victory.”

Kennedy addressed the people of the country often and personably, but politically used the tool at critical junctures to save himself: after the Bay of Pigs fiasco and during the Cuban Missile Crisis, Kennedy’s use of television was pitch-perfect.

So, the relationship between live color television and the Presidency began with Kennedy’s handsomeness but then, typically of all things new, was taken promptly after discovery to the other extreme, the visual abuse of his savage assassination.

TV then exposed LBJ and Nixon and Kissinger’s dirty wars and the ugly side of the USA: repression, corruption, racism.

The 1968 Olympics were the first televised live and in-color around the world. They took place at the end of one of the most tumultuous years in history, a year I refer to as The People’s Year. This image of a staged protest against race and class oppression, thanks to live television, was impossible to stop:

I participated in making a monument to this moment on the campus of San Jose State University, when in 2006, I worked intimately with others assisting the artist Rigo 23 in the creation of this:

(At this point in the talk, I describe the Tommie Smith/John Carlos statue project anecdotally and include personal, non-published images of the construction of the statues.)

The impact of the moment as seen on television is described well by this Mormon blogger, who tells of being young and white and American and watching with her father. She describes his reaction both at the time and after watching ceremonies of the courageous act on video 20 years later – his change of heart is set in universal terms.

TV was the king of the failure that was The Vietnam War. It ended the Nixon Presidency. But politicians, as they had in the past, reacted by learning to manipulate the new medium to their advantage. Predictably, it was an actor who synthesized the power of the “small screen” for political propaganda.

Ronald Reagan overcame the tool’s power to reveal – with charisma. TV’s investigative potency withered with the mic in his hands.

TV buoyed Reagan into the White House with a full eight-year script, designed just like a Hollywood movie, with a brilliant new dawn at the front and a cowboy riding into the sunset at the end.

Reagan and TV media convinced most Americans that people in Russia lived in a dreary, black-and-white reality, trudging when they walked, standing in interminable lines as black-booted officers of the Kremlin marched past with truncheons to beat them if they acted out.

Reagan asserted our freedom to shop and drive and declare vast spaces ours to tame. Trained and experienced for fifty years in delivering lines written by others, he powered through TV.

Consumer technology was represented in its farthest reach by television, broadcast into millions of homes then on four channels, perhaps a fifth. It was a medium dominated by the Networks, and owned by private corporations. The unholy alliances between corrupt newspaper men and politicians had become de rigeur for relationships with corrupt television execs.

TV was manipulated on the greatest scale by Reagan. In those days, to be broadcast all over the world on US television was as close to “global communication in real-time” as existed and, on the evening of my sixteenth birthday, the actor-president went on television and gravely told us it was imperative to invest our tax dollars in a Strategic Defense Initiative to protect us from nuclear war. Reagan described this SDI as “Star Wars” technology, in the vernacular of the pop-movie phenomenon.

Every legitimate scientist in the world knew SDI was a ploy of language, a technical and political impossibility to deliver, and indeed, it was later revealed that Reagan’s own speechwriters had advised against his including it in public presentation – he’d made the decision on his own that day to do it. Generals, scientists, politicians and writers protested; others were put on the spot, but somehow the language was never exposed.

A naïve public wowed by Reagan, Star Wars, computers and technology in general – and without the Internet to look up the reaction of scientists and writers – ate it up.

Conservatives have used the phrase to justify defense spending for offensive weapons for decades – even now in Europe. Years later we live with these  TV-generated myths, like the “dirty bomb”. (cf. The Power of Nightmares by Adam Curtis)

It was 1984, and the United States was described by most as being a free society, totally unlike the one in George Orwell’s prophetic novel named for that year.

That image – of totalitarian fascism that produced false-flags and enslaved citizens to a national narrative – was projected by the U.S. President onto the Soviet Union, a country he called “The Evil Empire”. It was a term taken directly from popular movies and, wielded by a movie actor through the ubiquity of the medium of television, it became successful political propaganda.

Reagan used his charisma on the small screen to push corporate, private, and even illegal agendas, until the veneer finally broke in the Iran/Contra hearings. But even then, his “I can’t remembers,” delivered pitch-perfect on national television, got him off the hook.

The Dawn of “Pluralism of Mass Media”

By my senior year of high school in 1985, say 10% of students were writing papers with word processors and printing them dot-matrix to take to our teachers. The movement started with stand-alone word processor devices, which were typewriter-like machines that had single-line or paragraph-wide monitors at the top of the keyboard, allowing writers the ability to read what they were typing without printing it first, for the first time ever.

Looking back it seems both obvious and amazing how quickly we made the transition to using the word processor and eventually software on a pc to write. It was a natural step that changed writing forever. Cursive and the typewriter are all but dead. Content began its high-speed ascent. USA Today and CNN were born.

But though the computer was on the verge of changing writing, publishing, and expressing with text and image forever, the single most dominant force of mass media technology wasn’t yet the computer. It was still television, which had expanded through digital technology that created cables delivering far more visual information directly into American homes.

George Herbert Walker Bush, the former head of the CIA, wasn’t close in the primaries when he ran for President in 1980, but was appointed to the bottom half of Reagan’s ticket and became Vice President. Now the actor was termed out.

The Republican Party seized the lessons of the small screen, and having had eight years of method  training by a great actor, extended that training to a former serviceman. George H. W. Bush’s team was precise and almost militaristic at staying on message.

Bush repeated phrases without giving policy details, promised Americans more of what Reagan gave them and then repeated the same two or three positive phrases again.

Democratic Presidential Candidate Michael Dukakis’ imagery was by contrast horribly clunky – footage of him in a tank with an ill-fitting helmet had the opposite effect of projecting the desired image of a strong leader.

Bush had the immense advantage of the Office of the Vice President for air-time, but used it sparingly, with few details. When Bush’s campaign did use TV ads, it was to attack – the Willie Horton ad ran ad nauseum and painted Dukakis as a bad judge of character.

This was the beginning of catchphrase culture.

A culture manifest most strongly on television by ads, and in political communication as satire of the timeliest manner on NBC’s Saturday Night Live, featuring Dana Carvey as a repetitive robotic message man George H.W. Bush against John Lovitz as an exasperated Michael Dukakis, who finally shrugs, and delivers the punchline:

“I can’t believe I’m losing to this guy”

[click that link above to see the bit … Chevy Chase birthed portraying the President on SNL, but Dana Carvey nailed it before Phil Hartman or Will Ferrell]

Though we have been pluralizing mass media from the pamphlet to the television, this era is the dawn of the Pluralism of Mass Media that delivers us to the Internet Era of sociopolitical propaganda – not only because of the birth of word processing and cable television, but because radio returns for what it’s good at.

RADIO and TV in concert

Radio broadcasting shifted from AM to FM in the late 1970s because of the opportunity to broadcast music in stereo with better fidelity.

Rush Limbaugh’s talk radio show was first nationally syndicated in August 1988, in a later stage of AM’s decline. “Limbaugh’s popularity paved the way for other conservative talk radio programming to become commonplace on the AM radio,” states his Wikipedia entry.

Radio became the drumbeat for the President’s made-for-TV messages. The cool medium was used sparingly for headings and rubrics and catchphrases, while radio was used for tribal intercommunication of long, warm discussion of the message.

Limbaugh had an immense following and Bush made sure he got as much access as he needed. My father remembers seeing footage on network news of President George H.W. Bush welcoming Rush Limbaugh, shaking his hand and then picking up his bag for him before turning to walk into a personal meeting.

This potent image deliverable only by television (wordless communication in background footage, not a press conference with the President) was transmitted for the conservative President and his media agent on ABC, NBC, CBS, and perhaps PBS and the TV message – short, cool, specific – conjoined with the radio message, long, rangy, warm – to create a uniform statement.

The 1988 Election was the last Network News Election. The four-channel era of television was over.

Cable News Network, CNN, began and had its watershed moment by being the first embedded network live during wartime. At last, TV had provided war,itself, live and in-color.

George H.W. Bush and his Gulf War versus Saddam Hussein over Kuwait gave CNN more than a billion viewers worldwide, birthed CNN International and pushed Cable News past Network News in terms of relevance.

Television production became tighter, faster, snappier, with jump-cuts and camera motion. Technology was on the cusp of the fluidity of digital. The TV talk show incorporated radio stylings.

The cable news era, which is only just winding down, began with The Gulf War, and the 1990’s are littered with what cable TV invented: Newstainment, and, critically because it signals the demise of the Academy, the creation of star faculty and pundits.

These define cable TV in the 90’s, composing formats used today by Rachel Maddow, Glenn Beck, Bill O’Reilly and so many more pseudo-intellectual, corporate-financed, opinion-making cable TV “shows,” designed by marketing and legal teams, by groovy execs and demographers more than journalists.

Whole channels have emerged – and here the Daily Show/Colbert are uniquely successful – from what was drawn so poorly in the 1990’s. The medium’s highly refined message delivery system operates full-tilt, 24/7, and millions call it real-time.

[END PART TWO]

PART THREE:

The21st Century : The Internet Meets the Television Presidency

Part Three notes are much less formal as the latter part of the talk is filled with anecdotal descriptions of several projects I have engaged in. However, I am writing it up cohesively and will add it here when finished.

This section starts with the 2000 Election that ended in the Florida Fiasco and into Howard Dean’s successes with the Internet, then moves through the Kerry-Bush Election, the first-ever Congressionally-contested election and then the Obama-McCain election, ending finally with the unique situation of politicians in SF running for Mayor and using Twitter for the first time even as they granted Twitter a huge tax-break to stay in the City. I reference works of my own that parallel these circumstances.

Dear Indugu at the ice cream shoppe

23 Thursday Feb 2012

Posted by mtk in music video, North Oakland

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Bay, california, cream, dear, Francisco, ice, indugu, jesse, Karthik, leiya, mahoney, mtk, oakland, San, shop, shoppe, strickman, Tara's, telegraph, temescal

Jesse Strickman, of the band Dear Indugu, on guitar/lead vocal giving us a smileworthy eve at the ice cream shoppe (harmony, Leiya Mahoney).

oh and the DI website has downloadable music, a presskit and more.These lyrics to this sweet little tune are by no means authoritative, but …

“Let’s sleep together every night
any bed, any floor, any where’s all right
let’s let our bodies reunite
stay up on pills
just talking til daylight

“let’s whisper on train rides
and metal birds in the sky
let’s be madly honest
yeah, let’s keep every promise

“Let’s go out and see the world
and just try to understand
how this mess unfurled

“let’s make reality swirl
eating plants
drinking wine
laugh until we hurl

“You can teach me your languages
I can teach you chord changes

“We can just do whatever forever and ever
and never get tired whatsoever

“Don’t wanna have a brilliant ballad
’bout a girl who got away
I’d rather write a simple song
about a girl who came to stay.”

[is what I heard. and my favorite harmony is “ality swirl”]
mtk

WARNING volume is loud

21 Tuesday Feb 2012

Posted by mtk in flora

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bay area, california, Karthik, mt, mtk, norcal, oakland, rockridge, sf bay, spring, winter

but these flowers – shot at this exact time of year, late January and February in 2009, a year which was also a drought year – are super rico. I was just adding them to the flora tab and stopped to watch and listen to the crazy loopy sound and visual here.

I mean for this to be projected very large, on a big wall, and with the soundtrack loud, but of course, on your phone or home computer it’s going to be REALLY loud. so mind, okay?

basilisk

21 Tuesday Feb 2012

Posted by mtk in fauna, photography

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academy, basilisk, california, Karthik, mtk, reptile, science

an indonesian basilisk at California Academy of Science last year

Update

20 Monday Feb 2012

Posted by mtk in Uncategorized

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2004, alec, baldwin, daniel, election, ellsberg, gonzalez, interview, m.t. karthik, matt, mtk, rnc, usa

rewrote the ABOUT tab and added INTERVIEWS and INSTALLATIONS and COLLAGE and FLORA and FAUNA and a C.V.

In the Interviews section there is a nice one with Daniel Ellsberg, I was hosting live radio on drive time LA during the Democratic National Convention in 2004.

The Alec Baldwin was a good one, too.

I will dig up some others and add them. I really don’t like how the collage looks online, but am cool with these little ones being up.

Netsuke at AAMSF

17 Friday Feb 2012

Posted by mtk in Asia, Japan, photography, S.F., sculpture

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2012, art, asian, Karthik, m.t., mtk, Museum, san francisco

at the Asian Art Museum in SFlearn more about netsuke in the field trip video in previous entry (below).

Field Trip

17 Friday Feb 2012

Posted by mtk in Asia, installations, Japan, our son, S.F., short film

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art, asian, mtk, Museum, painting, san francisco, sculpture, sf

Oakland Cherry Blossoms

16 Thursday Feb 2012

Posted by mtk in photography

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on Colby street

The Kingfish Pub and Cafe is an Oakland Landmark Building

08 Wednesday Feb 2012

Posted by mtk in North Oakland

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Advisory, Board, california, daniel, garry, goins III, Karthik, Kingfish, Landmark, Landmarks, m.t. karthik, mtk, naruta, north, oakland, pub, rajan, rockridge, schulman, temescal, valerie

I attended my first City of Oakland public meeting Monday, February 6th, to hear appeals by proprietors and regulars of The Kingfish Pub and Cafe seeking Landmark status before the Landmarks Preservation Advisory Board.

Here’s the agenda, and this piece in Oakland North covers the meeting fairly well.

In what can only be described as rare for an Oakland story about a dive, The San Francisco Chronicle actually did a cover piece on the place and this attempt to achieve Landmark status back in October  (Which was amended by a piece on C-1 of The Chron, by same author, February 12).

This discussion yields an opportunity to address local art, architecture and gentrification, and historical and archival significance of the culture of North Oakland.

We are a decade deep into the digital generation and there are new, complicated reasons to carefully consider how we archive the past. Things have long begun to look more the same and with less character. Huge mega stores and strip malls replace local businesses, and much of what has existed has been erased and destroyed casually because of a lack of concern for the vernacular value of place.

The Landmarks Board has little power in the face of the Planning Commission or the City Council, which are dominated by lobbyists, mostly for vested developers’ interests, but the Landmarks Board exists for a reason and it is imperative we sharply define exactly how much power regular people have to protest rampant development solely for personal profit.

There are serious questions as to whether our City government is sophisticated enough to appreciate and protect what constitutes a Landmark in a specific neighborhood. Though, in fairness, this cannot be said of Valerie Garry, Vice-Chair of the Landmarks Board, who is a preservationist and showed architectural, artistic and cultural sensitivity to the petitioners’ request.

The Board as a whole heard the petitioners, were thoughtful faced by so many in the gallery, and yielded time for public comment, asking relevant questions.

Board Members Daniel Schulman and John Goines III were particularly vocal,  and both voted against the upgrade of the validation request. Indeed both seemed moved, but cynical.

Goines was like a reluctant father trying to help supporters of the pub to get over losing it. Schulman declared he had been to the pub over the years, and recently as well, but argued huffily that a stronger case could be made for The White Horse in the neighborhood – the voice of political reason breaking the hearts of pub regulars. This led to a discussion about the matter and many great, old Oakland bars were brought up.

Staff reminded Schulman that The White Horse, Geo Kayes and others mentioned are storefronts in a building of another purpose, and not a free-standing, crazy-gorgeous, little wooden building built over decades.

It was inarguable that The Kingfish was in the company of all of the very old bars the Board discussed, but that among them all, the Kingfish, as a structure, is wholly unique.

Listening to these two gentlemen try to let folks down easy was one of the things that makes this discussion interesting to me: the suggestion that the petitioners are idealists asking for the moon from a Landmark Board Member who knows political reality.

I don’t know any of the Board Members, but I’ve thought deeply about the matter and inspected the Kingfish’s structure. I have interviewed regulars, owners and new customers and interacted with its extremely diverse clientele. A broad age and race demographic frequents the establishment – many of whom I know to be local residents.

In response to a direct request from the Chair of the Landmarks Board, Anna Naruta, for more oral histories on the Kingfish, I am beginning with this blog entry.

Many new residents of North Oakland are younger, wealthier and work in San Francisco. Some new homeowners are the product of the very last and most successful of the “house-flippers”.

These new owners join a flood of new renters from San Francisco and elsewhere. Rents are astronomically high. It’s hard to get a reasonable rent and dozens of high-rent apartments built during the fantasy boom stand empty, unrented. Greed has governed decision-making far more than culture.

Condos on the spot are economically and culturally unnecessary in this neighborhood and far more so if it requires removing the Kingfish, which is a remarkable structure filled with collage art and made from materials culturally syncretic to vernacular building in the area in the early 1900’s.

The first thing I told the Landmarks Board was that I am not a regular of the Kingfish Pub and Cafe , nor a friend of the owner/management petitioners. I stood before them as a local resident and urged the board to vote unanimously on behalf of the petitioners for Landmark eligibility status, because The Kingfish is a totally unique structure and a living collage of materials.

Management and regulars related that the Kingfish was begun as a bait shop in the early 1920’s, when it was built by a single individual from vernacular materials contemporary to its era, mostly wood planks.

Its location is excellent for fisherfolk because of very easy access to roads leading to many different parts of the Delta from Telegraph and Claremont. But also, for decades the Temescal Creek ran through here – until it was aquaducted so it now runs under here – and people fished it, too. The Kingfish Bait Shop must’ve been the hub for fisherfolk here.

It became popular and grew into a pub and restaurant in the 1930’s, and by the 1950’s had at least two generations of fathers, sons, mothers and daughters that had spent time buying bait, and then eventually sandwiches and beer, in what had grown into the ramshackle form it still takes.

My son and I fish. It’s clear we can get to many different fishing spots in the Bay easily from here. We notice less parents fishing these days. As computer games, digital culture and home entertainment dominate our society, less parents and children learn to fish and about the management of water-dwelling life. Less families spend time near the water.

The Kingfish is attached to a long vernacular history of people who cherish fishing here, leading up to ourselves. As a pub, because of this history, the ‘Fish attracts contemporary fisherfolk who maintain vernacular knowledge of climate, tides and environmental quality. It collects locals of a fading culture.

In the 1950’s and on into the 1970’s a second unique clientele began enjoying the ‘Fish. The pub lay just beyond the one-mile dry radius from the University of California. The Kingfish and many other local pubs became a hangout for college-aged students and, in the Kingfish Pub’s case, particularly for student athletes.

Cal players, coaches and managers as well as those from professional teams in the area, like the A’s, have long made the Kingfish a center of sports talk and culture. Its low-key, egalitarian atmosphere allows the most well-known or empowered athlete or manager to be able to co-mingle with younger athletes and students without the formalism of civic space.

The walls speak to years of this kind of activity, as sports memorabilia applied throughout the establishment exhibit the significance of The Kingfish as a Sportsperson’s Place. It’s clear that as with local fishing lore, a second, vernacular history is collected and archived by regulars of the ‘Fish, that of local sports.

The materials used and indeed the very “look” of the place are what attract me to this argument about its status as a Landmark of North Oakland. Many features of the Kingfish conjoin to demand consideration as cultural artifact of the region it inhabits, with powerful archival elements, protected solely by the managers and regulars of the pub – the petitioners.

The uniqueness of the application of the sports memorabilia is that while they are affixed in a seemingly uncurated and random manner, each comes with a story, and often regulars relate stories of how they came to be where they are on the walls. In fact, while some are quite valuable I am sure, no one would ever remove or move any of them.

Secondly, the Kingfish lets in very little light and has a low wooden ceiling. These are almost perfect conditions for archiving the materials in question! Through an oddity of its vernacular design, the culturally sensitive material affixed to the walls cannot be removed and are perfectly preserved over decades. Philosophically, from an arts and architecture standpoint, there is much to be considered here.

Representatives of the owner/developer are objecting to Landmark status and have claimed a vested interest and state-driven right to develop the land; that they had plans to do so and had those plans approved in 2007. Thus, in reality, what the Landmarks Board would have to do to support the petitioners would be relatively extreme.

The fact is, the developer’s plan was made in another universe – exactly at the peak of speculation in 2007.  The immense and global crash that has occurred since 2008 still dominates the economic environment. No numbers generated for projects then could possibly make sense now.

The Kingfish has a diverse clientele in age and cultural background, attracting new generation residents like myself and 30- and 40-year customers. It feels welcoming while being historically connected – which in my experience is unique.

I told the Board my investigations made me realize lots of local parents and their children go and have gone to the Kingfish over decades, and lead me to approve of my son dropping in to the Kingfish when he turns 21, if the bar still stands in what would be its 99th year.

As an artist living in North Oakland electing not to own a car, and traveling weekly by bicycle and on foot between Peralta Elementary (with history to the late 1800’s) where my son has been a student, and the rock ridge for which the neighborhood is named, my son and I observe and photograph changes to public space and discuss them with others.

In these past five years we have documented:

— seismic retrofit of BART

— revivification of Frog Park and the creek pathway

— removal of the eucalyptus trees at the DMV by external interests

— repaving of Claremont to the freeway entrance (likely on behalf of Safeway’s expansion)

— closing of Long’s/CVS, and many older businesses

and the arrival of dozens of new businesses, salons, cafes, restaurants, bars and pubs between 2007 and 2012, including the closure and re-opening of the Kingfish.

The re-opening of the Kingfish by current management was met with enthusiasm locally in this time of revival here. The current petition to maintain the place via Landmark status is an extraordinary result of the most contemporary incarnation of the pub merging with intense cultural connection with its past.

Blog ENDED.

03 Friday Feb 2012

Posted by mtk in politics

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2011, archived, campaign, end, Karthik, Mayor, mtk, rajan, sf

First off, if you like comics, hovering over each of the links in the blogroll is good fun.

But the best way to read this site is to use the tabs at the top to read campaign promises and faq’s and then check out campaign videos before using the archive list to the right to go to the actual blog entries, of which there were many during the campaign.

Use the archive list to start with the first blog entries in December 2010 and then follow the campaign through chronologically to the last entries in December 2011.

From Twitter Giveaway to Treasure Island Boondoggle to the 100th running of the Bay  to Breakers and the fiasco that allowed Ed Lee to run, it flows better chronologically.

Karthik

Murray State Racers Zigga Zigga 2010 REPOST

30 Monday Jan 2012

Posted by mtk in college hoops

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basketball, hoops, Isaiah Canaan, Karthik, mtk, Murray, NCAA, Racers, State, Yesterdays

Two years ago, I saw the unit that the Murray State Racers have become begin to form.

Led by Isaiah Canaan (pronounced “cannon”), the team thrills.

If you google “zigga zigga zoot zoot” you’ll find my piece about them, written then, but here’s a repost:

Zigga, Zigga, Zoot, Zoot Spinback: Why We Picked the Racers [2010]

Now headed by their assistant coach promoted to head, who has been through this ride with the players, men not much younger than himself, the cohesiveness has grown rather than faded in the absence of their head coach from last year.

For several years now, I predicted and then witnessed the rise of the mid-major programs in the NCAA Division One, based almost solely on the fact that the major programs lose their players to the NBA sooner and often have to introduce rookie point guards to lead a team through the minefield of March.

While mid-major, and even smaller programs, often keep players who end up playing together longer and who get tighter, more cohesive, play as a unit.

Steve Fisher and John Calipari notwithstanding, it was inevitable.

I was pretty excited when I decided to blog the 2010 NCAA March Madness on Yesterday’s Hoops

Image

Iggy, Stooges and le butcherettes at the Warfield

04 Sunday Dec 2011

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2011, bender, braswell, butcherettes, dangle, gender, iggy, le, lia, lloyd, mtk, pop, san francisco, sf, stooges, teri, warfield

at the Warfield in SF last December. Also, check out Holly’s comment which includes a good interview with Teri Gender Bender, founder and lead singer of le butcherettes

Posted by mtk | Filed under music video, reviews, S.F., short film

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Intro to Plug/Unplug, a long-form essay

30 Wednesday Nov 2011

Posted by mtk in essay

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digital, generation, Karthik, m.t., mtk, plug, technology, unplug

TS: Nobody taught them, but they just emerged with this; so in Japanese expression, these are a new species … totally different from us.

MTK: There’s a Japanese phrase for this?

TS: mm-hmm.  Shin Jin Rui.  Jin Rui is the ‘species’ and then Shin is new. So, a totally different group of people as far as this computer or technology.

Takako Smith, 51, on her children and nephews, Narita Airport, June 2005
one of 11 interviews in The First Contact Project:

www.revolocien.com/zounds/firstcontact.php

30 years ago, in the spring of my thirteenth year, a handful of seventh grade classmates and I were introduced to the first computer any of us had ever seen. It was a big, grey, heavy thing that took up an entire desk table

It cost about a thousand dollars, which in 1980 was several hundred dollars more than a high-end color television, and it came with a 5¼-inch floppy disk drive in front and a multi-pin serial port in the back with which to connect a wide, flat, gray plastic cable to a dot-matrix printer, the sole consumer peripheral of the era. The printers were loud.

The TRS-80 – for T[andy] R[adio] S[hack] [19]80 – didn’t last long in the stampede towards obsolescence that has become the trademark of personal devices, maybe two years, but this bulky, ugly, gunmetal-grey personal computer lasted long enough to garner a nickname. We called it the Trash-80.

We were thirteen and it represented suburban popular society’s introduction to computing – you could buy one at the mall. It had 16k of memory, a dull black monitor screen, and a little white, rectangular blinking cursor.

20 years later, in the year 2000, the desktop computer in my office at The New School in Manhattan, came with 80 million k and 512k of RAM. Laptops with as much and weighing less than twelve pounds were available for around two thousand dollars. Most machines had numerous data ports including modem, USB and/or fire wire and all provided access to the nascent virtual human extension we call the World Wide Web – which didn’t exist when I graduated from the University of Texas, Pre-Internet Baccalaureate, a slow-dying breed.

10 years later, here in Oakland in 2010, I steer a 750 dollar Dell laptop with 500gigs, 4 gigs of RAM, and an Intel Core2 Duo 2.2GHz to write this essay, and if I don’t use the net to source it with fresh material it will bore most of my contemporaries.

plug/unplug, is a vernacular history of my use of technology and comes with a compact disc called, The First Contact Project, which consists of interviews of people of various ages remembering their first interactions with a computer and the Internet.

I participated in and then withdrew from high tech for years at a time in various contexts over the past three decades and here I attempt to address one principal criticism: that the quality of this immense leap in personal computing technology in such a short amount of time has been over-valued by high-tech industry, and it’s corollary, that we must, at least occasionally, unplug from the ever-spiraling fantasy projection of ourselves that we have begun in the wake of the digital era, take pause, reflect and perhaps even reboot our system, at a personal and national level. We must be more judicious about our ongoing relationship with machines.

To understand this criticism, consider first how many personal electronic devices existed in our home when the TRS-80 arrived. There was television; color and black-and-white sets with four channels (ABC, NBC, CBS, PBS) and perhaps a local UHF station. We had VHS by 1985 and most of my classmates were part of a fast-growing cable television market (HBO, Cinemax, Showtime, ESPN, MTV, Discovery and the History channel were all born in the eighties). Games were 2-D and catchy as hell: Atari, Pacman, Donkey Kong.

There were landlines and princess phones and fax machines, and a “mobile phone” was rumored to exist. There was audio gear that had evolved to an analog specificity of high order: pre-amps, amplifiers, receivers, equalizers, turntables, cassette players (8-tracks) and speakers.  There were devices for the kitchen: microwaves were the latest, but blenders, mixers, grinders, coffee makers, juicers and toaster ovens had all appeared in the three decades after WWII. In the garage, we had gas-driven mowers, blowers and perhaps electric gardening and power tools. Certainly 1980’s, “middle class,” USA was the most advanced culture in terms of consumer technologically anywhere – except perhaps Japan.

The personal computer entered the home and went into a totally separate room – Dad’s study – where it was dedicated to educating me about computing. We had to make a relationship with the personal computer and, early on, the machine was pretty brutish. Initially, it wasn’t even as useful as the machine it shared that room with, the typewriter. I remember trying to get that Trash-80 to do a moronic do-loop while hearing, beside me at his desk, the soft, powerful clicking of my father on his dominant IBM electric at the very end of the typewriter’s hundred-year reign over writing.

My Dad put the computer table in a walk-in closet in his study, and so I was alone in there with it all the time. I remember the closet’s dusty smell, of the old papers he had archived on the shelves above me. I wasn’t scared of it, but it was daunting. I had classmates – prodigies really – who had already gained local notoriety for their use of computers, and my father like many, wanted me to have access to the new tech. Often, I was in there only because Dad expected me to be. I just sat with this big, ugly gray thing blinking at me, unable to program it. I remember feeling utterly uninspired.

I learned some BASIC at school and through a magazine and from some friends, and wrote some really simple code. I designed a Dungeons and Dragons type text-based exploration game, wrote a calculating program, but I never really got into it. Because I was interested even then in publishing, I was printing multiples with typewriters and carbon paper, with the AB Dick mimeographing machine, and finally through the wonder of copy machines. I didn’t consider the computer as a tool for publishing. The computer was the territory of science and mathematics. It required programming with Mathematics terms. We cracked the case and opened it up in Physics class. Though some of us may not have grasped the technical aspects of computing as quickly as others of my classmates, we all understood it was the beginning of the digital era. This is evident when listening to The First Contact Project.

In 1983, a few years into my experience with the TRS-80 at home and with various IBM 8088s and Apples  introduced to us through science classes in Junior High and High School, I ran into a Macintosh. My friend Randy’s dad was an engineer at Datapoint, and bought one of the first. We were handling the little console months before the Chiat/Day television ad for the Mac, which debuted during the Super Bowl in 1984. The ad featured a woman in running shorts and tee shirt, tinted, the only color figure in an ominous black-and-white future-world of faceless grey drones. In the ad, she ran, carrying a hammer which she throws into a massive television screen to smash a projection of an enormous Big Brotherly face monotonously intoning unintelligible propaganda.#

The first Apple Macintosh’s were actually editioned, with an engraved steel plate with a unique number soldered to the back.  It was clear to us as teenagers in Randy’s room out behind his parents’ place, that we were looking at something radical. The interface of the Mac was stunningly more user-friendly than any previously experienced. A child could use it.

Windows, the operating system that commanded more than 90% of the world’s desktops for two decades, did not yet exist. Bill Gates was just a Harvard dropout, but Apple was on the map. The Mac introduced the mouse, fonts, pull down menus and yes, windows. The Macintosh would define how Windows would look and eventually how tens of millions would interface – through machines – with each other around the world.

By my senior year of high school a lot of us were writing papers with word processors and printing them dot-matrix to take to our teachers. The movement started with stand-alone word processor devices, which were typewriter-like machines that had single-line or paragraph-wide monitors at the top of the keyboard, allowing writers the ability to read what they were typing without printing it first, for the first time ever. My Dad loved his.

Looking back it seems both obvious and amazing how quickly we made the transition to using the word processor and eventually software on a pc to write. It was a natural step that changed writing forever. Cursive and the typewriter languish. But though the computer was on the verge of changing writing, publishing, and expressing with text and image forever, the single most dominant force of mass media technology wasn’t yet the computer.

THE TELEVISION PRESIDENCY 1945 – 2008
As the Super Bowl ad for the Macintosh reminded us, it was 1984, and the United States was described by most as being a free society, totally unlike the one in George Orwell’s prophetic novel named for that year. That image – of totalitarian fascism that produced false-flags and created an enslaved society – was projected by the U.S. President onto the Soviet Union, a country he called “The Evil Empire”. It was a term taken directly from popular movies and, wielded by a movie actor through the ubiquity of the medium of television, it became successful political propaganda.

The Television Presidency, born when Truman told the world the U.S. had used the A-bomb, instantly made the Office of the President of the United States different from every presidency before TV, and television dominated until the Internet and the digital age, a period of twelve presidents.

In his most important moment on TV, President General Eisenhower warned against the Military-Industrial Complex and went unheeded, perhaps it would have worked in color, we‘ll never know. The relationship between color television and the Presidency began with Kennedy’s handsomeness and, typically of all things videoed, was be taken to the other extreme, the visual abuse of his savage assassination and that of his brother. TV then exposed LBJ, Nixon and Kissinger’s dirty wars and the ugly side of the USA: repression, corruption, racism. TV was the king of the failure that was The Vietnam War.

Predictably, it was Ronald Reagan, an actor, who synthesized the power of the “small screen” for political propaganda. He overcame the tool’s power to reveal and its potency withered with the mic in his hands. Many fought against it and lost as TV smothered President Carter and buoyed Reagan to a full eight-year script, designed just like a Hollywood movie, with a brilliant new dawn at the front and a cowboy riding into the sunset at the end.

Reagan and TV media convinced most Americans that people in Russia lived in a dreary, black-and-white reality, trudging when they walked, standing in interminable lines as black-booted officers of the Kremlin marched past with truncheons to beat them if they acted out. And he promoted our freedom to shop and drive and declared the vast empty spaces of our plains – devoid of the genocided natives and buffalo – to be ours to tame. Trained and experienced for fifty years in delivering lines written by others, Reagan used the words “freedom,” “liberty” and “greatest country in the world” on TV a lot. But Reagan’s “New Dawn” should be revised by historians to be revealed for what it was, a veil.

During his terms, millions were jailed for victimless crimes. Millions of other unfortunates unable to care for themselves were cast out of care centers and into the streets. Hundreds of thousands suffered because the President refused to utter the word AIDS – on TV or anywhere else. Secret wars were conducted that tortured, raped and murdered tens of thousands of civilians, including women and children – in Central America, in West Asia, in Africa. Trickle down economics and Reagan’s massive military budgets set us on a path from which we have yet to fully recover.

One of the best assessments of the Reagan Era, which reads prescient in the wake of the Reagan Doctrine and captures Reagan, the man, is Ronald Reagan: An Autopsy, by Murray N. Rothbard in March of 1989, an autopsy well before his death in 2004, which chillingly predicts that the digital age would if it could “mummify” a carefully crafted public perception of the 40th President well into the future.
“In this High Tech Age, I’m sure his mere physical death could easily have been overcome by his handlers and media mavens. Ronald Reagan will be suitably mummified, trotted out in front of a giant American flag and some puppet master would have gotten him to give his winsome headshake and some ventriloquist would have imitated the golden tones, “We -e-ell …” (Why not? After all, the living reality of the last four years has not been a helluva lot different).”

Consumer technology, on the cusp of elevating us with the Internet, was in those days represented in its farthest reach by television. And that medium was manipulated on the most epic scale by Ronald Reagan. In those days, to be broadcast all over the world on US television was as close to “global communication in realtime” as existed and, on the evening of my sixteenth birthday, the actor-president went on television and gravely told us it was imperative to invest our tax dollars in a Strategic Defense Initiative to protect us from nuclear war. Reagan described this SDI as “Star Wars” technology, in the vernacular of the pop-movie phenomenon.

Every legitimate scientist in the world knew SDI was a ploy of language, a technical and political impossibility to deliver, and indeed, it was later revealed that Reagan’s own speechwriters had advised against his including it in public presentation – he’d made the decision on his own that day to do it. Generals, scientists, politicians and writers protested and others were put on the spot, but somehow the language was never exposed. A naïve public wowed by Reagan, Star Wars, computers and technology in general – and without the Internet to look up the reaction of scientists and writers to such drivel – ate it up. Conservatives have used the phrase to justify defense spending for offensive weapons for decades – even now in Europe. Years later we live with such TV-generated myths, like the “dirty bomb”.

Reagan used his charisma on the small screen to push private, and even illegal agendas, until the veneer finally broke in the Iran/Contra hearings, but even then, his “I can’t remembers” delivered pitch-perfect on national television, got him off the hook. Years later, I asked U.S. Historian Dr. Cornell West, how it could have come to that:

“In some ways it’s like after the Congress of Vienna in 1815 where you had thick waves of counter-revolution, thick waves of conservative politics and the emergence of reactionary elites and nation states. And since the 1980’s we have had thick waves of conservatism, thick waves of reactionary elites, Thatcher, Reagan, you can go right across the board. … We’re dealing right now with an ice age, and by ice age I mean deeply conservative and reactionary elites shaping the world in their own image.”#

BIRTH OF THE INTERNET MEETS THE TELEVISION PRESIDENCY
As the global capitalists and reactionary elites seized back control through Reagan and G.H.W. Bush, the Agency man, their mouthpieces in the White House, out west, intellectuals were absorbed in the privatization, commercialization and diversification of high technology. In Silicon Valley, California, a cultural renaissance of international significance was taking place – biotech giants like Genentech were revolutionizing the privatization of research labs, RDBMS giants like Oracle and Informix were radicalizing data collection and analysis, and computing was blossoming. Since the early 1970’s, U.S. scientists had been working on a concept from a series of memos written in the 60’s toward the creation of the network we now call the Internet.

Working at Stanford, MIT, Champagne-Urbana and elsewhere, these scientists realized international networking even as my classmates and I were first being exposed to the TRS-80, DOS and Apple II.#  My generation’s history with computers parallels the history of personal computing itself. We were the first to send an e-mail; the first to use what has become a principal tool for communication on earth, The Internet. It provides never-before realized transparency and sharing capability between independent thinkers. It is the culmination of the greatest successes of the last century, bringing together the progress of telegraph, telephone, radio, television and computer to realize in synthesis one of the greatest human tools ever designed and implemented.

The TCP/IP protocol that is the basis for the modern World Wide Web was established January 1st of 1983, when I was a sophomore in High School. Then the National Science Foundation funded and supported networks – and dialogues which led directly to networking – for students and professors around the country in the 80’s and, by the 90’s, around the globe. The world became hyper-computerized before our eyes over the next twenty years. There was software for everything, and if there wasn’t yet, there soon would be, a progression culminating in the contemporary question: Is there an app for that?

The engineers of the microchip age have tried to make machines that fit seamlessly into our lives. Have we taught them to think more like us or have they taught us to adapt to them? Of course the answer is both. But I don’t believe the capitalist model has prioritized, nor is likely to prioritize, producing new technologies in a humanistic or socially altruistic manner before producing whatever will sell most and fastest. I have grown mistrustful not of the technology, but of the market, which has been abusive to us as consumers, debasing our desires while pushing gadgets at us.

I have always felt a conscious need to withdraw from the gear – to unplug, for fear of being drawn into a deluded state. I have, from the earliest days of computing, resisted giving myself over wholly to needing the machines I use. Today. For example I cling to my clamshell phone for three years, convinced I want phone and net separate, watching as everybody I know goes to I-phone, Blackberry, Android, and 4G device. I didn’t want to become a slave to new technologies as they revealed themselves. I prefer to lay back and let the tech that’s worth having sift its way to the top. Often, as in the cases of my mobile phone or gaming, my resistance has been against mass commercial media blitzed at my generation, forcing upgrades.

BIRTH OF THE INTERNATIONAL GAMING INDUSTRY
In the 1980’s, arcade games went digital in a big way and pinball slipped into the archive bin. When I began as a 12-year-old with Pong, I’d played pinball, but home gaming systems changed all that and playing Atari and Nintendo and the arcade games – Space Invaders, Asteroids, Pac Man, Donkey Kong, Galaga, Defender, Frogger, Centipede, Grand Prix, Tempest – was a national obsession for my generation.  It was fun, but more often it felt like a huge waste of time and quarters. The need to revision derivative versions to sustain interest arose –  Donkey Kong II and Ms. Pac Man – and that’s when I dropped out. I’d spent hours playing a game for days in a row. I had spent tremendous energy obsessed with taking games to their final levels. It was great for killing time, but draining when it became an obsession. Perhaps because I’ve always been a reader and a person who wants to be active, gaming feels like a net-energy loss or maybe I just matured out of it, but today I don’t game.

The same cannot be said for my generation. Electronic and Internet gaming is now a much bigger business than the movie industry. The din of the clamor for games reaches a global fever pitch in advance of new releases. I’ve observed those who are absorbed in it wholly now for twenty years. I play from time to time to both measure the advances in gaming and the seamlessness with which the gamers are engaged. I played Doom in  NYC in 1997, was late, but appreciated the range of motion.

I am happy for the mental freedom of not being hooked to games, but I have often felt outside of huge social groups, and unwilling to play a given game long enough to join them. Leaving gaming has been an unplug with complicated dimensions. As I drifted away from my friends who continued playing games over the years, and the generations that have followed us, I joined a groups of people who, unlike me, had no access or experience with the technology. Among them, I felt like an agent, a member of a tech class milling amongst the unconnected, by far the vast majority of the world. To create the largest cottage entertainment industry in history, I have wondered whether or not my withdrawal was cultural.

I had the unique opportunity to conduct personal research into this over the next two decades as I watched the introduction of the games to teenagers in California, New York, Japan, Taiwan and India at arcades and Internet cafés throughout the 1990’s and the Aughts.

Between 1999 and 2007, I used Internet cafés in New York, LA, Paris, Tokyo, Hong Kong, Amsterdam, Lisboa, London, Gothenberg, Sweden and big cities and smaller towns all over Japan, India and Taiwan. I used internet cafés in East Jerusalem and the occupied Palestinian territories to send news radio to LA, and on Madeira Island and even the tiny Azorean island of Ilha Terceira to work details for an art installation.

I’ve Skyped from Madras to NYC and do it commonly now from anywhere I please. It has been an incredible period to be traveling and observing the birth of the digital age, globally, firsthand, after having been at the nascence of the age in its birthplace, the United States. One of the most interesting things I’ve noticed  concerns gaming and teenagers.

In the early 1990’s Taiwan and Japan were hotbeds for US corporate activity, the ubiquity of MADE IN JAPAN came before MADE IN TAIWAN and only ten years later MADE IN CHINA followed. Japan had become linked with the US, as one critic put it to me, like the 51st state, or in the words of another Japanese observer, who remarked more harshly, Okinawa was no longer a Japanese island, but an aircraft carrier for the U.S.

In Taiwan, the ruling Kuo Ming Tang [KMT] party disallowed democracy and opposition parties, but was still backed by the USA, with whom, until Clinton, they held the ludicrous one-China policy, firm – the relationship across the Strait was tense.

The USA wanted free market franchisism as close to “Red China” as possible and enabled the major chains access to Japan, Taiwan, Korea, the Phillippines. Coca-Cola and McDonald’s of course, first. But Pepsi, KFC, Shakey’s, Pizza Hut, Hardees, Wendy’s, Burger King and others began popping up all over East Asia. These became hangouts for youth enamored with US pop culture, who, when the Internet Cafés arrived, were ready to transition right into the latest US fad.

For the last two decades, traveling across Asia, I would be walking down a street in some busy metropolis, or even some small town, and come across a small, glowing storefront with frosted glass or a bamboo hut with power running through it, from which emanates an immense din – the screaming volume of video games. They stay open late into the night, usually running 24/7. The fascination with US gaming has spread like wildfire through these countries. While I would use these café’s to send data, read e-mail and transmit information, I was most often surrounded by packs of young teenaged boys – and sometimes girls – huddled around a monitor, playing or advising a gamer. By the turn of the millennium in Taiwan and Japan, these café’s included private booths and I was confident that the massive Internet porn industry was finding its way to Asia as well.

Having witnessed and participated in the beginning of the gaming era as a teenager in the US, and, having given it up, I had then witnessed in my 20’s the spread of the phenomenon through teenagers in East Asia. When, in my 30’s, I landed in Europe, in the late-90’s, I found the Internet café’s had recently arrived and the teenaged gamers were there, too – in Gothenberg, Lisboa, Paris and London. So, when I landed in India in 2006, amidst the boom time for that Asian economy, I expected to see the same effect at the Internet Café’s in my home country – but I was caught by surprise.

In India, the situation was totally different: for every one café filled with screaming machines and teenaged boys, there were 20 in which adults, men and women, and children of almost all ages were engaged in Internet research and connecting with others throughout the world. I found teenaged students and middle-aged thinkers trying to expand their consciousness with information from the net far more than participating games. Pridefully, I attributed this to a cultural sophistication of the Indian mindset, but soon I began to realize it was something else entirely: English.

ENGLISH, GLOBISH AND NEW MEDIA SPEAK TK TK

In India, English had reigned blah blah

In the August 9, 2010, issue of the New Yorker, Nicholson Baker wrote the best recent story about the top-selling games of the industry, reporting in a straight news style about playing each of the biggest sellers against his teenager, in a piece called, My Son is Killing Me. He talks about it online at: http://www.newyorker.com/online/2010/08/09/100809on_audio_baker

But perhaps more illuminating, is the reply by blogger Greg Costikyan, criticism that:

“Baker has done the equivalent of watching the top ten Hollywood blockbusters of the year; doing so will not develop a particularly acute appreciation for the virtues of cinema as an artform. I would suggest that something of the same applies to games; the most interesting work is rarely done in the most commercial venues,” and noting, “Of the games Baker plays, only Heavy Rain is, from a game designer’s perspective, remotely interesting. Better he should experience Braid, Flow, Passage, Dwarf Fortress, The Baron.”

Gaming of course, has left the territory of being solely for teenaged boys and has become designed in full for adults and families. Guitar Hero and the Wii are as common in homes today as Monopoly and Chess.  Because I’ve plugged-in and unplugged in calculated ways, I’m out of the loop with regard to this culture often. I will have missed a trend or fad in gaming, or a popular television show in my ‘absence.’ I have come to realize that in this, I’m not alone and that as the Digital Age proceeds, our concepts of time and truth grow increasingly stretched.

Pluralism of media has diluted information and the concepts of time and truth. The fluidity of the new pluralized media; the timeless, interconnectedness of the digital era that puts old tv, movies and games and new content all out together in the huge, mostly corporate library we call the spectrum makes it possible to skip across generations of consumers in a moment, to verify claims of memory in an instant and has, in a very short time, created vast groupings of consumers arrayed in competing technology cliques on the basis of their consumption of media. People rarely agree on what’s best or true anymore – there’s too many options across generations to compare and, at any rate, it‘s like comparing apples to oranges.

We can now consider the fascination of the original regular viewers of David Lynch’s TV epic Twin Peaks by broadcasting it episode by episode in a university classroom over a semester, considering it in relation to the nation’s social and political context contemporaneous to its original broadcast. I have myself, as an exercise in understanding culture, watched long-running programs that viewers consumed slowly over seasons in a matter of days, over a weekend, compressed, without ads. The election of 2008, which some referred to as The Youtube Election, cemented the position of the Internet at the forefront of the information delivery process for news and elections coverage, from Obama girl to McCain’s admission that he didn’t use e-mail, the net played an important role in nearly every campaign.

It is now common for our social and cultural institutions to include videographic data at all public venue. Most academics are connected and thus no one can disconnect. But I think unplugging for the short term is still possible. Ove the last 30 years, I’ve done it and I’ve felt the immense separation from the plugged-in world by the act. What exactly is it that I am outside of then? Can the plugged-in world be said to exist independent of the unplugged? Or is it just a rationalization, a fantasy projection of our marketplace?

The scramble to commercialize the Internet became a powerful act of authority that began an assault by global capitalism upon my generation; a process that has resulted in broad but superficial interconnectedness, the breakdown of privacy, the consolidation of mass media, and the creation of commercial and political propaganda and ultimately, sponsorship of unilateral wars for corporate interests, and a kind of enslavement to consumer technology.

A profound frustration for many millions of people was that inter-connective technology existed in 2001, 2002 and 2003, and despite many organized actions, distribution of educational materials across the world about Afghanistan, Iraq and the imperial-corporate interests of the USA/UK and Soviets over the decades, and failed to author a peaceful response to the attacks of 9/11/2001.

We were unable to resist the juggernaut of manipulation of these same tools by Rove, Bush, Cheney, et. al. (who perpetuated outright lies with the new information tools: Iraq has WMDs and can bomb their neighbors, the 16-word lie during the State of the Union concerning yellowcake uranium from Nigeria, and the worst, the utter ridiculousness that Iraq was somehow involved in 9/11).

If anything, Gulf War I and II cemented control of the press by the masters of war. At last, they invented the embedded journalist and consolidated the mass media into a handful of hands. Global media capitalists use the web, like television and other mass media before it, to redefine our world in terms of their ownership. And while we all gain by the amazing traffic of information the Internet has brought, privatization of knowledge and mass scale manipulation through the medium is now apparent, which is only slowly yielding to the power of the medium to organize and create social change. These tools have been witnessed in uprisings in Iran, Afghanistan, Gaza, Honduras and most recently Tunisia and Egypt.

What Julian Assange and Wikileaks are demanding, is that Information be put in a Commons – and the current U.S. government can’t stand what the idea exposes. An Information Commons threatens corporations and governments. Just fifteen days after the War on Iraq began with the bombing of Baghdad in 2003, biophysicist Dr. Vandana Shiva explained the contemporary redefinition of resources to me:
“The empire imperative arising out of oil is the same imperative that arises out of turning water into a tradable commodity and turning life into a tradable commodity; made tradable by first redefining The Commons – either the biological or intellectual Commons, related to biodiversity, or the Water Commons – as private property. The two go hand in hand: you redefine the Commons as private property, then [since] private property is tradable, [and] Commons are not tradable, you can put it into the marketplace and out of that comes the control.

“The metaphor of oil is being applied on every renewable resource. It used to be that oil was nonrenewable and fossil fuels were nonrenewable, [while] water used to be renewable and biodiversity was – precisely! ‘life-forms that reproduce themselves’ – that was the very definition of [biodiversity].

“But biodiversity, genetic resources, water … [these] are all being redefined as oil. So water is the Blue Gold of the future and biodiversity and genetic resources – whether they be cells in genes in human bodies or animals, or the genes in plants, or the traditional knowledge of societies like India where the neem and the basmati and the turmeric and the pepper – everything – is up for grabs, [these are] being called the Green Gold of the future. It is basically turning everything renewable into a non-renewable resource to be then “controlled and owned by a handful of giants and sold back to the very people from whom the water was taken, from whom the genes were taken, from whom the basmati was taken and the turmeric was taken.

“Sustenance resources – like water, like biodiversity, like our forests – need to be maintained in the Commons, that’s our big battle. You can be anywhere in the world, but defending these Commons from corporate takeover is now a global struggle.”#

I argue, extending Dr. Shiva’s teachings, that now Information has become a sustenance resource. An Information Commons must be built and protected first. It’s an overdue act that’s grown into a social imperative. Plugging in now must bear the social responsibility for the welfare of others who cannot and for a transglobal consciousness, exhibiting tolerance for the many millions of others who are plugging in as well.

THE GOOGLIZATION OF EVERYTHING
Truly novel work in this area is that of Dr. Siva Vaidhyanathan, Associate Professor of Media Studies and Law at the University of Virginia and author of the new book, The Googlization of Everything, University of California Press 2011, who proposes a total revisioning of how we think about what is in the hands, or rather on the servers, of the private corporation, Google.

It is immense territory for the mind. One has to consider the idea of privacy for the self in relation to the machine in relation to the corporate trust, in relation to the state, and in relation to our relationship under each of these to the rest of the world and Siva, a long-time scholar of U.S. History, Technology and Culture has tackled it head-on throughout the turn of the millennium. Remarkably, since Google has only been around for thirteen years and because so many academics now are financed by Google or use Google tools, Siva’s is the most extensive work on what they control that has yet been done by an academic, from the realm of what they do not control. A critical perspective of remarkable scale.

Rather than demonize the corporation, however, Dr. Vaidhyanathan’s work has led to a much more original and scalar envisioning of Information Science. It entrusts and puts first one of the oldest social institutions we have, the library, and flowers into a remarkable thesis about Information.

In May of 2010, the intern and I caught Siva’s talk at the TK TK

For twenty-five years, technology has outpaced our language, and small factions of corporate and political interests have taken advantage of it – most viciously, recently, the neo-conservatives in response to 9/11. We are beginning to witness however, the birth of incredibly nuanced discussions about our technology, from the highest work in the academy like Dr. Vaidhyanathan’s to the shortest burst of a video that goes viral in literally seconds to achieve global fascination, peak into wild, startled awareness and then drift into a pool of most viewed videos where generations slowly link to its data over a year or more by word of mouth.

Through pressure, force and will (and indeed, the collective-will of masses via democracy) Capitalism has become the defining social, labor and management order in every nation-state in the world. It has redefined the means of labor and production even in the former Soviet Bloc in such a complete way that the term “anti-Capitalist” now seems retarded.

Technology, high technology, information science and computing all folded easily into the model. It was an inevitability of the form leaving military control and entering the U.S.A.‘s industrial power sector. Silicon Valley and the many scientists in Massachusetts, Illinois and elsewhere should be revered for their work, but we must remember they were financed and fueled by immense corporate interests that had grown ever tied to the Universities during the 1990’s. Stanford.edu was Google, Inc. We must observe and acknowledge the moment of all this. It is the U.S. ingenuity and willingness to experiment and creativity at its greatest. In biotech, the human genome team that beats Ventner, and in computing, the authors of the Internet.

The Social Networking generation, a generation later, is an import to the valley and content-based, not software-based. It is, fundamentally, derivative work. That is what is onerous about The Social Network being nominated for an Oscar and Zuckerman rather than Assange being Time’s Man of the Year in 2010 … the sheer descent into nothingness.

Global capitalists who have used, and grown bloated by using, tech, have succeeded in creating workers and an international market of profit for the accumulation of wealth among a minority of private owning interests. They have suckered the majority of workers into accepting this state of alienation, numbing masses with superficial compensation and preventing resistance through endless repetition of propaganda via commercial mass media. Now much consumer technology is soma masking the powerlessness of the individual with fantasy power.

Struggling against a true minority – the clique of power elites who have ruled through Thatcher and Reagan, Major and Bush, and the Globalist Clinton/Blair and Imperialist Bush/Blair regimes – an exceptionally hardy current of anti-capitalist thought has survived the last 30 years of radical transformation of our world by technology in the hands of neo-liberal capitalists, Globalists and, in the 21st Century, U.S. and Israeli neo-conservatives. Globalism, is now an inevitability.

It will either be built like a staging area for a unified human future or shoved down the throat of the world through multinationals and Globalist structures like the IMF and World Bank, discarding, enslaving and killing millions … or something in between. But through our interconnectivity, another globalism [with a small g] has already, and inevitably, been born – a globalized movement brought an end to Apartheid in South Africa. A globalized movement marched millions against Bush, Blair and Aznar’s impending War on Iraq on February 15, 2003, dumping Aznar in its wake. We are becoming globalized in our shared concern for Chilean miners and the situation in Gaza and Jerusalem, and after earthquakes, hurricanes and tsunami in our world’s poor countries.

“Anti-globalism” is passé. The term compromises new and tender worldwide connections being born from pure intellectual discourse and social concern. We ought to speak directly to the problems Global capitalism brings to the world – massive inequity and excessive competition for control of common resources – while acknowledging that transformation must happen within Globalist structures because of their ubiquity.

In fact, capitalist-produced technologies, like the Internet, have allowed the other, humanist globalism to flourish. The Internet is the result of the ingenuity and creativity of scientific labor working in the U.S. system, but it only works if inter-linked. We all use it to organize and to distribute information. Its invention is the blessing; its capitalization and politicization, the issue. The election of 2008, which some referred to as The Youtube Election, cemented the position of the Internet, rather than television at the forefront of the information delivery process for news and elections coverage, from Obama girl to McCain’s admission that he didn’t use e-mail, the net played an important role in all campaigns.

I’ve used the Internet with artists and cultural institutions to connect across four continents to make, transport and install large-scale, cross-cultural art pieces. I have been able to realize these works because of technology, interconnectivity, the net – and indeed simply by having been born when I was. It is time to accept both the power and range of the tools to make major leaps in human consciousness on a global scale.
This work, plug/unplug, is dedicated to my son, Ocean Mandela Milan.

M.T. Karthik
Oakland 2011

Fishing Pigeon Point, 2011

21 Monday Nov 2011

Posted by mtk in fishing, travel

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Fishing Pigeon Point

21 Monday Nov 2011

Posted by mtk in Coastal Cali, fishing, SF Bay

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Project Bandaloop, Great Wall of Oakland, 2011

15 Thursday Sep 2011

Posted by mtk in installations, North Oakland, performance

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Best of my footage of project Bandaloop on The Great Wall of Oakland:

Flava Flav Cold Lampin at Regency Ballroom, SF, 2011

19 Friday Aug 2011

Posted by mtk in music video, S.F.

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M.T. Karthik

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This blog archives early work of M.T. Karthik, who took every photograph and shot all the video here unless otherwise credited.

Performances and installations are posted by date of execution.

Writing appears in whatever form it was originally or, as in the case of poems or journal entries, retyped faithfully from print.

all of it is © M.T. Karthik

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