Tags
2012 "San Francisco (US County)" "Tram (Mass Transportation System)" "Library (Building Function)", columbus, Karthik, library, mtk, north beach, public, san francisco, sf, street, streetcar, trolley
04 Wednesday Jul 2012
Posted in S.F., short film, vehicles
02 Monday Jul 2012
30 Saturday Jun 2012
Posted in baseball, photography, S.F.
06 Wednesday Jun 2012
06 Wednesday Jun 2012
03 Sunday Jun 2012
Posted in baseball, photography, S.F.
Tags
1912, 2012, angel, AT&T Park, Chicago Cubs, consecutive, franchise100, hit, home, jersey, mlb, new york giants, ny, pagan, record, san francisco, San Francisco Giants, sf, versus, vintage, vs., year
03 Sunday Jun 2012
Tags
100, 1912, 2012, AT&T Park, cabrera, cain, Chicago Cubs, jersey, matt, melky, mlb, new york giants, ny, san francisco, San Francisco Giants, sf, versus, vintage, vs., year
1912 NY Giants Jersey with blue pinstripes for Throwback Jersey Day.
also, check out the crazy image where a bubble blown by a kid behind home plate floats in front of the catcher (or appears to from my pov) just as a pitch comes in low for a ball. The result is Melky, catcher and ump all seem to be looking at this little bubble in the strike zone instead of a baseball.
03 Sunday Jun 2012
Tags
100, 1912, 2012, AT&T Park, baseball, cabrera, cain, Chicago Cubs, jersey, matt, melky, mlb, new york giants, ny, san francisco, San Francisco Giants, sf, versus, vintage, vs., year
1912 NY Giants Jersey with blue pinstripes for Throwback Jersey Day.
also, check out the crazy image where a bubble blown by a kid behind home plate floats in front of the catcher (or appears to from my pov) just as a pitch comes in low for a ball. The result is Melky, catcher and ump all seem to be looking at this little bubble in the strike zone instead of a baseball.
03 Sunday Jun 2012
Posted in baseball, photography, S.F.
Tags
100, 1912, 2012, AT&T Park, cain, Chicago Cubs, giants, jersey, matt, mlb, new york giants, ny, ny giants, san francisco, San Francisco Giants, sf, vintage, vs.versus, year
03 Sunday Jun 2012
Posted in baseball, photography, S.F.
Tags
100, 1912, 2012, AT&T Park, baseball, cain, Chicago Cubs, giants, jersey, matt, mlb, new york giants, ny, ny giants, san francisco, San Francisco Giants, sf, vintage, vs.versus, year
12 Saturday May 2012
Posted in North Oakland, photography, S.F.
27 Friday Apr 2012
Posted in baseball, photography, S.F.
24 Tuesday Apr 2012
Posted in photography, S.F.
Tags
2006, billboard, geary, m.t., mtk.karthik, san francisco, sf, street
16 Monday Apr 2012
Posted in photography, S.F.
06 Friday Apr 2012
17 Friday Feb 2012
Posted in Asia, Japan, photography, S.F., sculpture
17 Friday Feb 2012
Posted in Asia, installations, Japan, our son, S.F., short film
04 Sunday Dec 2011
Tags
2011, bender, braswell, butcherettes, dangle, gender, iggy, le, lia, lloyd, mtk, pop, san francisco, sf, stooges, teri, warfield
at the Warfield in SF last December. Also, check out Holly’s comment which includes a good interview with Teri Gender Bender, founder and lead singer of le butcherettes
Posted by mtk | Filed under music video, reviews, S.F., short film
19 Friday Aug 2011
Posted in music video, S.F.
19 Friday Aug 2011
Posted in music video, S.F.
06 Monday Jun 2011
06 Monday Jun 2011
18 Saturday Dec 2010
Posted in fauna, music video, S.F., short film
01 Monday Nov 2010
Posted in baseball, journalism, S.F., short film
24 Sunday Oct 2010
Posted in baseball, S.F., short film
21 Wednesday Jul 2010
Posted in flora, our son, S.F., short film, social media, travel
Tags
2010, carnivorous, Conservatory, exhibit, flowers, Karthik, m.t., milan.omm, mtk, ocean, plants, san francisco, sf
09 Thursday Apr 2009
Posted in Berkeley, flora, North Oakland, our son, photography, S.F.
04 Tuesday Nov 2008
Posted in elections, press clips, S.F.
Tags
barack, black, Brown, country, dangle, election, first, Francisco, Karthik, lloyd, Mayor, mtk, obama, Palin, president, proud, San, Sarah, sfsu, State, Stevens, Ted, university, Willie
I began Election day having a cocktail with former SF Mayor Willie Brown at the St. Regis hotel in downtown SF. We discussed in detail then-Alaska Governor Sarah Palin’s plans concerning the vacating of Alaska’s Senior Senator’s seat due to the trial of Senator Ted Stevens.
Mayor Brown agreed with me that Palin seemed to be attempting to leverage herself into the Senate with her pull as Governor. (Thanks, Mayor Brown for the kind attention over the years).
Lloyd Dangle hosted an Election Night/20th Anniversary party for his Troubletown comic strip at the Riptide in San Francisco the night Obama beat McCain for the Presidency.
Some students from SFSU were there and produced this video:
Proud of Their Country with Lloyd Dangle
It was an interesting night and I am glad I was with Lloyd Dangle – an outspoken critic of Republicans and Democrats alike for more than twenty years.
20 Tuesday Apr 1999
Everybody says beauty is fleeting and whether it’s because we ourselves are fleeting and so cannot appreciate enough the lives we have or because our tastes are refined now for things that don’t last because of the clocks, the god damn clocks, I don’t know. But contentedness really doesn’t last beyond a moment for the living. Doña Rita and her twin babies are living in a small town in Northern California.
It was only a glance. There, in swirling memory is that one cast of the eyes that I interpreted as a love sign and so …
This memory is for those who know the importance of lingering longer. I resist at the laundromat, in the park, at the beach, though they’ve put a television in the laundromat now and the guy in there always has the volume up. I heard Bill Kennard, chairman of the FCC say, “think about how many ways our lives are touched by the spectrum …” That’s what they call tv, radio, the internet and any other broadcast that adds to the noise – the spectrum. (… like a child I resist. No, not like a child. The spectrum is for kids now more than ever – that’s why they call it programming – it teaches that obstinance is no longer childlike, it’s immature, anti-social. The spectrum teaches how to “get with the program.”)
I didn’t talk to Rita in San Francisco, so I’m only going by the friends I saw there and what news they have of others. I heard from Ricardo, the artist, that she lives in Tahoe.
Ricardo is one of my most reliable sources. He stays still longer than most, watches more intently, gathers as much as he can hold and then delivers it in metaphor relatively free of the sloppy stains of opinion. His is a semi-public life, the most public of any of us.
Myself, I am filled with doubts. I take my frustration out by testing truth in the face of commercially uglified metaphors hurled at us by the spectrum. “Right, sure,” I respond to ads and statistics. “Whatever,” I murmur. I despise all media and question authority. I am sometimes a part of the attitude problem. I breed mistrust. I agree only with literature on historians.
But Ricardo always bounces back in the face of the stupid news. It is because he remains adamantly slow and wide. He resists better than anyone I know. He was stern and clear about the Doña. It is important to get the story straight.
I knew Rita before, had met her anyway … I forget where. I have seen her only four times in my life. I don’t remember the first time well. It was brief. Maybe it was in a bar or at a party. I know I was with a Grand Teuton, at the time and we both saw her. Neither of us acknowledged the desire within us, though we each saw it in each other. We did not act, not for lack of desire, but because we each knew we wanted her alone. We didn’t speak to her because neither of us wanted to reveal his weakness. But the black void behind our eyes was stained with her form – we would dream of her.
I remember the second time I saw Rita because I was alone. She was finishing a mural. It was past twilight, dark. She had been working all day and was returning a ladder. She carried it over one shoulder, her arm looped between two rungs. The long metal thing swung with a tender balance. In her other hand she carried her paints. She moved quickly and with ease despite the unwieldy ladder. She seemed fierce to me. I longed for her. I saw her as pure energy glowing like a dim but permanent candle in the wane of the day. I burned to speak to her. “Hello,” I said. She smiled a brief, tight smile and continued on. It was the only word I ever uttered to her alone.
I never got to know Rita but fate has kept us bound. After she became pregnant, I saw her for the fourth and last time. She was huge, carrying the two of them inside her. I was in the front room of my place on Hayes Street, the room that perched out over the sidewalk. I looked out the window through the slats in the blinds and there she was, waddling slowly across the street. There was no mistaking her, she has this kind of beauty. She was visiting a friend who happened to be my neighbor – whom I did not know. I closed the blinds and sat at my desk in silence. I was afraid to speak to her. I was afraid to call out from my window because I knew she was pregnant and alone.
And that leaves only the third time, and the glance and fate.
We were at Four Walls, the gallery space above the Kilowatt, a bar that was something of a grungy punk-rock venue. Ken-Dog had a collage in a group show there.
On that Friday night, Ken-dog was representing himself as MGV. I don’t know if his collage sold. If not, it might have disappeared when he got rid of all his stuff a couple of years ago, after the birth of the Doña’s babies. I heard he went into the street and gave everything away, then. I heard it from Ricardo who rang across the coasts to me in Brooklyn.
Ken’s collage at Four Walls that night was of the Virgin de Guadeloupe as an alien surrounded by a glorious light. The Virgin’s body was long and robed in bright green. Her fingers were spindly. Her face had been replaced. I remember it was one of a series he was doing then. There was one of the Christ-child as an alien swaddled and basking in holy light between the down-turned and adoring faces of Mary and Joseph. The scene was in the manger surrounded by onlooking animals. The Christ-child’s face, like the Virgin’s, had been replaced with that now-ubiquitous symbol – triangular head, big, black oval-shaped eyes – of the extraterrestrial. (K. Huerta, San Francisco, 1996).
There were six of us and some were high. Ricardo, Ken-dog, Aaron, Kenny, the Grand Teuton and me. It was January and someone had collected discarded Christmas Trees from the gutters and hung them inverted from the ceiling, the room was pungent of pine. There were strips of wood and branches along the baseboards. We sipped cheap red wine and watched people under upside-down trees.
The spectrum is supposed to provide metaphors for us, but they are false, filled with moralistic rhetoric in a dumb repetitive loop. The internet, radio, television all move too fast for the subtle interplay between us. Rita and we moved slowly that night. We struggled for her attention.
It was on the stairs at the gallery, the glance. And it was not cast by Rita but Ken-dog. I knew they would be together that night. I saw it in Ken and I saw it in Rita, and I knew. I saw it, David saw it, Ricardo and Aaron saw it and though none of us acknowledged it aloud, there was a palpable relaxation as we let what was developing between them appear.
Rita and Ken-dog moved into Ricardo’s house later. It was there, the conception. I heard about it by grapevine and the results were announced similarly through the quiet of friends who tell things as they happen, slowly, as they are. The story is difficult to summarize.
Rita was pregnant with twins, came the news. Ken-dog was the father and when he found out, he took all his possessions into the street. A grand gesture, because there was no news flash on the internet: San Francisco muralist, artist and teacher gives away everything he owns – gives up art to become father. No. Nothing of the sort.
Over the years I heard different reports about Ken-dog. He was with Rita at his parents house in the San Joaquin Valley, and then at her mother’s house, maybe. He was in San Francisco and the babies were at their grandmother’s house. I heard he had decided to settle down with Rita, then again that he left. There was a story that he took off all his clothes and went to lie in the park where all the homosexuals go. He came home covered in insect bites. I heard he had a fascination with numbers and numerology, had taken to counting aloud for long periods of time and barking: numbers aloud.
I received a phone call from him in New York City once, the weekend my mother was in town. He was at a payphone. His voice was edgy and quick-tongued. He said he was staying with friends in Brooklyn. I offered to put him up after my mother left. I didn’t hear from him again.
On the last night of my trip to San Francisco, Ricardo came to say goodbye to me. I wept in realizing how much I miss him and my other friends on the left coast. It was an hour before the redeye to New York that he told me that Doña Rita is in Tahoe now with the twins. She is still “very energetic,” he said. She invited Ricardo to come and do artwork with the children she teaches. She lives in one of the poorest parts of the South Lake with her two babies.
Beauty is still fleeting. The moments wash past our eyes like rainfall. So I am fiercely proud to report that Doña Rita and her twin babies, who will be four years old this year, are living, breathing and making art in a small town in Northern California.
08 Saturday Nov 1997
Tags
1997, consuelo, dj, gomez, hayes, hayes valley, Karthik, mtk, needles, palace, record, records, roommates, san francisco, sf, short, spin, stan, story
There was an uncomfortable silence. Stan would be home for the meeting soon so Lenny didn’t have the time to say anything really valid about the needles to the rest of us. It was just that dead time of day when we usually talk about other things like ball games.
I figured somebody had to say something so I asked, “Anybody catch the Lakers?” Lenny had seen the game and he broke it down for us while we waited. Stan came in the middle of it and he picked up the description. “Deal with it,” he calmly effused, “eleven three-pointers on sixty-eight percent shooting and eighteen of twenty from the line,” and we were all appreciative if for no reason other than the solidarity it lent.
We sat for just a second longer before Stan segued into the meeting: “Where’re we at?”
Lenny was silent and let somebody else do the talking thank god. Stan could figure from the silence that the stuff hadn’t turned up. It was uncomfortable but it wasn’t like there was anything to dispute. Lenny’s brother and his girlfriend had been the only visitors the whole weekend and now the needles were gone. Nobody even commented on the weed.
I proposed we each chip in fifty bucks for new needles and then Len said he’d ask his brother about them but nobody said anything. Stan wanted to know if he could take his share out of the rent and we all supposed that would be all right. The most uncomfortable thing was that without the needles the turntables sat still and mute. The red light on the amp was on as if the music had been interrupted in mid-groove. The silence was a palpable souvenir of the needles’ absence.
We were just about to end the meeting when Kevin piped up. “But it’s bullshit,” he said.
Len was visibly stricken by a pang of tension. Stan sighed, “what?”
“Well I mean, check it out,” he continued, “I mean I didn’t take the needles and lose them or whatever and I don’t have fifty bucks to just throw around.”
Stan started to say , kind of under his breath , that he could front Kevin the fifty but Kevin said he had it. “I just want to know what we’re going to do in the future if something like this happens again.” Len started to say something but stopped and I said, “Well, it isn’t going to happen again,” in a tone of voice that pretty much put an end to the meeting with my age advantage and all. We left it at that.
I hate my life. I don’t know what I am going to do about it and sometimes I feel so trapped and paralyzed by my existence I feel like I’m going to explode. I know it can’t go on like this. I live with a bunch of guys I know, at least — it could be worse — but it’s like I’m in college again. I never thought thirty’d be this way.
I don”t think I ever had an image of it being any way, but I wouldn’t have ever guessed this. I need to make a new plan but for some reason it isn’t coming together. I always zigged and zagged before and lately it’s like I’m out of gas. How can that be? I’m only thirty. Shit.
—–
1988. Autumn and I say “fuck this,” and move to China. At least that’s how I tell it now. My three years in Asia have been reduced to a sidenote on my resume. I mean I guess it started out as Taiwan before and became Malaysia and Thailand and India and Japan after … and now it’s “an experience which has given me a cultural appreciation for Asian cultures.” The point is I split and so did everybody else I know.
I remember when we sat around the university local and threw our passports on the table. Kevin was going to Paris, Ken to Guatemala City, me to Taipei and Tracy to the Peace Corps. She hadn’t been assigned to Malawi yet. And we laughed like fucking kids and threw our damn hands in the air and sucked down pitchers of beer and it was all good.
Now me and Kevin are here, Tracy works in DC, and none of us wants to talk about Ken except his mother who always wants us to “stop by any time” when we’re in Texas visiting our own families. And it’s all bloody and sore and itches like an amputated leg’s supposed to.
Whatever. I have to get something going for myself. My doctor says I only have fifty more years left. I mean if I’m lucky.
Le fin de siecle is a fucking joke. Lenny exaggerates pitifully when he makes plans for it. He talks about Times Square and Paris and some island in the Pacific off the date line, but it’s been four years since he’s traveled. And that was Mexico. I know he won’t do what he says he’s going to do anymore.
When we were kids, the year 2000 was like this crazy place where we’d all be in our early thirties and kings of the damn world. Now it’s a fucking lie about how little time means and how much hype time-sellers have to pitch.
My mother thinks it matters still. She isn’t a part of the revolution of apathy we are and so it’s a serious pain in the ass trying to explain to her about fruitlessness on arable land. Time passes that’s for sure. My hair gets longer and my ass gets colder and lonelier, too. Nobody else seems to have a problem with it.
—–
Christ on the Rue Jacob! I feel fucking great! Good god, I want to scream at the top of my lungs for about an hour while the world spins under my feet. Pass me the bowl there Lenny and let’s get this show a-pumping. The guys have no idea what I’m doing back here except that when I leave the party it’s usually to make some notes.
Fuckity fuck … life is a gas, baby. What are you going to do about that you apathetic fuck? Huh? What are you going to do about the fact that it is beautiful and warm and there are people and places and love is a real goddamn emotion and the drugs are relatively good and California is all free and you aren’t starving and dying in a Zairean refugee camp or in a ditch in Bosnia. What are you going to do about the fact that you are on fire?
—–
When my father and mother crossed the border in 1957, they were in the back of a chevy longbed and they were not illegals. The crossing was the last leg of their journey from Africa which took them two years and lord knows how much money. The revolution in my father’s homeland cost him everything. He was lucky to get a professorship here. No. As he always says you make your own luck.
“My father wanted a better life for us,” is what I always say when people ask why we moved here. They can tell I’m unhappy.
What is there left for me to do? I haven’t had sex in three months. I can’t seem to get the appetite for the chase or even for the event. I mean I’ve had opportunities and lately I even reject those. What’s the point?
—–
I could try looking at it this way: thirty is a good year to begin …
I could fall in love. “You make your own luck,” is what he said. I never argued with him though I think that’s a load of shit. You make your own rationalizations is more like it.
—–
Let’s put the puzzle pieces together: December 31st, 1988 and I’m riding a 350cc ’81 Sanyang motorcycle across an empty field in rural China. It’s Cheng-du province and Tiananmen Square is months away and when it happens I won’t know about it anyway because I am living with the Chinese. And I’m flying fast through the cold, cold countryside. My bike chokes and I feel it seize so I pull over for a minute but don’t kill the engine. It’s all screwy. I think there’s something in the fuel line. I don’t know if the bike will get me back to the doctor’s ranch where I am staying. I breathe a deep sigh over the ruddling hum of the engine and see my breath cold and white in the night air.
I look at my watch. It’s midnight. I realize that the equivalent time in New York and San Francisco and wherever else was met with balls dropping and firecrackers and wet warm drunken kisses and Auld Lang Syne and eggnog and it all hits me like a wall. No one here even knows what that’s like or what it’s about. It means nothing. It’s as empty as the tube in my fuel line past the block in the joint. I sigh and feel strangely great. I dance a little jig. I am thrilled at being free of all the bullshit. It may well be my one clean moment.
—–
I picked up the new needles today. I got home this afternoon and opened the front door and called out, “We got music again!” But no one responded. I walked through the entire flat but there was no one around.
It’s been a beautiful day. It’s warm and sunny out and the skies look like October: blue and clear and light. I walked down to the front room and the sun was streaming in through the windows all over the futon and the floor.
I sat in the long warm patch of light and tore open the bubblewrap. The needles are light and beautiful. They have tiny diamonds in them I guess. What a gorgeous little design. I handled the needles for a minute before sliding across the rug and putting one on: locking it onto the tone arm.
I walked down to the records room. There’s vinyl everywhere and gear for days. I was flipping through the Lee Morgan and Horace Silver and that whole era of sweet-sounding music music music when I saw that someone had misplaced one of my records.
I picked the record out of the stack and walked back to the front room. There were birds out on the fence. I pulled the platter and cleaned the vinyl slowly with the brown brush and fluid. It hadn’t been spun in months, hell maybe years.
It was ‘Metamorphosen‘ on one side and ‘Tod und Verklarung‘ on the other – Richard Strauss, Deutsche Gramophone. I chose the flip side. The needle was new so I put my finger to my lips, licked it and then gently rubbed the diamond tip. The prick barely registered on my wrinkled fingerprint. It felt rough, like a cat’s tongue.
I fired up the mixer, the amp, the receiver and clicked the selector over while they all warmed up. The crossfader slid gently through and I set the needle down.
After my father died I tried to find that fucking record. All I wanted the morning after I had him burned was to feel warm and empty like I did that day, lying, thirty, in the sunny patch on our ratty black futon with nothing but cocktails and a joint to look forward to.