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MTK The Writist

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MTK The Writist

Tag Archives: mtk

Triptych of Five Words in Three Configurations (English edition)

24 Sunday Aug 2025

Posted by mtk in 2025, art, conceptual art, MTKinstalls

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configurations, edition, english, five, Karthik, m.t. karthik, mtk, three, triptych, words

mtk, sketchbook, May

Bali July, Part One: July 1 – 15

01 Friday Aug 2025

Posted by mtk in 2025, Bali

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Bali, July, Karthik, m.t., mtk

I just spent July on Bali and Nusa Penida.

There’s an ancient connection between the people living in Tamil Nadu, in India, where I was born, and the island of Bali where I now sit, in the foothills of volcanic Mount Batur and the lake in its semi-collapsed caldera. I feel deep kinship with the people here, and I am not alone.

From Batur, it’s down through orange groves, through coffee plantations, through terraced fields of turmeric and ginger and rice paddies and finally to  beaches that plunge into deep, clear ocean.

A significant majority of the population of this island are Hindu and their daily practices are similar to those conducted in India. Even a rudimentary comparison of the cultures shows the influence of the traders and explorers from South India who traveled by sea – or over land through Myanmar, Thailand, Cambodia and Viet Nam –  to these islands, for over a millennium and a half.

The Ramayana and Mahabharata are taught in schools and the heroes of these ancient stories – tales significantly older and longer than the Iliad or the Odyssey – are featured prominently in public art works. I had numerous conversations with Balinese of all ages referencing our shared knowledge of say Arjuna, Krishna, or Yudhishthra.

This is the spine of our culture and we are older and more in number. Please stop interpreting us, shut up and take your talking to. The West is a failed experiment of genocidal maniacs. We observe you, not in shock, but in continued, ongoing disgust. “Western civilization would be a good idea.”

There are Ganeshas everywhere.

underwater Ganesha

Differences in culture are manipulated all the time. Right now, just across the equator from here, in a battle over a religious site that lies between Cambodia and Thailand, the dispute is whether the site is Sivaite or Khmer Buddhist. But like so many conflicts, it’s a fight designed by local special interests. The “religious” otherness isn’t real.

The BBC and DW don’t know shit about it. Nor The China Daily. FOX and CNN use it to create their own global narrative from a position of total ignorance. We must leave the people from Arunachal Pradesh to here alone.

There is a village on Bali where the community square houses five temples of all different religions: Hindu, Buddhist, Muslim, Jewish, and even Christian, in one town square.

They coexist in peace because the Balinese allow it.

This small island is constantly energetic and vital. They move fast and forward here. I slowed people down often, to go my pace so I could learn. I was grateful for their patience – which is obviously an element of their peace – but they are quick to move on. There is much to learn from the Balinese.

Humanity is integrated with nature here. The seams are thin interconnections, made by human design and, I gather, via collectivization of experience over millennia. They let some things just grow. Yet they can be seen constantly pruning, cutting and trimming the voluminous vegetation for specific purposes.

Everything grows here. They take from, and carve, the natural world to compose elaborate expressions with as little interference with nature as possible. The wellness tourism is bringing permaculture farming and emphasizing natural practices.

Permanence is ignored for a constant organic harmony of creation. Nobody writes anything down. Nothing good lasts a short time. Gamelan. Barong. They continue until a drone-like tantra is achieved.

The Balinese have centuries of unified cultural practices that bind them. Cock fighting isn’t stopping anytime soon. This was a sparring practice between two cockerels. They would be armed in an actual fight, with a blade attached to one leg.

It is said ancient Kings and Princes from here to Southeast Asia even fought fish.

The island of these Hindus, devoid of caste and the rigor of Brahminical austerity, has allowed cross-cultural absorption into their ways. It has led to this unique culture, separate and distinct from traditional Hinduism in India.

They absorb the cultural elements of those who arrive, yet remain Hindu, in essence. Particularly, their belief in circular energy and in principled service through tripartite daily offerings: to gods and the dead, to fellow humanity, and to nature.

Because of the tourists, everything is made available here, including beef, but the Balinese have a broad diet. The staple is rice (nasi goreng) but they eat chicken (ayam) and duck (bebek), fruit and vegetables, and fish (ikan). Spit-roasted suckling pig (babi guling) is enjoyed island-wide:

The tourism, which is robust and highly capitalized under the digital generation, moves at breakneck speed, and an agile, young, and brilliantly polyglot Balinese generation rises to meet it.

They do business in Russian, Chinese, French, Hindi and English – Aussie, Brit, Indian or American. Young people, working with foreign investors have created a huge tourist industry, filled with comforts for the Westerner.

It is a noisy island. Except for one day, when the entire island is silent. They call it Nyepi – and for 24 hours everyone in Bali stays in their homes and switches off all their lights. The transport network is shut down and the island observes silence. Tranquility.

A driver said, “Emergency services are sent around every regency and through villages as a precaution.” This year it was after the New Moon on the 29th of March. Next year it will be on the Ides.

I thought about how much I’d love to be in Bali for that, and then realized I would not do that. I would stay away and encourage others to reduce tourist/traveler traffic on the day of Nyepi to allow Balinese to have their island in tranquility, to unite and bond. They are the stewards of something very special.

Growth is countered by commitment to culture, and power struggles embodied in political discourse.

The Bali Sun reports that the current destruction of the Bangin Beach properties, that government has deemed unlicensed, is to be followed by properties at Balangang Beach. This destruction and evacuation continues during appeals by property residents. According to them, the land will be returned to the villages for greater public access.

Yet I met many entrepeneurs, property owners, and workers on staff and in gig economies, serving the tourism business on Bali in July and can report business is booming.

The new generation is capitalizing. Foreign investors abound. Dance clubs and gyms and international surf culture and digital wanderers have been a huge part of the tourism. Sentai gen!.

Meanwhile Balinese parents in villages consider investing in their children to go to Cruise Ship Schools and Tourism Academies for economically productive education. Sigh.

Though I met several young people committed to studying gamelan and village rites, and there’s strong generational commitment within families and villages to maintain continuity of language and culture through their children, the direction the tourist money pushes them is market-driven, not intellectual, or even cultural. If Balinese families seek to send one child away to study to help the family financially, it’s to tourism or hospitality schools.

Local Governors are taking note, curbing growth and redirecting profits. Long overdue infrastructure projects are getting resources and political attention. It’s a time of growth, tempered by overcrowdedness and culture clash.

“Instagram and social media have ruined” places, dozens of Balinese, and others, complained to me. “It’s an industry though.”

Now comes the explosion of the new tier of restaurants, bars and villas to serve the next visitors, following behind the digital culture: vacationing Aussie families, middle-aged Gen-Xers, boomers, the elderly.

They’re building a glass elevator to take them down to Kelingking Beach. It’s going to drastically increase traffic to an already heavily-trafficked site on a rural island. Infrastructure demands are many.

It’s not just the glass elevator to Kelingking, there’s tons of building going on to suit the newest arrivals to Bali.

The tourists are changing. Twice I was told, “Before pandemic mostly Chinese, after pandemic, Indian.”

I heard and saw many Russians, Australians, French, Brits, Dutch, Swiss, Germans. South Africans and Spanish.

I VISITED:                  ON JULY:

Pecatu                      1st – 6th,

Canggu                     6th – 9th,

Ubud                         9th – 15th,

Nusa Penida           15th – 21st,

Candidasa              21st – 25th,

Kintamani              25th – 27th,

Canggu                    27th – 31st

A Word About the WHEN of the Writing of this Piece

I left today, August 1st – which meant I had to pay two million Indonesian rupiah Overstay Penalty, that I withdrew  from an atm in the airport before I went to immigration. I paid the tax and left.

That was today.

It’s still August 1st for me here in San Francisco as it was then, there in Bali, more than 20 hours ago, because I crossed the International Date Line. I gotta sleep.

So I’ve been back in SF 31 hours, but I left Bali 46 hours ago. I am writing and working on this during an invisible 15 hours that exists for me, separate from everyone around me.

Placed at the Wallace line between the Sunda and Suhal tectonic shelves, you are as likely to find descendants of the Australian-Pacific as of Southeast Asia here – anywhere from India to New Zealand.

There are Asian influences from the North down through Viet Nam, Dravidian influences from Tamil Nadu by sea, Aryan ones from northern India by land, Australian influences from the Southeast.

Many languages meet: Sunda, Javan, Balinese, Indonesian. On Sulawesi, 114 native languages are spoken, all of which belong to the Malayo-Polynesian subgroup of the Austronesian language.

Thousands of islanders from thousands of miles away have come here for centuries to find the culture accepts, absorbs and encourages them, allows all to fit in, to find peace, and to thrive.

When I told a driver in Ubud that a millennium before Columbus was born, we Tamils had sailed here, he said to me, matter-of-factly: “Then, it was Hindus who came. Now it’s Muslims.”

Bali is a mostly Hindu island in the most populous Islamic nation, where the Buddhist protocol of discourse exists. It all culminates here on an island of the gods (plural) and of the spirits of the dead; an island of detente.

And now, of wellness tourism.

Denpasar/Pecatu – July 1st to 6th

I arrived at the I Gusti Ngurah Airport in Denpasar at 4pm on the first of July, a Tuesday.

I was met at the airport by the driver from my hotel, Sakura, who held a sign with my name printed on it in handwritten letters. When I asked Sakura if his name was the Japanese word for “cherry blossom,” he smiled broadly and said, “Yes! When I was born, my country and Japan had an important event, and my parents named me Sakura.” He was missing several teeth, but had an open, good-natured face. I guessed he was around my age.

Later I learned that Sakura was three years elder, born in 1964. That was the year the Olympics was held in Asia for the first time: hosted by Japan. But, Indonesia was prevented from participating. The International Olympic Committee banned Indonesia because in 1962, Indonesia had hosted the Asian Games in Jakarta and excluded Taiwan and Israel from participating. It was a direct retaliation for the exclusion of China and other nations from the ’64 Olympics by the IOC.

The International Olympic Committee accused Indonesia of politicizing the games. In the words of then IOC President Avery Brundage of the United States, Indonesia had “thrown down a challenge to all international amateur sports organizations, which cannot very well be ignored.”

In response, first Indonesian President Sukarno said: “The International Olympic Games have proved to be openly an imperialistic tool. Now let’s frankly say, sports have something to do with politics. Indonesia proposes now to mix sports with politics, and let us now establish the Games of the New Emerging Forces, the GANEFO, against the Old Established Order.” Sukarno created GANEFO as a rival event to the Olympics!

Ten countries (Cambodia, China, Guinea, Indonesia, Iraq, Mali, Pakistan, Vietnam, and the Soviet Union) announced plans to form GANEFO in April 1963, and another 36 signed on as members in November of that year. When the IOC subsequently banned athletes who participated in GANEFO from the 1964 Olympic Games, Indonesia and North Korea withdrew in protest. GANEFO faded away into obscurity.

Amidst all of this, Sakura was born, in a village in Pecatu on Bali, and his parents named him “cherry blossom,” in Japanese.

Thus the very first story I learned upon arrival expressed the principles of honesty, fairness, independence and acceptance that I would go on to find in the people of Bali in my month here.

Sakura’s aunt, a Hindu, owned the residence in which I was staying my first five nights on the island; villas named “Prasana,” a Sanskrit word meaning clear, bright, tranquil, pleased, delighted, cheerful, or gracious. It was why I chose the place.

Sakura taught me my first Balinese words and among them were the terms “b’lee,” and “adi,” for elder brother and younger brother, respectively. Sakura was my b’lee, I was his adi.

When we arrived at Prasana, I found that the villas had been given names instead of room numbers. I was staying in Chanakya.

It was Chanakya who ended Alexander’s attempt at global conquest. The way we learn it as children is that Alexander was marching across the Hindu Kush, having conquered Europe so much they still call him The Great (to us he’s Alexander the Greek).

The great sage Chanakya came down from his ashram to the palace to instruct the Gupta kings on how to stop this stampeding Aryan. Chanakya’s book, the Arthashastra, contains the lessons of his brilliant military and political tactics, including the often wrongly cited and oversimplified principle that “the enemy of my enemy is my friend.” Chanakya. Three hundred years before Christ. Taught here on this island thousands of miles away from India. For millennia.

The villas are placed up near the top of a sloping hill that eases down to the ocean, south and east toward the dawn. The view of the valley down to the sea is exquisitely natural – no tall buildings anywhere. Occasionally one can hear a motorbike go by, but you can’t really see the roads.

The lush, green vegetation on the island is dense. High above, dotting the sky, something hovers, swivels, and floats. There are just two or three of them and they seem to be riding air vents. Are they hawks? Eagles? They seem very like great raptors. But no, they are kites.

A kite is a reminder to look up.

Everywhere in Bali, you see kites, but not very many at any given time.  It’s elegant how few there are and how high they’re flown – just enough to be tiny, beautiful dots in the sky without crowding it. This unique peppering of just a few kites in the air make them feel natural, totally integrated in this environment. They’re supposed to be there.

Below, fish over reefs, above, kites over islands

Mostly they are black and so high up you only see the form, drifting. Some have tails, but not many. As they are reeled in, one can make out colors and some shapes – birds, triangles. At night there are kites with glowing lights on them, some that flicker. They are flown so high up they could easily be mistaken for aircraft, or UFO’s by the gullible uninformed.

Meanwhile, the moon is upside down and the stars are from over another planet.

Moon, same night, both hemispheres, US foto: M. Cevallos

Well, it’s not really upside-down. but rotated about 90° counter clockwise and tilted forward, because I crossed the equator. I am sure as you travel further into the Southern Hemisphere the difference is even more pronounced.

I find it amazing to imagine that every child in the Southern Hemisphere has been born, lived and died with a completely different perception of the moon from me, and from every child born in the Northern Hemisphere.

It was partly cloudy for the first few days, but the stars peeking through the clouds were mysteriously arranged in the night sky.

I told Sakura I wanted to go snorkeling to see the biodiversity around reefs. He took me to his cousin Nico, who ran a water park business near the massive resort hotels on the south side of the island.

The water park was a crowded, insane place filled with crisscrossing craft carrying Indian couples. The recent years of economic success in India has led to this: young newlyweds with disposable income, honeymooning on Bali – a paradise just a few hours’ flight away.

The place was wild and somewhat out of control. Young boys drove speedboats and dragged young, newly married couples behind them, dressed in life jackets, clutching each other, grinning and laughing with joy as they parasailed. They hugged their guides tightly as they drove them about on jetskis and sails, cruising the bay before the massive hotels.

There is a dangerous side to Bali. Because the people here expect you to be in possession of yourself and your abilities and faculties, they often throw complete novices into pretty dicey situations. I saw it more than once. Here it was very inexperienced young Indian couples engaged in high speed water sports. Newlyweds. I saw some terrified young brides.

I had come to snorkel, which I did for a time, but Nico told me the best way to see fish around a reef was to use the new diving bell attraction. They took me on a boat out to a floating, anchored station which had oxygen tanks on it connected to diving bells

I put the heavy bell on my head, began breathing regularly and then lowered myself into the water. The oxygen filled bell remained free of water and I could see everything. My entire head was dry down to my shoulders as I dropped to a reef some seven or eight meters below.

It was incredible. There was a boat that had been sunk along with a stone sculpture (of Ganesha, of course) and reefs had slowly formed around them. There was a pathway with a railing I could grip as I walked on the sea floor and spent time observing the fish and other creatures living in the coral. I was standing, and indeed walking, on the Wallace Line.

A Word About Alfred Russell Wallace

If one Googles Alfred Russell Wallace in short order he is indentified as an explorer, naturalist, scientist and co-author, with Darwin, of the theory of natural selection, and by extension, evolution.

Wallace achieved this through observation, and, in his travels through the “Malay Peninsula,” coming to the fundamental breakthrough upon crossing what we now call, the “Wallace Line,” an imaginary line separating and defining the ecosystems of the Sunda and Suhal shelves; Southeast Asia and the Australian-Pacific.

Wallace is the father of “Bio-Geographical Evolutionary Science,” and arguably other fields like tectonics. He is also a highly romantic figure; a collector who became a naturalist and a scientist through rigorous methodology, allowing him to have data yielding a truly original breakthrough in thinking.

Generations of kids fantasize about doing this.

After the snorkeling trip, Sakura took me to a restaurant owned by his family near the airport.

The Ganesh restaurant is a small nondescript place where you can sit at simple tables under an umbrella on a sandy, south-facing beach. It’s in the wide, sheltered cove near the airport where the fishermen’s boats are moored in the afternoons, rising and falling with the occasional wave.

They are catamaran and are very similar to those found in Tamil Nadu. The word catamaran comes from Tamil. These are pontoon boats made from wood and painted mostly white with broad horizontal lines from bow to stern in two or three colors: green, blue, turquoise, red. There are usually two unpainted, white pontoons extending out on either side.

Waves arrive slowly, because the cove is so large, but when they crash it’s a thunderous sound.

Immediately to the right, West, is the airport. As I sat sipping a Bintang pilsner and eating fresh grilled red snapper – chosen from the day’s catch kept on ice in large plastic tubs – I watched planes landing regularly bringing hundreds of tourists and travelers like me.

To the left, Southeast, off in the distance, a tall, massive hulking form stands on the horizon. What is that?

It is difficult to make out because it’s so far away, but it’s clearly the tallest thing on the island by a 100 meters or more. It has a greenish-blue tint, and a rugged form, but it’s impossible to make it out unless you know what it is: the Garuda Wisnu Kencana.

More on the WHEN of this Piece

I left Bali at 3:45ish in the afternoon yesterday, the first.

But by the calendar here, in California, where I’m sitting – for all of Internet recorded time – it will say that I wrote these words 31 hours later.

When in fact … it has been 46 hours since I left Bali. It’s 2:44 tomorrow in Bali now.

Every time I cross the dateline returning from Asia my phone cannot process the dateline. As soon as I connect at SFO, the images appear in my phone time- and date- stamped by the 24-hour clock and calendar of tech.

I made note of it coming back from Narita the last time I crossed the Pacific in this video:

This time, on the way to the airport, I made time-specific videos as placeholders in my phone:

That mantra is played daily on the radio at 6am, noon, and 6pm. So this video was 49 hours ago for me but will be recorded as 34 hours ago in the … whatever the internet is.

And just before I got on the flight from Taiwan to San Francisco, to cross the dateline I shot this:

It’s all TOTALLY OUT OF ORDER now on my phone. Photos and vids mixed together from both sides of the Pacific, all marked August 1st.

Those hours catch up to me in a commuter hotel in Millbrae by SFO that I chose to land and decompress in.

I’ve got to get sleep, but I want to post before midnight here on Saturday the 2nd, so I have just a few minutes. I am too tired to do quality work on these posts. The time difference and jet lag are impeding my mind, but on we go …

We are covering day four of July. My 4th of July was spent here:

The Garuda Wisnu Statue

I want to write about how the Garuda Wisnu Kencana is belittled by some visitors, made fun of as provincial and not visited because it is misunderstood.

The cultural center and park are on beautiful grounds where gamelan is constantly heard. There are barong and gamelan gong performances and cultural presentations held at regular intervals.

The Garuda Wisnu Kencana, or Garuda Wisnu Statue is 246 feet (75m) tall and 216 feet (66m) wide and made of treated Japanese copper and brass sheets placed on a reinforced steel frame and concrete core.

It was designed by Nyoman Nuarta and inaugurated September of 2018. Though the project was conceived in 1993, economic struggles prevented completion for years.

There were no accidents during construction, which I found phenomenal.

The building the statue stands on gives the statue a towering height of over 400 feet (122m). It can be seen from Nusa Penida, an island away, or from the airport when you land at Denpasar

I joined a tour inside the GWK to learn about its construction. Inside, the funniest moment was when the (possibly Russian?) visitor protested the height of the statue includes the building that functions as its base. Look for that at 2:28, It’s great.

The Garuda story that the statue represents is not meant to be overtly religious, but rather folkloric. This was protested as nonsense by some Indian Hindus I overheard, but I found it profoundly moving.

It represents well the amalgamation of local culture with Hinduism. I admire this place very much precisely because it isn’t a religious structure, but a cultural center and park to learn about the Balinese.

It features a beautiful campus of sculptures of advanced design and execution, but I am too exhausted to do this post justice.

Wrapping up my first week, the first week of July on Bali, here’s a fast motion video of dawn from Pecatu:

I learned a handful of words from the staff at Prasana, and more importantly, to distinguish at least three different languages. For example:

‘Terimah kasih,’ is Indonesian and what I would have learned as “thank you,” had I used YouTube, while ‘Suksma’ is the regional language and, I came to learn, most widely used on Bali and Nusa Penida. One morning, I learned the Javan term for ‘ thank you.’

The realization of the living languages surrounding me that were agreeing to speak common tongues for a million reasons was one of the great joys of my vicarity as an Indian on this trip.

I started my language page at Prasana and tried to separate and delineate, but it looks like this now:

Guruduk! That’s ‘thunder’ in Balinese. Several other foreigners I met agreed ‘guruduk,’ corresponds with the deep, rumbling sound we associate with thunder.

In my first week, I learned that there is decorum here. It is graceful, unified and orderly amidst the tumbling overgrowth of nature.

My crude map, begun at Prasana, was equally imbued with scribblings that provoke instant memory

I filmed my first species in Pecatu, the common dove and bulbul. The Zebra dove has a chessboard neck and the bulbul ‘s yellow-vented:

And my flat mate was a very cool spotted gekko:

Pecatu was for me, an excellent introduction to Balinese culture. I was able to ask so many questions of Sakura, and of the young people who worked on staff.

They were from local villages and even if their English wasn’t great, they would be fluent in local languages or even Chinese, or Hindi or French, which are all more valuable in this tourist haven.

I was able to snorkel and to stand on the sea floor and see brilliantly colored fish of dozens of species and to enjoy walking on the sea floor, which I imagined to be the Wallace Line.

Finally, I got to see the Garuda Wisnu Kencana.

Which I consider a great national and Balinese accomplishment that has yet to be appreciated as the art object it is.

I spoke French, Chinese and as much Balinese as I could learn while I was on Bali and Nusa Penida in July. It wasn’t much, my language skills are rusty. My French would have to get much better for my next stop:

Going to Canggu and Ubud

The car from Pecatu to Canggu would be my first opportunity to see the traffic created by tourism on what should be called the one-road culture of Bali.

The island doesn’t have many roads, indeed the culture seems to be: one way in, one way out. There are perhaps six million native people living here and land is precisely divided. It’s much like Thailand and Cambodia.

The roads are small, two-lane affairs, teeming with motorcycles and scooters weaving between the cars. A funeral procession could block a road for a half hour. In recent times with the huge influx in tourism, this leads to very slow travel on very crowded roads.

The foreigners rent scooters or use Grab, the rideshare app, to call a scooter with a driver to get around. Often I saw two women calling two Grab scooters to ride together some place. It’s easy, but as I discussed in a previous post, it isn’t entirely safe. They give out helmets now, but it’s macho not to take one, so I didn’t. We weren’t going fast enough to warrant it in that heat.

While I had gone down to the ocean in Pecatu, passing through villages and past big resort hotels, and had seen honeymooning Indian couples in droves, it wasn’t a heavily trafficked drive. They mostly fly in, are driven to the resorts and stay there until they leave. I hadn’t yet seen the very tourist-driven economies of Seminyak or Canggu or Ubud. Canggu would be my first opportunity to hang like a white westerner. It wasn’t for me. Again.

I dreamt of coming here for the past thirty years, to examine the biodiversity that enamored Alfred Russell Wallace, and to meet these people, to hear their music and learn their culture.

Now, I feel late. The place is packed with tourists: Australians, Russians, Chinese, Indians, French, British, Spanish, Japanese, Koreans, and a few Americans … all coming to be massaged and to party and to surf and to snorkel and to meditate and to eat right and to do yoga at a price they can afford.

The Balinese have grasped what they want and provide it in rote, fast-paced, organized ways. They hardly care for the people they thrust into some situations, why should they? You asked to do this. I will explain what’s required and we’re off. It can end tragically. I always blame the tourist.

I am not on social media and don’t use WhatsApp, which is a real source of consternation and frustration to agents and hoteliers, drivers, and the digital generation. Sakura said he was just standing there with the sign and had no idea if I’d show up at all.

I’ll use Grab, sure, but I am in no rush and always leave early, so for me, everything is a cruise and nothing really flaps me. The current generation of digital travelers don’t understand why I didn’t want to give out my number, nor be on Insta or TikTok.

I like trying to travel in Asia the way I did in the early 1990’s, before the Internet. I always travel alone. I don’t really like tourists anymore. You’ve all earned my disappointment with your arrogant, condescending posturing and expectations and your loud, rude, stupid kids.

I separate myself from the digital generation’s methodology on purpose. I feel the way I travel connects me more directly, and there are less chances of miscommunication or of being lost in translation. It makes everybody have to take a little more care in communicating. Sadly, by the end of this trip, I was forced back on WhatsApp. I’ll be eliminating it again soon.

In one situation I was the only non-white, Westerner. People took me for staff. And that’s who I spent time with. I have experienced this otherness before. Where’s that fun? I have to act like a Westerner to be in Bali? No, thank you.

But it was in Canggu that I realized two weeks was nowhere near enough time to explore Bali. I extended the trip to a month.

I would make up the rest of the journey myself, as I went along, and spend all of July on Bali. It would be the best July of my life.

I’m not white. I am dark brown.

Sakura had gone back to his home village and so it was a younger man who drove me to Canggu. I commented that there were increasing numbers of foreigners as we went along, and he agreed, saying we were going to, “a very crowded area.” We didn’t have much to talk about. Perhaps his English wasn’t very good, and my Balinese, after only a week, was pretty much nonexistent. So I invented a game called “suss the whitey.”

If we passed a white couple or family or individual I would guess what country they were from strictly by their appearance. At first, my driver was reluctant, but he smiled every time I’d say, “oh definitely French.” or even just, “Oz.” – a few seconds after we passed someone. By the middle of the journey he was resisting my proclamations with his own. “Really? I think Russian.” or something like that. It was a fun game.

At one point he said to me, “The Russian accent sounds like invite you to fight.” Which I thought was hilarious. Many Balinese I talked to about the various tourists told me the Russians seemed different. Angry, disappointed somehow. It was a culture clash of forms. 

In Canggu, I’d be staying in a French place. It was exceptional, but I am hesitant to write about my first time in Canggu and my time in Ubud because both were very western, tourist sites, both were somewhat disappointing to me.

The best thing of my time there was my visit to Bali Bird Park, a place I had wanted to go since 2006 because Rigo and Robert King Wilkerson had gone there, then, and they raved about it.

I got up early and went when the gates opened at 9am so I got to see all the birds on my own before the busloads of school kids arrived. I was able to film and sit with so many fantastic species! The hornbill was like something from prehistoric times.

I made a playlist of videos from there. I will let the images do the talking:

Epilogue: Can’t Write About It Anymore Cause I’m Back in the US

It’s disappearing now.

I have been back eight days and the feeling of Bali and Nusa Penida shrinks within me rapidly now, crowded out by what is required of me to be an American.

I’ve been an American citizen for 44 years. I’ve rejected much of what was proposed to me as valuable or righteous, and instead seized freedoms, particularly creative freedoms, to create the intellectual space in which I reside.

So I am extremely self-possessed.

I am the Brahmin son of a guru: learned at his knee, watched him teach students (sishya), and learned at his deathbed. I am learned.

I’ve purposefully stretched the definition of my Brahminism to contest its caste-based restrictions, picking up on a thread my father started by agreeing to be a professor in the West.

I took from what was afforded me so I could have this intellectual space. I am regarded as ungrateful or heretical by some. I consider them ignorant of history, culture or me. I am the author of this existence and its communications – whether in performance before you, in a video, or on this blog..

But the reason I cannot meaningfully write about Bali anymore is because I am back in the United States. The social truths forbid it. I will have to work now to compose messages to explain my experience, faithfully.

For the record, here are the three playlists of much of the video I shot there:

I am proud of the internal consistency of my thinking and expressions, tied to a deeper consciousness from our 5,000-year-old culture that has governed my approach.

When in Bali, I was Indian. The handful of instances in which I was an American were always with tourists from the West or China. No passport or oath or societal commitment can erase the connection I had with the Balinese as a Hindu. It is for us to interpret with each other. It is not for anyone else to translate, interpret or make known in some reduced way.

This, my life time, and its era of “culture” is immaterial. For now, my truths have been buried under an avalanche of American lies and social postures. We’ll work on it ’til I’m dead, I suppose.

This is the last picture of Bali I took as I left:

My last view of Mount Agung, the tallest and most active stratovolcano on Bali, a sacred place. 5,300 feet high, it last erupted in 2017 and 2019. It’s worst recorded eruption was in 1963. Thousands displaced, 1500 dead. If it erupts it influences everywhere from here to New Zealand.

Three views of Agung:

If I post here again it will be titled “Nusa Penida and Kintamani,” and I’ll add recollections of those places. But I need studio time now to refresh and create reflection.!

Best of luck to all,

Suksma Bali!

mtk

Separation as Opposed to Isolation

19 Thursday Jun 2025

Posted by mtk in 2025, beliefs, Commentary, journal entries, Letter From MTK

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blog, books, Francisco, Karthik, life, m.t., mtk, San, travel, writing

It has been a month and a half since last I wrote. The statistics for this site reveal that no one reads what I write. It is, and has been, a resource for documenting my view of this existence in which I was born the eleventh mouth to feed in a two-room apartment in India, moved at two to the United States of America, the youngest of a family of five that disintegrated.

And who then travelled alone for years and lived in Austin, Taiwan, Japan, India, Thailand, Washington D.C., and New Orleans before moving to San Francisco in 1993, to New York in ’97, and L.A. in 2002 – where I fathered a child and was a local radio personality – and back to Japan for all of 2005; India ’06 – ’07 and finally back to Oakland and the San Francisco Bay Area.

Ten years ago, I began to split my time between SF and San Antonio, Texas, where my father – undeniably a great American – wished to die.

Now, five years in the wake of his passing, I write to you from back home in my favorite city, San Francisco, where I am alone.

My eighth trip around the world was embarked upon from here in late 2022 when I spent significant time in Amsterdam and same in Bangkok in 2023.

It has taken me 40 years to free myself of the burdensome garbage I’ve had to participate in – just to be an American.

But now, I consider myself like Tolstoy after the wars, or the young boys of the golden era of dutch painting, wealthy scions of colonists bringing everything from around the world back to Amsterdam. I’m financially stable, experienced, educated and have been writing and making art for 30 years.

I am widely disliked and in 55 years of being in the United States, I never made a friend. What friends I made are no longer friends, and I’m now separated from my family and from my ex- and our child, who has not spoken to me in more than five years.

In the United States now, I am persona non grata for my beliefs first and my behavior in societal situations next. Most people who meet me have no interest in befriending me any more because I reject the society and maintain the uncompromised position that is a thread throughout my life and work. Being true to myself has “cost” me every relationship I ever made.

In a controlled way, and very aware of the audience, I still perform somewhat loudly in public space – coffeeshops, bars, alleys – as I have done for thirty years in the United States, expressing my truths … but now they tire of the “act,” that has been my existence here.

I continue to read in public as well, promoting the act of reading and general intellectual pursuits. I have been reading novels for decades and intend still to write a good one – let’s see.

To most, I am merely an immigrant they can either use or forget.

To me this separation was an inevitable eventuality to my methodology. It is not to be railed against, but to be rolled with and seized for the immense value it has. I have time, resources, abilities I need to let flower. Please support me or leave me alone, thanks.

love,

mtk

Possum Mukbang

16 Wednesday Apr 2025

Posted by mtk in 2025, fauna, San Antonio, TX

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Four and a half years ago, an opossum, Didelphis virginiana, the only marsupial of North America, gave birth to a litter of joeys under the shed in the backyard of my father’s house. It was six months after he died.

Here’s a playlist of videos of the opossum mother, whom I called Shakuntula, and her offspring from

August of 2020:

There’s remarkable footage there of Shakuntula facing off and driving away a big, fat raccoon. Not playing dead. Rare confrontation. And there are videos of five joeys in August of 2020. The first male is known in the videos as Primo, but should have been called Bharat. It exited and wandered on its own before the others.

Marsupials are pre-placental mammals. They are older than us by a hundred million years. Their little hands – with opposable thumbs! – existed before our hands by tens of millions of years.

Pre-placental Mammals

The platypus is a monotreme, older still, lays eggs.

The marsupials evolved to grow their babies in a pouch on their bodies, still do. The placenta was an evolutionary advancement allowing us mammals to grow them in a pouch inside our bodies.

MAY 2021

In May of 2021, I filmed an opossum, returned. The dark legs and fair body seemed familiar. But I cannot be sure. Size-wise, is this right for a ten-month old opossum? If so, it’d be Shakuntula’s offspring.

Is this a female? Shakuntula’s daughter?

APRIL 2025

It’s four years later, and ten days ago, I discovered a joey wandering around the yard. I set up cameras again and lo, and behold, another litter of opossum under the shed.

I think the mother is one of Shakuntula’s, perhaps the one that returned above, and that these are Shakuntula’s grandjoeys.

Compare the little, white-faced, dark-legged opossum joey in the 2020 and ’21 videos to this one.

I believe that video shows the mother, whom we will call Och, the Mayan word for opossum, (pronounced ‘awch’) checking out the fruit plate and leaving the area to hunt or gather nutrients.

Och then returns to the plate, eats the banana, then goes into the burrow to nurse the as-yet unweaned young. She comes out, cleans herself off (including her front, where her teats are) before eating the remaining fruit.

That was April 10, 2025. I saw one of the joeys at least a day before I set up that camera, wandering and lost in the backyard. The one I believe to be the first male of this litter. I decided to feed and film them.

Possum Mukbang

Mukbang is a broadcast genre (originally from South Korea) for video, especially one that is live-streamed, that features people eating an abundance of food and addressing the audience.

In the USA opossums are colloquially known as ‘possums.’

Since I began feeding the mother opossum and have started filming the very first bites taken by her young, I call these videos Possum Mukbang:

I will be filming the joeys as they grow over the next 100 days, and go from not being able to eat solid food to having 50 teeth, most of any mammal.

This will be Possum Mukbang 2025.

mtk

Neck-Deep Time

02 Wednesday Apr 2025

Posted by mtk in 2025, beliefs, Commentary, philosophy, poetry, religio

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beliefs, Christianity, commentary, deep, geologic, hindu, islam, Judaism, Karthik, monotheism, mtk, poem, poetry, proem, religion, time

Human history lies in the shallows.

We walk out deeper because of our powerful ability to imagine, we wander into prehistory at our knees.

The strata of the eras ribbon up our torso through geologic time.

Neck-deep time.

Our head above the watery eons only because we cannot hold our breath for long and yet,

we plunge through space and time with automatons and can project the data into comprehension as never before.

I am so disappointed in the world’s religions who deny our expanding comprehension.

they are farcically wrong.

tolerance of their incorrectness

an ever-expanding river of bullshit

has led to racist factionalism that stands in the way of science and humanism.

I glance back at them all squabbling in the shallows like babies,

calling each other names and threatening wars

oblivious to the depths revealed by our observations

our science.

I do not long to explain the spiritual or wondrous inexplicable.

I only long for all the bullshit else to end, so we can continue to evolve into something beautiful, calm and sane.

And not to stampede down an apocalypse invented by false prophets leading religions for personal gain.

The Buddha implied as much 2568 years ago.

Love,

mtk

My Travels With Sylvie

29 Saturday Mar 2025

Posted by mtk in 2025, Road Trips, Sylvie

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automobile, Book Review, books, car, fiction, Karthik, link, mtk, road, romance, Sylvie, travels, trip, writing

To sum up:

Last year I bought a 17-year-old used car in San Antonio, Texas. It’s a 2007 Nissan 350z, V-238, six-speed manual transmission, high performance sportscar.

The model was called the “Fairlady Z,” because the President of Nissan at the time of her creation, Katsuji Kajamata, admired the Broadway musical, “My Fair Lady,” which he had seen on a visit to New York in 1961.

I named mine Sylvie.

I bought Sylvie last March after months of searching for a suitable car. I used bots set to seek a car with: manual transmission, with fewer than 100,000 miles use, for less than 10,000 dollars. 

After eight months of garbage hits (a the Thing, a ’72 BMW, other nonsense), I got a hit in San Antonio about Sylvie. It was on February 29th, because last year was a Leap Year.

I flew down and bought Sylvie, then stored her under cover until July, when I drove her across the Southwest – TX, NM, AZ – to California.

She turned 100k miles on the odometer on the trip. Sylvie received her California plates and registration in Palm Springs where she was also treated to a refurbishment and repair of worn parts and given a full tune-up. I planned in advance to do this in Palm Springs, because So Cal is car country.

I figured in the Bay everything would have taken longer (DMV would’ve been days instead of hours; repairs weeks instead of days) and been of suspect quality. I love San Francisco, but if you need anything done you have to leave the City and then you are in the private club of Nor Cal where you have to know somebody to get the best work done. I hear Manhattan is like that now. Palm Springs did Sylvie and me right.

This is Sylvie in San Simeon day before yesterday:

We drove the last stretch home last year stopping only in Pismo for a night. I pulled into SF and parked Sylvie in her new garage, rented in my preferred neighborhood, in SF.

So since summer of 2024, my car has a home in SF.

And, for the last nine months, I’ve been taking Sylvie on long drives – most recently to Cactus League, as Spring training for major league baseball is known in Arizona. I saw the preseason Giants play in their stadium at Scottsdale and at Surprise, Arizona, where they took on the Royals.

Sylvie and I drove down to LA along the coast back in January to catch a Lakers game at Crypto dot com Center, staying in Santa Barbara and SLO. On our most recent trip we stayed in San Simeon and Los Alamos, a little exploration of Central Coast California.

“My Travels with Sylvie,” an homage to both Steinbeck and Thompson.

MTK is on BlueSky

24 Sunday Nov 2024

Posted by mtk in 2024, journal entries, journalism, Letter From MTK, literature, social media, thoughts

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app, Blue, BlueSky, Karthik, media, mtk, sky, social

I quit socials in 2021. I was on Twitter for exactly ten years: as MTKsf from April.4, 2011 to April 4, 2021.

I have started BlueSky as of November 24, 2024.

https://bsky.app/profile/mtksf.bsky.social

Protected: A Family Story That Disintegrates

10 Sunday Nov 2024

Posted by mtk in 2024, midlife, our son, self portrait

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This content is password-protected. To view it, please enter the password below.

Welcome to The MTK Blog and Archive

09 Wednesday Oct 2024

Posted by mtk in 2024, Letter From MTK, public letters

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citoyen, du, Francisco, Karthik, m.t., monde, mtk, San

Greetings:

blogging again.

If you use a website view instead of mobile version, you can see posts here date all the way back to the 1970’s in a column to the left – that’s the archive.

It has only been a dozen years since FB went public. Twitter followed. Then Instagram, then Snapchat and Tik Tok. Facebook went live twenty years ago, but … I never joined.

I’ve had computers, tablets, laptops and PCs throughout all those 20 years but just never opened or posted to Facebook … or to Instagram, nor Snapchat nor Tik Tok … just skipped all these “social media” ones. I didn’t want someone else owning all my content -and the restrictions that come with that.

So instead of posting to social media since 2012 when Facebook went public, I began posting to this blog, I also collected stuff from years past reaching all the way back to 1977 and posted these here, using publication dates corresponding to the archived material.

So I’m the publisher not Zuck or Jack or Elon and I retain intellectual property rights and copyrights.

Please do read and share if you find something of interest here, and credit me, MTK. Thanks.

Best,

M. T. Karthik,

citoyen du monde

last seconds

30 Friday Dec 2022

Posted by mtk in 2022, poetry

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It’s near midnight here
soon to be the last day of the year
I’m killing time
my only perpetration of murder

unless you count the smashed roaches and other bugs

that my Dad and the Jains count
but I don’t

they sweep the ground in front of themselves
to avoid stepping on ants

Dad would say a prayer for bugs that hit his windshield
as he gripped the wheel two-handed on our doomed summer vacations

fools
accidents happen
they always will
and maybe

to you

tomorrow

and you won’t experience
one second
of the new year

or any of the ten
in the countdown to it

and when they sing
Auld Lang Syne

it’s you
they’ll be thinking of

murderer

– M.T. Karthik, Pondicherry, 12/30/2022

Spinoza, Rembrandt and the Dutch Enlightenment in Amsterdam at the Rijks, and Multatuli in its Wake

28 Monday Nov 2022

Posted by mtk in 2022, Amsterdam, art, Commentary, history, Letter From MTK, philosophy

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17th, acknowledgement, Amsterdam, baruch, c., century, colonialism, Dekker, Douwes, dutch, Edouard, enlightenment, Era, Francisco, Frans, giants, golden, Hals, Karthik, m.t., master, masters, mtk, Multatuli, painters, painting, philosophy, post, post-colonialism, racism, Rembrandt, rijks, Rijksmuseum, San, sf, slavery, spinoza

I am writing something and these are my initial thoughts

Westermoskee

28 Monday Nov 2022

Posted by mtk in 2022, Amsterdam, architecture, art, landscape, philosophy, religio

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The Westermoskee – in Turkish Ayasofya Camii, and English, the Western Mosque – is a blissfully serene, Ottoman-form mosque built in a Neo-Classical style along the canal Schinkel in the Schaasebuurt in De Baarsjes in Amsterdam West – a calm, quiet neighborhood.

Wiki tells us: the building was designed by French traditional architects Marc and Nada Breitman, winners of the 2018 Driehaus Prize and part of the New Classical movement.

Construction started in 2013. the building was completed in 2015, and the mosque unofficially opened in Spring of 2016. It is the largest mosque in the Netherlands. Features of the Ottoman style are the single minaret and large Ottoman styled main dome.

Amsterdam is Open and it’s Autumn

26 Saturday Nov 2022

Posted by mtk in 2022, Amsterdam, architecture, landscape, sky, weather

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Amsterdam, autumn, canal, cold, fall, grey, Karthik, leaves, m.t., mtk, sky

fall

San Framsterdam

The chlorophyll-leaking leaves yellowing away on the chilliest day, I’ve been here:

Street Art, Signage and Posters in Amsterdam Autumn ’22

20 Sunday Nov 2022

Posted by mtk in 2022, Amsterdam, art, conceptual art, dutch, journalism, landscape

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MOCO Amsterdam’s Listicle Curation: Kusama, Warhol, Banksy & Contemporary ‘Masters’ – plus Studio Irma Digital Immersion ‘like the one in Barcelona’

18 Friday Nov 2022

Posted by mtk in 2022, Amsterdam, art, Commentary, conceptual art, essay, installations, travel

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Amsterdam, andy, banksy, Basqiat, Damien, Hirst, Jean-Michel, Jeff, Karthik, Keith, Koons, kusama, m.t., masters, MOCO, Modern, mtk, Warhol, yayoi

It was like walking into a university show in Soho in the ’90’s – Kusama, Warhol, Haring, Basquiat, Koons and Hirst – then suddenly it was like street stuff from the aughts: banksy, Stik, Invader.

Then Hayden Kays and KAWS and Takashi Murakami and Abloh is how it morphed into stuff I had only seen over the last five years because Google throws it up on my projector on heavy rotation ad nauseum thousands of miles from here – like Dream. (to old heads, I say big ups to Oaktown DREAM, rest in power). Then there was a Hirst and a Koons and a Warhol and a sweet roomful of Yayoi Kusama.

Moco Amsterdam is housed in the Villa Alsberg, a townhouse overlooking Museumplein in the heart of Amsterdam (between the Rijksmuseum and Van Gogh Museum). The building was designed in 1904 by Eduard Cuypers, nephew of Pierre Cuypers, designer of Amsterdam Central Station and the Rijksmuseum.

It is a good collection of very specifically well-known contemporary art, linked only by their pop. They don’t hide it, Moco calls itself a “boutique museum.” They have a second location in Barcelona. I heard the immersive digital art installation by Studio Irma was the same there.

What is this show exactly? I found out about it from posters slapped around town:

Wait – what? I was standing there in the street thinking that looks like clickbait for a museum exhibition produced by the marketing department. Here’s 4k video of my visit to Moco Amsterdam … check it:

Moco’s building was a privately-owned residence and one of the first family homes built along Museumplein. It was inhabited until 1939. Then, the house was let to priests who taught at the Saint Nicolas School in Amsterdam. Later it was converted into an office for a law firm.

Moco took over the Villa Alsberg and opened the museum in 2016, a traditional Amsterdam townhome on the museumplein, converted into a walk-through collection. But it is densely packed with the art and difficult to navigate when crowded. I was here on a rainy Thursday and it was claustrophobic. They should show less and allow for more space before the art.

Some artists received better purchase, weirdly (read: banksy). The one Warhol inclusion was pretty cool – diamond dust. Kusama is boss. Banksy’s tenner is great. The sculptures in the garden by Marcel Wander were precious. Studio Irma’s digital immersive art was low-tech, high-concept and cool. But it’s a densely installed collection. It was difficult to appreciate a large canvas by Hayden Kays, mounted in a small room. The Harings were also installed in a small square room, jammed with people. It was awkward.

Koons and Hirst were kind of just stuck in the hallways. Rooms were grouped loosely by era, but not distinctly so. They had these vague categories – Modern Masters, Contemporary Masters. It may have been an attempt to contrast-gain through equanimity but the install just felt crammed and poorly considered.

Prints were indicated to have been authenticated by the artists. The provenance for the Invader piece was credited to Jared Leto. Things that were new to me that I enjoyed were the playful works of Marcel Wander, the digital immersive stuff by Studio Irma and the large canvases (panels?) by The Kid.

The Kid, a contemporary painter using oils to create large photocollage-style paintings, had exquisite technique, though the work was conceptually immature. I wondered if there were painters in this land that spawned Rembrandt, Hals and Hooch and Vermeer and Van Gogh – and if so, what were they into? As a young artist, The Kid is into deeply personal concerns at the moment, but he will be good to watch evolve as a painter. I admired his use of pseudonym and rejection of nation-state in the establishment of his identity. Smart kid.

Ultimately, though, the artists were equalized in the hyper-capitalized gift shop that was tragically post-ironic: Campbell Soup Can skate decks beside decks that had banksy’s girl and balloon – where’s that dough going? Basquiat crowns as lapel pins. Is the Basquiat Estate or somebody who owns some weird rights making money here? on hundreds of euros worth of cheap, chinese-made kitschy derivative chunks of plastic? Is this a non-fungible token (NFT) emerging into totally fungible bullshit (TFB) in the museum culture?

Sure enough, the exibit includes NFT: The New Future, which they claim is, “Europe’s first dedicated exhibition space to the NFT phenomenon.” Beeple. It feels half baked. Exhibition spaces for non-fungible things.

Your ticket comes with a free gift from the museum and a discount for the gift shop. The shop was cringe. There were totes and hats and pins and cards and posters, lots of pink and the generalized motto of the museum: In Art We Trust. I mean. Look, it was a decent show or a weird collection of highly successful names in art since like 1990, in a house, but … what is this?

The curatorial sense here seems to be: throw as many recognizable names up as possible to herd in the stoned masses visiting the museumplein. Oh, and cater to the ever-increasing LGBTQ+ tourism euro, by featuring gay cultural icons and the color pink. This show wasn’t so much curated as listicled. Superficial.

By my observation, the corporate partners of high-profile museums in city centers of the colonial era are amidst a reformation, post-George Floyd – a Black Lives Matter effect is international. Woke culture expects more. Millennials are uninterested in the old narratives. Moco seems to seek to fill a void in perspective over traditional museums – that of street art and free expression. But superficial listicle curation for tourist-culture, and capitalist reduction of profound cultural expression, is gauche.

Moco resides somewhere between traditional museum culture and the modern art marketplace. It’s like a brick and mortar pop magazine on the museumplein.

from Amsterdam, I’m

M.T. Karthik

Over Millennia Heen, Google Translation of an MTK Essay

17 Thursday Nov 2022

Posted by mtk in 2022, Amsterdam, beliefs, dutch, essay, history, India, Letter From MTK, philosophy

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Original English 2020, Google Translated to Dutch and Posted today, 2022

17 januari 2020

De machines namen op subtiele wijze de controle over de tijd over van de mensheid en bijna niemand merkte het op.

Deze tientallige cultus van decennia, eeuwen en millennia veroverde de hele cultuur in een tijdsbestek van vijfentwintig jaar en werd het eerste salvo van de machines, met als hoogtepunt de overeenkomst tussen hen die bekend staat als 2000.

Ik ben geboren in een continue en oude cultuur , ongebonden aan dergelijke beperkingen, die tot intellectuele, filosofische, culturele en artistieke hoogten stegen. We vonden schaken uit en een concept van nul en vele andere filosofieën die zich in jullie (met terugwerkende kracht genoemde) eerste millennium vanuit de boezem van ons land naar buiten over de continenten verspreidden.

Totdat we op brute wijze werden onderbroken door de Europeanen in hun woeste eeuwen – van het gebruik van schepen om overal te reizen en iedereen te onderwerpen in naam van een ‘beschaving’ die we vonden en nog steeds vinden als invasief, lomp, fysiek, brutaal, kortzichtig, arrogant en onwetend.

Ze leerden wat ze wilden leren, waar ze baat bij hadden, maar snel … verdienen).

Dus ja, plotseling, precies in het midden van hun tweede millennium, gedurende vijf eeuwen, voerden ze deze wrede, onmenselijke, racistische projectie op de wereld uit, met als hoogtepunt landroof van continentale omvang dat probeerde honderden naties van miljoenen mensen te genocide, die ze ten onrechte indianen en zwarten noemden.

We keken naar dit alles vanaf de andere kant van de wereld, waar ook wij gedwongen werden de aanval van de Europeanen op te vangen, voornamelijk de Britten. Ook wij ervoeren toen de God-complexe en sluwe manipulaties die ze gebruikten om zichzelf te verheffen en ons tot onderwerping te buigen.

Dus, net toen hun tweede millennium ten einde liep en hun filosofie een zogenaamd postkoloniaal tijdperk schonk, behoren ook wij tot de honderden miljoenen die het juk van hun onderwerping van zich afschudden.

Mijn bestaan ​​strekt zich uit over millennia.

En ik weet niet wanneer je leeft, maar we worden nu dagelijks wakker om na te denken over de mogelijkheid van onze volledige en totale uitroeiing, niet noodzakelijkerwijs door toedoen van gewelddadige mensen, maar misschien als gevolg van wat de Europeanen in het halve millennium heeft gewerkt, in voor- en tegenspoed. Ze bouwen, beschermen en verzekeren hun clubhuis gebouwd van racistische sociale waarheden voor de 1%.

Hun afweer en onzekerheid in het langzame besef van hun tekortkomingen, verlamt ons, terwijl we proberen het langzame, eeuwenoude werk te doen … van het kalmeren, zelfs kalmeren van de oorlogszuchtige aard die zo snel opduikt in het gegrom.

Het wekt flitsende woede en gewelddadige explosies op die verwoestende gevolgen hebben voor honderdduizenden families en onschuldigen.

Het handhaaft blanke suprematie en raciale dominantie. Het gaat door en verergert verraderlijk door luid en op enorm internationaal volume degenen te promoten die voortdurend hun verhaal vertellen, met als hoogtepunt de lelijke rauwe kapitalistische boer die Trump is – een PT Barnum in het Witte Huis die denkt dat hij God is.

(beats)

Het legt degenen die parallelle geschiedenis vertellen stilletjes het zwijgen op – door ze te verwijderen uit de formele digitale basis-tien op het internet tussen de opgeslagen gegevens. En maakt ze impopulair door ze te overstemmen en op alle andere manieren die nodig zijn. Facebook is hiervoor de perfecte machine.

Dit betekent, in sommige gevallen, de waarheid op alle mogelijke manieren impopulair maken en de echte waarheid op alle mogelijke manieren vervangen door een sociale waarheid.

Ze hebben nog niet volledig ingezien dat wat ze hebben gedaan verkeerd was, ze verontschuldigden zich niet, toonden geen berouw, vroegen niet oprechte vergeving en probeerden niet te herstellen wat was.

In plaats daarvan hebben ze hun eigen geschiedenis gecreëerd die deze millennia labelt, de kalender vaststelt en wanneer de dag begint en eindigt en globalistische termen gebruikt voor woeste kapitalistische engagementen, waarin geld de almachtige is en oorlog om hulpbronnen eeuwigdurend is. Ze roepen zichzelf uit tot overwinnaars van deze continentale landroof en eeuwenlang slavenbezit.

Op de klok waaronder we leven aan het begin van hun derde millennium, drijven ze de motor van onze wereld waanzinnig vooruit in een steeds onhoudbaarder tempo.

Mijn naam is Karthik en ik ben een mens, geboren in Tamil Nadu, India, en de afgelopen 50 jaar opgegroeid in de Verenigde Staten van Amerika. Ik ben goed opgeleid en lees dagelijks een grote hoeveelheid contemporaine informatie en gegevens over onze tijd. Ik ben werkloos en gescheiden van alle ideologieën.

Ik verkoop niets en ik ben niet op zoek naar een baan.

Ik probeer alleen maar te communiceren hoe misselijk en beschaamd ik ben door de VS. En om je te smeken om te stoppen. Koppel los. Vertragen. Ga terug naar wie je werkelijk bent. Je bent verdwaald en rent in een razend tempo.

Als je verdwaald bent, ren dan niet in een razend tempo. 

Hou op.

Rustig aan.

Verzamel gegevens en evalueer de huidige situatie, wat er feitelijk voor u ligt.

Organiseer en herschik uw prioriteiten naar de onmiddellijke.

Goededag

01 Tuesday Nov 2022

Posted by mtk in 2022, Coastal Cali, Commentary, conceptual art, weather

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I’m coming to Amsterdam. Next week.

Time Traveling ’22 with MTK – edition two: Octobers

25 Tuesday Oct 2022

Posted by mtk in 2022, 22TimeTrav

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Karthik, mtk, October, tie, time, TimeTrav, travel

It’s Time Trav number two!

This is the second of a series of posts entitled Time Travel in ’22 with MTK (categorized 22TimeTrav) in which I link back to the archive to posts from on or around today’s date. Meta. In this case it’s links from the month of October over the last 38 years.

IN THIS MONTH, OCTOBER …

38 Years Ago … at twilight, I took this picture with 35mm film of Matt Sherwood and John Gentz

28 years ago … Kenny Trice took this picture of me having a cigar on Ocean Beach

27 years ago … I wrote a poem entitled “Memorandum” – (really liked this one, think stylistically it was ahead of its time)

26 years ago … wrote more poetry in my journals

25 years ago … wrote my first koan. And a short story called, “We,” – the editors of The New Yorker hand-wrote a rejection on one of their cards that read, “this is more like one we’d publish,” or something like that. Was thrilled to receive that, I remember

24 years ago … MY THIRD NOVEL! “Karna’s Conflict,” was completed. Originally typewritten in three days, this unappreciated gem was posted online before and during the Millennium

23 years ago … wore a shirt that read “Fuck Rudy,” to the Sensation exhibit at Brooklyn Museum of Art, when Mayor Rudolph Giuliani tried to censor it

20 years ago … produced this music video with Frank Sosa using footage by A.P. Ferrara from the massive protest against war as a reaction to 9/11 that was held in Washington, D.C.

19 years ago … I covered the Recall Election that installed Arnold Schwarzenegger Governor of California for Pacifica Radio and BBC drive time radio in the UK

17 years ago … completed the artist’s book, dereliction, which now resides in the permanent collection at Stanford. I was very proud of that one. Hello, Stanford? Get in touch.

15 years ago … recorded the sound of an F/A 18 Jet as it screamed over my head during Fleet Week in San Francisco

14 years ago … finished a short story  I had been working on for the previous seven years, entitled: “Before You Came.”

13 years ago … attended Steph Curry’s first game and filmed it with digital camera!

12 years ago … The Giants won the pennant and I was with the fans at the yard

11 years ago … ended my campaign for Mayor of San Francisco

10 years ago … the Giants won the world series again

8 years ago … they did it again


5 years ago … reviewed “Manhattan Beach,” by Jennifer Egan

There you go: thirty-eight years of Octobers in:

San Antonio, New York, Brooklyn, Los Angeles, Oakland and San Francisco.

I never sought recognition or made much of an effort to promote myself. That’s why I put everything here. I still seek help to publish and produce both work from the past and current work and am, as always, open to proper collaboration that could get me wider reach, without compromising the identity I have worked so hard to maintain.

Best,

mtk

A Parallel History, poem by M.T. Karthik © 2019

24 Monday Oct 2022

Posted by mtk in beliefs, Commentary, conceptual art, performance, poetry, politics

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#mtkforever, 2019, history, Karthik, m.t., m.t. karthik, mtk, parallel

Inaugural City of San Francisco-Sponsored Public Archery Tournament at Golden Gate Park

16 Sunday Oct 2022

Posted by mtk in 2022, performance, S.F., sport, sports

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archery, first, Francisco, gate, golden, inaugural, Karthik, m.t., mtk, official, park, public, San, sf, sponsored, tournament

San Diego Zoo on a Cloudy Thursday – Active Animals and Birds

06 Thursday Oct 2022

Posted by mtk in 2022, birds, Coastal Cali, fauna

≈ 1 Comment

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african, anuhar, aviary, bear, bonobo, bonobos, darter, diego, fauna, Galapagos, grizzlies, grizzly, Karthik, lion, lions, m.t., mtk, orangutan, San, spoonbill, tortoise, zoo

Juan Soto, Manny Machado and Other Padres on Last Day of Season at Petco Park

05 Wednesday Oct 2022

Posted by mtk in 2022, baseball, bats, Coastal Cali, sport, sports

≈ 1 Comment

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baseball, cronenworth, diego, Francisco, giants, Juan, Karthik, League, Machado, Manny, mtk, National, nl, padres, San, soto, west

Image

Rough MTK Sketch of Mikhail Gorbachev from 2011 (the Words are Mine) – Rest in Peace.

04 Sunday Sep 2022

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drawing, glasnost, good, Gorbachev, Gorby, guy, Karthik, Mikhail, mtk, peace, perestroika, sketch

Posted by mtk | Filed under 2022, art, beliefs, clips, thoughts

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Quit Social Media, Think Critically and I’ll Try to Help With Side Discourse

02 Friday Sep 2022

Posted by mtk in 2022, Commentary, elections, politics, social media

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Karthik, m.t. karthik, media, mtk, politics, social

I covered a lot of elections during the dawn of this century. Then I stopped and unplugged from it all, and, instead of journalism, I turned to ten years of helping raise my child, making art, writing poetry and prosaic thoughts and, finally, helping my father transition from this world.

I used only WordPress blogs and Youtube channels and Twitter – but not Facebook, nor by extension Instagram, because from the beginning I despised Mark Zuckerberg and his bullshit machine and saw it for what it was – a Fuckerberg. It’s why you won’t see me in the metaverse.

For reference, back in ’20, I described myself in that context.

MTK Riffs Upper Manhattan in Winter

20 Saturday Aug 2022

Posted by mtk in 2022, conceptual art, NYC, photography

≈ 2 Comments

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art, christmas, journa;ism, Karthik, m.t., manhattan, Metropolitan, Modern, MOMA, mtk, Museum, new, NYC, Opera, photos, side, street, streets, trees, upper, xmas, york

This post is like a Table of Contents. It’s a meta-post of links to photojournalistic blogposts of my trip to New York six months ago, amidst the Omicron wave of Covid in Manhattan, for five days in late January. The links are in chronological order, and refer back progressively, like chapters about my trip.

Wednesday

I was able to film as we approached on the afternoon of January 19th, flying into New York City.

landing at La Guardia on a clear, sunny day.

Later that night I took Tom to the Metropolitan Opera to see Quinn Kelsey perform Rigoletto.

Thursday

The next morning it dropped thirty degrees and snowed. I spent two hours at the Museum of Modern Art catching the last days of exhibitions of work by Joseph E. Yoakum, Sophie Teauber-Arp and others.

The streets were weirdly quiet and absent of crowds – like I have never seen Manhattan before, even in the heart of winter. New York was dead.

sparsely populated Manhattan streets

That afternoon and evening I hung out at Summit One Vanderbilt, which was exceptional. Because I purchased the afternoon Premium ticket, the sunset ticket, with access to the elevator to the summit, I was able to hang out in the bar all evening, where I was joined in conversation and fun by rotating groups of tourists (wonderful conversations atop Manhattan), and the elevator to the highest viewpoint was amazing.

view from the bar atop One Vanderbilt

Friday

… was in the 30’s.

I hit the Metropolitan Museum of Art to see Surrealism Beyond Borders, which surprised me.

Saturday

had a perfect breakfast sandwich at Chez Nick in Yorkville, a place to which I returned – delicious spot over there. It was the week that people were putting their Christmas trees out for pick up. Many people and hotels instead, turned them into decorative features in front of their buildings.

Xmas tree dumping week.

Sunday

January 23rd was my chance by appointment only to catch the last days of the chronological exhibition on the ramps of the Guggenheim, Kandinsky at the Gugg. That was, quite frankly, an excellent exhibition.

Five days in Manhattan: Opera. Museums. Observation Bar. Streets. and tossed out Xmas trees – Lakshmi-auntie would approve.

That’s for New York.

Love,

mtk

Time Travel in ’22 with MTK – edition one

10 Wednesday Aug 2022

Posted by mtk in 2022, 22TimeTrav

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2022, 22, Karthik, m.t., mtk, time, TimeTrav, travel, traveller

This site is a treasure trove of memories. I created it when I was 40, updated it when I was 50, and now at 55, I am blogging here contemporaneously. Today begins a series of posts entitled Time Travel in ’22 with MTK (categorized 22TimeTrav) in which we link back to the archive to posts that are on or around today’s date.

ON THIS DAY I …

30 Years Ago … photographed families on two-wheelers in Taiwan.

25 Years Ago … mailed a ‘letter to the editor’ of The New Yorker magazine.

17 Years Ago … recorded cicadas in Kamakura, Japan.

12 Years Ago … wrote the very first post for Giants Baseball Corner, entitled, “Eleven to Eleven in the bottom of the Eleventh,” it’s a perfect memory.

10 Years Ago … took a photo of summer flora in Oakland.

8 Years Ago … wrote about my concerns for the Buddy Calk Trailhead of the Leon Creek Waterway in San Antonio, Texas.

5 Years Ago … wrapped up Giants Baseball Corner, it went on hiatus for three years, and wrote an explanatory post about what you could find here, since that was the year I added all the other stuff.

There you go: thirty years of August tenthishness in:

Taiwan, NYC, Japan, San Francisco, Oakland and San Antonio.

with love from,

M.T. Karthik

Space and Time Traveller

Sami Stevens Covers Both Sides Now

10 Sunday Jul 2022

Posted by mtk in 2022, jazz, music, S.F.

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both, cover, covers, Francisco, jazz, Joni, Karthik, Kaz, m.t., Mitchell, mtk, now, Sami, San, sf, sides, song, Stevens

Light Saber Battle Over San Francisco in the Fog

03 Friday Jun 2022

Posted by mtk in 2022, architecture, art, S.F.

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Francisco, graphics, Karthik, light, m.t., mtk, saber, Salesforce, San, tower

Beachcombing for Sand Dollars

19 Thursday May 2022

Posted by mtk in 2022, Coastal Cali, mollusks, S.F.

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beach, beachcombing, combing, dollars, Francisco, Karthik, mtk, ocean, San, sand, sf

Keyon Harrold at The Black Cat

02 Saturday Apr 2022

Posted by mtk in 2022, jazz, music video, S.F.

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black, Cat, Francisco, Harrold, jazz, Karthik, Keyon, m.t., mtk, San, this, trumpet, way

Stay this way
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M.T. Karthik

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This blog archives early work of M.T. Karthik, who took every photograph and shot all the video here unless otherwise credited.

Performances and installations are posted by date of execution.

Writing appears in whatever form it was originally or, as in the case of poems or journal entries, retyped faithfully from print.

all of it is © M.T. Karthik

a minute of rain

https://www.youtube.com/watch?v=QYLHNRS8ik4

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